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Bibliothèque | Type de matériel | Numéro de cote topographique | Statut |
|---|---|---|---|
Recherche en cours... Englewood | Audiobooks | FIC EDW CD | Recherche en cours... Inconnu |
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Résumé
Résumé
Recently returned from the experience of a lifetime in fin de siecle Vienna, where she met and tragically lost the first great love of her life, Eleanor Burden has no choice but to settle into her expected place in society, marry the man she is supposed to marry, and wait for life to come to her. As the twentieth century approaches, hers is a story not unlike that of the other young women she grew up with in 1890s Boston--a privileged upbringing punctuated by a period of youthful adventure and the inevitable acknowledgment of real life--except for one small difference: Eleanor possesses an unshakable belief that she can foresee every major historical event to come during her lifetime. But soon the script of events she has written in her mind--a script described by no less than Sigmund Freud as the invented delusions of a hysteric--begins to unravel. Eleanor Burden, at once fragile and powerful, must find the courage of her deepest convictions, discover the difference between predetermination and free will, secure her belief in her own sanity, and decide whether she will allow history to unfold come what may--or use her extraordinary gifts to bend history to her will ... and give herself the life she knows she is meant to have.
Résumé
After finding and tragically losing her first true love in Vienna, Eleanor Burden returns to the US to settle down into a new life. She is like most other young women at the end of the nineteenth century with one exception: she believes that she has the power to predict upcoming major historical events. But no one, not even the great Sigmund Freud, believes in her gift. Soon the events that Eleanor had envisioned in her mind begin to fall apart. Will Eleanor allow history to unfold o
Critiques (4)
Critique du Publishers Weekly
Edwards's sprawling second novel, it turns out, is no less a puzzle than his bestselling The Little Book, and follows on its heels in time, as Weezie Putnam returns from fin-de-siecle Vienna with a new name, Eleanor Burden, and a leather-bound journal that reveals "forthcoming events well into the twentieth century," handwritten instructions that she believes will determine her destiny. This mysterious "Vienna journal" outlines a series of actions for Eleanor to take, throughout her life, that will make her not only wealthy but a crucial silent playmaker in world history, influencing the likes of Sigmund Freud, Carl Jung, and William James, all while maintaining the facade of a Boston socialite and devoted wife. One of her most significant contributions involves financially backing a conference to bring Freud to the U.S. with the help of her godfather, William James. But Eleanor's personal triumph is securing a teaching position in Boston for a young Austrian named Arnauld Esterhazy, who becomes a mentor to her young son. But when Arnauld, "swept up in the fervor" of WWI, disappears from her life (breaking with the journal's predictions), Eleanor's unwavering faith in the journal is shaken, and she heads to war-ravaged Europe just days after the armistice in a desperate search for Arnauld among the makeshift hospitals that house so many men destroyed by the war. Once again, Edwards has a good time connecting historical events and philosophical ideas, and also connecting this book to his first, though many of those threads remain loose until late in the narrative, and parts of the book feel verbose. But Edwards's bird's-eye view of the details of this momentous age makes this companion piece as much fun as his debut. (Aug. 16) (c) Copyright PWxyz, LLC. All rights reserved.
Critique de Kirkus
Hints of time travel haunt this historical and philosophical novel set in early-20th-century Boston and Europe. In 1898, Weezie Putnam returns to the States from a memorable trip to Vienna with three things: a manuscript, a ring and a journal. The manuscript lauds the genius of Mahler, and she publishes it pseudonymously under the name "Jonathan Trumpp." The ring she sells for $5,000, an enormous sum, to provide seed money for future investments. And the journal--the most precious artifact of all--was written in the future and thus provides her with a window into major 20th-century events. One might also add that she returns with a new name, Eleanor, and thus with a new persona. Because of the information provided in the journal, she knows her destiny and starts ensuring it comes about. As predicted, Eleanor marries a prominent banker, Frank Burden and begins a series of investments that initially seem questionable, though her foreknowledge assures her of their inevitable exorbitant worth. She hires a man named T. Williams Honeycutt, because the journal has informed her that he will be important in the success of her business life, but he has a cousin with the same name, so it's problematic whether she's hired the right one. She takes her largest risk with a young Viennese intellectual named Arnauld Esterhazy, who becomes the father of her son and who seems to have died at the battle of Caporetto in 1917, but the journal has predicted a long life for him, one intricately interwoven with Eleanor's. She's so convinced of the journal's truth that she makes a dangerous trek to postwar Europe to find him, and she succeeds. He's shellshocked, and she takes him to Jung's clinic in Zurich to recover. Throughout the novel, Edwards skillfully intertwines Eleanor's predestined fate with her relationships to Freud, Jung, J. P. Morgan, William James and other historical figures. A powerful, intense and fascinating read.]] Copyright Kirkus Reviews, used with permission.
Critique de Booklist
Moving from America's Gilded Age through WWI's aftermath in Europe, Edwards' delightfully imaginative second novel follows a courageous woman's singular accomplishments and their far-reaching effects on history. In 1898, vivacious Eleanor Putnam returns to Boston from Vienna despondent after losing her greatest love, Wheeler Burden, but with important plans to set in motion. The journal Wheeler left behind predicts major twentieth-century events and tells Eleanor everything she must do to make her future and that of her descendants turn out as they should. This involves making secret investments, marrying her unexciting suitor, introducing Freud to America, and convincing a Viennese scholar, Arnauld Esterhazy, to teach at a Boston boys' school. She succeeds brilliantly, but Arnauld's unexpected wartime death threatens to destroy everything she worked for. Eleanor discovers she has a surprising amount of latitude for personal choice within her predetermined life, which keeps the plot unpredictable and fresh. Intelligent and romantic, The Lost Prince can stand independently of The Little Book (2008), which told Wheeler's story, but why deprive yourself of the pleasures of reading both?--Johnson, Sarah Copyright 2010 Booklist
Critique du Library Journal
Marred by stilted language, cliches, run-on sentences, repetition, cardboard characters, and awkward dialog, this novel concerns a Mary Sue (Eleanor) who plays a major role in historical events. We know Eleanor is perfect in every way because we are told she is. There is nothing in the novel to demonstrate this, but all the men love her and she is so very clever. After all, thanks to the journal she got in Edwards's first novel, The Little Book, of which the current novel is the sequel or prequel depending on your view of time travel, we know that she and her family are the impetus for every major event of the 20th century. The novel is supposed to be about how Eleanor deals with her knowledge of the future and her adventures as a result. But it doesn't work. We are told everything and the result is tiresome. Even on the few occasions Edwards does show instead of tell he immediately undercuts it by telling us what he has just shown. And telling us once is never enough. VERDICT Many readers liked The Little Book. The assumption is they will read this one despite the poor writing and shallow characters; for everyone else, it's not recommended.-Pamela Mann. St. Mary's Coll. of Maryland, St. Mary's City (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
