Extractos

Table of Contents Title Page Copyright Page Dedication   CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 CHAPTER 21 CHAPTER 22 CHAPTER 23 CHAPTER 24 CHAPTER 25 CHAPTER 26 CHAPTER 27 CHAPTER 28 CHAPTER 29 CHAPTER 30 CHAPTER 31 CHAPTER 32 CHAPTER 33 CHAPTER 34 CHAPTER 35 CHAPTER 36 CHAPTER 37 CHAPTER 38 CHAPTER 39 CHAPTER 40 CHAPTER 41 CHAPTER 42 CHAPTER 43 CHAPTER 44 CHAPTER 45 CHAPTER 46 CHAPTER 47 CHAPTER 48 CHAPTER 49 CHAPTER 50 CHAPTER 51 CHAPTER 52 CHAPTER 53 CHAPTER 54 CHAPTER 55 CHAPTER 56 CHAPTER 57 CHAPTER 58 CHAPTER 59 CHAPTER 60 CHAPTER 61 CHAPTER 62 CHAPTER 63 CHAPTER 64 CHAPTER 65 CHAPTER 66 CHAPTER 67 CHAPTER 68 CHAPTER 69 CHAPTER 70 CHAPTER 71 CHAPTER 72 CHAPTER 73 CHAPTER 74 CHAPTER 75 CHAPTER 76 CHAPTER 77 CHAPTER 78 CHAPTER 79 CHAPTER 80 CHAPTER 81   EPILOGUE Also by Catherine Coulter THE FBI THRILLERS   Twice Dead: Riptide and Hemlock Bay (2011) Whiplash (2010) KnockOut (2009) TailSpin (2008) Double Jeopardy: The Target and The Edge (2008) Double Take (2007) The Beginning: The Cove and The Maze (2005) Point Blank (2005) Blowout (2004) Blindside (2003) Eleventh Hour (2002) Hemlock Bay (2001) Riptide (2000) The Edge (1999) The Target (1998) The Maze (1997) The Cove (1996) G. P. PUTNAM'S SONS Publishers Since 1838 Published by the Penguin Group Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA • Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.) • Penguin Books Ltd, 80 Strand, London WC2R 0RL, England • Penguin Ireland, 25 St Stephen's Green, Dublin 2, Ireland (a division of Penguin Books Ltd) • Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd) • Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi-110 017, India • Penguin Group (NZ), 67 Apollo Drive, Rosedale, North Shore 0632, New Zealand (a division of Pearson New Zealand Ltd) • Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa   Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England   Copyright © 2011 by Catherine Coulter All rights reserved. No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author's rights. Purchase only authorized editions. Published simultaneously in Canada   Library of Congress Cataloging-in-Publication Data   Coulter, Catherine. Split second / Catherine Coulter. p. cm. ISBN: 9781101529201 1. United States. Federal Bureau of Investigation--Fiction. 2. Savich, Dillon (Fictitious character)-- Fiction. 3. Sherlock, Lacey (Fictitious character)--Fiction. I. Title. PS3553.O843S 813'.54--dc22       This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental.   While the author has made every effort to provide accurate telephone numbers and Internet addresses at the time of publication, neither the publisher nor the author assumes any responsibility for errors, or for changes that occur after publication. Further, the publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content. To Anton, my favorite guy in the whole universe. A big thank-you, as always.   C.C. CHAPTER 1 Georgetown, Washington, D.C. Tuesday night   Nonfat milk, Fritos, and bananas, Savich repeated to himself as he pulled into the parking lot of Mr. Patil's Shop 'n Go. It was after eight o'clock, and Savich was on his way home from a hard workout at the gym. He felt good, his muscles relaxed and warm, and he looked forward to playing with Sean, maybe with his new video game, Wonky Wizards. He breathed in deeply, enjoying the bite of fall in the air. He looked up at the low-lying clouds that promised to bring a shower in the next couple of hours. Nonfat milk and Fritos and--what else? There was only one car in the parking lot, which wasn't unusual at this time of the evening. A strange play of rapid movement behind the store's large glass window caught his eye. He pulled the Porsche to the far side of the parking lot, out of the line of sight, got out, quietly closed the car door, and walked to the edge of the window. He could see a man inside, his face flattened in a leg of panty hose, standing in front of the counter, pointing a Saturday night special at Mr. Patil's chest. Mr. Patil, who wasn't more than five-five with lifts in his shoes and was at least seventy-five years old, looked petrified. Savich watched his hands shoot into the air above his head. He could hear the man yelling at him, but couldn't make out what he was saying. Then he saw a customer. At the end of the counter stood a man about his own age, wearing a bright red Redskins sweatshirt, jeans, and glasses. Savich felt his heart seize. Pressed against the man's legs were two small children, a boy and a girl. His hands were wrapped around their shoulders, hugging them tightly against him. Each child held an ice-cream bar, now forgotten. Keep it together. He couldn't call 911, and take the chance of sirens freaking the guy out, not with the kids still in the line of fire. He quickly ran around to the back of the Shop 'n Go and heard the engine running before he saw the Chevy Impala, tucked in the shadows off the parking asphalt. He saw a woman in the driver's seat, leaning in toward the passenger's side to get a partial view inside the store. Since she wasn't wearing panty hose on her head, she obviously wasn't slated to join the actual robbery; she was just there to drive the man in the store out of here. Savich couldn't see the license plate. No matter. She hadn't seen him. Good. Forget her, let her get away. He crouched down and ran back around to the front of the store. He held his SIG at his side and began whistling. He opened the door and called out, "Good evening, Mr. Patil," and the man in the panty hose whirled around, his gun leading, as the little girl yelled, "He'll hurt you!" The man froze for the longest instant of time in Savich's memory. Savich saw the father grab the children and hurl them to the floor, and then he fell over them while Mr. Patil hefted a six-pack of beer the man had brought to the counter. Then Savich's SIG was up, and he fired. The rule was always to fire only when you intended to kill, but the bullet didn't go into the man's chest, it went into his shoulder. The man screamed, fell hard to his knees, clutching his shoulder, and the .22 went flying. Savich listened for the Impala's engine to rev, for the car to roar out of there, but he didn't hear anything except a car door slamming shut. He yelled, "Mr. Patil, get down!" Savich dropped to the floor and was rolling when the door burst open and a submachine gun started blasting bullets. He heard Mr. Patil scream from behind the counter, knew he hadn't been fast enough and she'd hit him. He heard the kids screaming, heard the father's deep voice, hazed over with fear, saying, "It's all right, it will be all right." He came up and fired, hit the woman square between the eyes as she swung the gun around toward him. The submachine gun hit the linoleum floor and fetched hard against the counter. Savich saw Mr. Patil leaning heavily on the counter, a bloom of red on his right arm. He jumped up and quickly checked the gunman, pulled the stocking off his face. He was white, about forty, heavyset, his light brown hair seriously thinning. He moaned, holding his shoulder, the bullet still in him. He was lucky the bullet hadn't hit an artery. He'd survive. Savich picked up the .22 and said, "Keep pressing down on that," and then he went down on his knees beside the woman. Like the man, she was white, fortyish, but she was dead. Her dark eyes were open. A dribble of blood came out of her mouth, and the hole between her eyes was a perfect red dot. Blood haloed her head. Please keep their eyes covered. He quickly pulled off his leather jacket and covered the woman's face. He ran back to Mr. Patil and examined the bullet wound. Through and through, thank God. "You did great, sir. You're going to be okay." Savich grabbed a wad of paper towels from next to the coffee machine and pressed them against Mr. Patil's arm. "Press as hard as you can, sir." He called 911 and asked for two ambulances and the police. He looked over at the father, still covering his children on the floor. Both children were quiet now, their father murmuring against their heads, "It's okay, kids, everything's okay now--" Savich looked back at the wounded man, saw he wasn't moving or making a sound. He came down on his haunches, laid his hand lightly on the man's shoulder. He was a big guy, pretty fit, his face less ashen now that he realized they'd all survived. "Don't worry, I'm FBI. You did great; you kept your kids safe. Everything's under control now. The police will be here soon. You're a very brave man; it's a pleasure to meet you," and Savich stuck out his hand. "I'm Dillon Savich." The man slowly stood, bringing the children with him, still pressed against his legs. He straightened his glasses and gave Savich a shaky grin. He started to say something, then lost the words, the wild adrenaline rush choking them off. He took Savich's hand, shook it really hard, and at last he managed to say, "I can hear my own heart beating so heavy, it's like it's going to fly out of my chest." "It's the adrenaline. Believe me, in a couple of minutes you're going to crash." "No, I can't do that, not with the kids here. Hey, I'm Dave Raditch. Thank you for coming in like that, so sharp and fast. I don't know what the guy was going to do; he might have shot all of us. It sure looked like he was going to kill Mr. Patil. Hush, Michael, everything's okay. Hold Crissy's hand, okay?" Savich prayed Dave wouldn't bottom out completely after the adrenaline snapped out of him and fall over. He'd seen it before. He looked closely at Dave Raditch, saw he was occupied with stroking those small shuddering bodies, keeping them very close. Savich smiled at him. "You'll do fine," he said, and smiled down at Michael. Then, because it could have been Sean, Savich hugged him. As Savich pressed Michael's face against him, he thought, how would he deal with this violent terror? With the shock of sudden bloody death? As he rubbed his big hands up and down Michael's back, he said, "Michael, I really need your help. The police will be here soon, and I'll have to speak with them. I want you to hunker down with your dad and sister and talk about what happened, because the police will want to speak with you, too. Do you think you can keep them calm? Can you do that for me?" Michael hiccuped, wiped the back of his hand over his running nose, and slowly pulled back in Savich's arms. He looked over at the man moaning on the floor, holding his shoulder, his blood everywhere. Then Michael looked at the woman Mr. Savich had covered with his leather jacket. Michael knew she was dead, knew dead meant she wouldn't wake up. And there was Mr. Patil, and he was hurt, too, that woman had shot him, but because he'd heard Mr. Savich tell Mr. Patil he was going to be okay, Michael didn't think he'd have to worry about him. He tried to straighten his shoulders and said, "I can do that, sir," in the most convincing imitation adult voice Savich had ever heard. What was he? Five years old? Sean's age. Thank God Sean hadn't been with him. "Crissy, it's okay now," Michael said as he patted his sister's back. "Dad, Mr. Savich said the police are coming and we've got to get our stories straight." Well, close enough. Savich smiled. Dave Raditch's left eyebrow shot up above his glasses. He didn't know where it came from, but when he met Savich's eyes, he grinned, nodded, but only for an instant, because Crissy's face was leached of color and she was shuddering like she had a fever. He cleared his throat. "Okay, Crissy, Michael's right, we've gotta tell the police exactly what happened before Mr. Savich came in. How about the three of us go over there by the potato chips and talk about how this went down, okay?" Crissy Raditch turned to stare at the woman, and then licked her lips. "Did Mr. Savich shoot her dead?" This is the big one. Savich said, "Yes, I had to, Crissy. I couldn't take the chance she would hurt any of us. Now go with your dad and Michael and work this all out." Savich watched Dave Raditch herd his children behind the chip stand, out of sight of the devastation. He looked at the dead woman, at the trail of blood seeping from beneath his leather jacket. Had she ever considered she might die at 8:27 on a Tuesday night? He heard sirens. He looked over at the kids' two ice-cream bars melting on the floor, and then at the big round clock behind Mr. Patil's counter. He watched the minute hand reach 8:28. Only a couple of minutes had passed, a couple of minutes that determined who would live and who would die. CHAPTER 2 Cleveland, Ohio Nielson's Bar & Grill Tuesday night   He said his name was Thaddeus, and he was sort of shy when he asked her if he could buy her a Burning River Pale Ale. He really liked it, he said, and it was brewed by Great Lakes Brewing Co., so she would be helping the local economy. While they sipped their ale, they ate the really salty peanuts set in bowls on the length of the bar. Alana Rafferty thought he was pretty cool with that white face of his and longish black hair topped with a black beret. She'd swear he even used a black eyebrow pencil. His clothes looked arty--black T-shirt and baggy black jeans--and hung on him, since he was so thin. Turned out he was also really nice and funny, one-liners popping out of his mouth. He was a nice change from her younger brother, the jerk, who'd stolen two hundred dollars from her wallet that morning when she'd visited her mother, then laughed at her when she accused him of it, because, the fact was, she always let him off the hook, just like her mother who always excused her loser father. Thaddeus asked her questions about her job, and she opened up to him, even told him how she wanted to write a movie script for a new superhero she'd created. They drank two more Burning Rivers, and then he asked her if she'd like to drop in and see what was going on at Club Mephisto on Bradley Street, only two blocks over. Alana looked at his fine-boned face and long, thin fingers, those darkened eyebrows, the clever smile of his mouth. He seemed okay. She said yes, but she couldn't stay for long, she had to work tomorrow. He helped her into her lightweight corduroy jacket, a gift from her mother on her birthday two weeks ago. She gave the bartender a big smile and a little half wave, and they walked out into the cool evening. It was clear, a half-moon overhead. She had a slight buzz going. Club Mephisto--it was a good place for dancing the calories off, but she really shouldn't go since it was a work night. She smiled at him and tried out his name. "Okay, Thaddeus, who stuck you with that name? Your mom or your dad?" "My dad. He loved Thaddeus Klondike, you know, that old Wild West hero from Charles Haver's books?" "Sorry, I've never heard of this Klondike or Haver. I remember eating Klondike bars. They're yummy. What else did Haver write?" "I don't know. I've never read him." "So here you are, stuck with Thaddeus and no context. No nickname? Like Thad or maybe Deus?" She was feeling more buzzed now than before, and that didn't make a whole lot of sense. Buzzed on three bottles of Burning River Pale Ale she'd nursed for more than two hours? "Nope, it's always been Thaddeus." He stuck out his hand to wave down the taxi cruising by. "I kind of like it that way. With me, Alana, what you see is what you get." The cabbie pulled to a stop and lowered the window a bit. "Sorry, buddy, I'm off duty for the night." Thaddeus jumped forward and kicked his front tire. "Yeah, right, you morons are always off duty." "Hey, dude!" The cabbie gave him the finger and peeled out. Alana frowned at him. "Why'd you kick the tire?" "Guy's a moron. I mean, look, you've got on high heels, and now we'll have to walk over to Club Mephisto." "Nah, I think he's right. I'm feeling like going off duty myself, too. It's getting late. I think I should be getting on home now. Maybe we can go this weekend? You free?" He lightly touched a long, thin white finger to her cheek. "I'll walk you home. You live close, right? That's what the bartender told me." She nodded, smiling, and she stumbled. "Whoa, what's this? I only had three ales, and they weren't that strong." "Maybe it was all those peanuts." He laughed, told her not to worry about it, pulled her closer, and walked her to her building on Hudson Avenue. He walked her up two flights of stairs, down a long, well-lit corridor. "Give me your key." She knew you didn't give a guy your key, not a guy you'd just met, even though he was funny and really nice. It just wasn't smart. But wasn't he about her size? Didn't that make him safe enough? Alana was feeling really sick now, nausea churning in her stomach, sneaking up in her throat, and she swallowed, but it didn't help. She knew she was going to throw up, and she hated that. She tried to focus on getting inside and popping two Alka-Seltzer tablets in a glass of water from her bathroom sink, watching them dissolve. She gave him her key. When he helped her inside her apartment, she knew she wasn't going to make it to the Alka-Seltzer, she was going to throw up now. She pulled away from him, fell to her knees, and vomited on the highly polished oak floor of her small entry hall. She felt like her insides were churning backward, spewing out bile that would choke her. She huddled there, her knees drawn up to her chest. He knelt down beside her, laid his palm on her forehead. His hand felt warm and soft. She whispered, "I'm sorry, Thaddeus, I'm feeling really sick." He stroked her forehead. "That's all right, Alana. I'm the one who made you sick, and now it's time to end it." "You made me sick? But how? Why?" She saw him twist a loop of wire in his hands, saw him reach down over her as she vomited again, beer and peanuts all over the front of him. She heard him curse as the wire went around her neck. CHAPTER 3 Washington, D.C. Hoover Building, Criminal Apprehension Unit Thursday morning, two days later   Lucy Carlyle addressed the group of five agents seated with her around the CAU conference table. "Her name was Alana Rafferty, age thirty-one, divorced, no children. She was a graphic artist for Bloomfield Designs in Cleveland, Ohio. She was outgoing, loaded with talent, and just plain old nice, according to her coworkers and friends, and she met the wrong person at Nielson's Bar and Grill on West Blake Street Tuesday night. The bartender, who's also the owner, said she left with a guy all duded up in black, even a black beret, said he looked sort of gay, at about nine o'clock Tuesday night. Another couple saw the guy wave down a taxi, but the cabbie was off duty. Then the guy yelled out an insult, even kicked the tire. The couple said Alana looked a bit tipsy, and when they walked away, the guy was holding her arm because she wasn't all that steady on her feet. They walked west, toward her apartment, two blocks farther on, at the corner of Hudson Avenue." She nodded a bit unwillingly at Agent Cooper McKnight, wanting to continue and not turn it over to him, but she said, "Coop." Coop said, "Her body was found in her apartment at noon yesterday by the manager and a coworker from Bloomfield Designs. The Cleveland PD put a rush on the autopsy since the murder bore some similarities to four recent murders, two in San Francisco and two in Chicago. This was the first victim in Cleveland. "The bartenders in all three cities describe the guy as looking arty, maybe gay, in his late twenties, early thirties, with longish black hair under a black beret, tall, thin to gaunt. Two of the bartenders said he looked like he'd dusted his face with white powder, and he had long white hands that he seemed to like to show off, you know, picking out individual pretzels or nuts from a bowl. "The bartenders told police none of the women seemed to know him, but they all appeared to hit it off with him quickly. He always bought them beer or wine or whatever, and after about an hour or two, they all left with him. "In each instance, the women were murdered in their apartments. Each had ketamine and Rohypnol in her bloodstream, probably due to spiked drinks. As you know, ketamine is an anesthetic and now a street drug known as Black Hole or Special K that's become popular at raves. Rohypnol is your classic roofie, the date-rape drug. Together, they're a potent cocktail. One Chicago detective said it looks like the guy uses a roll of common wire, impossible to trace, and he unrolls the length he wants and snips it off before strangling them." Lucy said, "There's more information in the folders I handed out, photos of the crime scenes, copies of all the interviews, autopsy results, but those are the high points." She nodded to Savich. Savich said to the group, "Mr. Maitland wants us to handle the case now that this guy's crossed state lines several times and is killing every few days. "Look through the packets and familiarize yourselves with the cases in San Francisco and Chicago. All major police departments across the country have been alerted about this guy and are already on the lookout. "Cleveland Police Chief Aaron Handler has moved fast. He compared the sketch their own police artist made from the bartender's description to the other police sketches made in San Francisco and Chicago." He held up the sketch. "This is a composite sketch, based on the descriptions provided by the three bartenders. Chief Handler had the sketches posted prominently in every neighborhood bar in Cleveland, and they're running the sketch on local television channels. You can see the guy has a distinct look--dressed all in black, with his black beret and black jeans, boots, T-shirt, and leather jacket--and he's kept to his initial pattern--always a neighborhood bar, always choosing a young woman who's alone. He drugs her, and garrotes her in her own home or apartment, which means all of the women let him take them home." Ruth Warnecki-Noble said, "Well, if they were all feeling ill from the drug he fed them, I guess it makes some sense they would accept some help. Plus, if they think the guy is gay, they probably wouldn't see him as a sexual threat." Lacey Sherlock said, "I guess he drugs the women so they won't be able to fight him, either." Lucy nodded. "The bartenders all said the guy looks like a stereotypical artist type, white as a vampire with the white face powder, and bone thin, which means he does indeed need the drugs to make sure he can handle his victims. He looks harmless as a puppy, softspoken, real polite, attentive, a good listener. Another thing--Alana Rafferty didn't look dizzy or shaky on her feet when she left the bar, so he probably put the drug in her last--" Lucy looked down. "In her last Burning River Pale Ale." There were a few more questions and comments, and then Savich brought things to a close. "Okay, Coop and Lucy are the leads on this case. Any of your specific input should go through them. I'd like each of you to think about this guy, about what makes him tick, and give all your ideas in writing to Lucy and Coop. Steve in Behavioral Analysis will get us a profile shortly. "This police sketch and the local TV coverage might make the guy cut his losses and head out of Cleveland, or maybe he'll change his outfit and ditch the beret. We'll see. "No matter what, this case is top priority. Whoever the guy is, we want to stop him before anyone else dies." Lucy said, "This is really ugly, guys, and really sick. Dillon wonders if he'll realize he's a sitting duck and change his routine or his clothes--and that's my biggest worry. If he does change his routine and ditch the black, we'll lose any edge we have." Sherlock said, "Whatever he decides to wear, I've got the weirdest feeling he's not afraid of the cops and he's not going to stop. He's arrogant." Lucy nodded slowly. She agreed with Sherlock. As Lucy and Coop walked back to their workstations, talking quietly, Sherlock said to Savich, "Why'd you put Lucy and Coop together? They don't care much for each other. You can tell that by their body language. Look at the distance between them." "That's why I put them together," Savich said matter-of-factly. "They need to learn to get along. They're both excellent agents, and I wouldn't want to lose either of them. They've got to learn to respect each other, protect each other, or else one of them will have to go." "I'd hate to lose either of them. I wonder why they don't get along well? They're the new guys in the unit; you'd think they'd have bonded simply because they're the rookies." Savich said, "I asked Ruth what was going on between them, and she said she'd heard Lucy call Coop a dickhead--quote/unquote--because he dangles too many women on his string." "Hmm, I hadn't heard that. Do you think it's true? You think he's some sort of idiot playboy?" Savich shrugged, opened his office door, and ushered her in. "I've never seen anything in Coop's behavior that'd make me think so. He's got a good brain, he's committed, a good team player, and I can usually kick his butt at the gym." He grinned at her, flicked a finger over her cheek. "So, what's not to like?" Sherlock laughed, hugged him a moment. She leaned back in his arms, studied his face. "It's only been two days since the shooting at Mr. Patil's Shop 'n Go. Are you all right, Dillon?" "Mr. Patil will make a full recovery, Dave Raditch and his kids are dealing okay with the shock, and yes, I'm fine as well. Look, Sherlock, I'm handling things, okay?" Mr. Hardnose. She looked at him for a long time, and finally she nodded slowly. "Yes. All right, then." She kissed him fast, then left his office to discuss with Ollie Hamish his bizarre case in Biloxi, Mississippi, where some shrimp fishermen seemed to be on a rampage, killing off their competition.     Lucy and Coop were studying the composite sketch of their murderer, tossing ideas back and forth, when Lucy's cell phone rang. It was a Dr. Antonio Pellotti at Washington Memorial Hospital. Her father had suffered a massive heart attack and wasn't expected to live. CHAPTER 4 Washington Memorial Hospital Thursday night   Lucy sat beside her father's bed in the CCU and counted each breath. Dr. Pellotti had told her when they wheeled him out of the cath lab, honest grief in his voice, since he'd known her father for years, "They managed to open up his left coronary artery and found a large part of his heart was beating very poorly. We're having to support his blood pressure with drugs. We're not sure how much longer he'll breathe on his own. We'll discuss options when and if a respirator is necessary." He'd taken her hands in his. "He may be in and out, Lucy, but I promise you he's in no distress. He's on morphine." How did he know her father wasn't in distress? Lucy wondered now. Her father couldn't tell them anything one way or the other. And when someone wasn't conscious and was barely alive, where were they? Looking down at themselves lying there, helpless, wondering what was next? Praying they'd come back? Or were they asleep in the nether reaches of their mind, really unaware of anything at all? Lucy stared at her father's face through the oxygen mask, all lean lines and seams and so much thick, dark hair, only streaks of white at his temples. She'd had dinner with him on Tuesday night, her vibrant, handsome father, laughing over a federal regulator who'd overdrawn his own personal account and was raising hell about it. But now he looked old, his flesh slack, as if his life itself was leaching out of his body. But he wasn't old, he was only sixty-two, at the top of his banking game, he'd tell her, and it was true. But now he was still, as if his beloved face was a facade, as if he'd already left and was simply waiting for the door to close. No, she couldn't--wouldn't--accept that. There was a chance he could come back; there was always a chance. If he was breathing, that meant his heart was pumping, and that meant--what? It meant hope, at least to her. "I told you to work out, Dad, or take a walk every evening; that would have done it." But he hadn't. He wasn't at all fat, but he spent most of his time either reading his favorite newspapers and mysteries or working on his endless deals and strategic loan plans for the bank. He always had something going on, something he was excited about. He'd always been involved and excited about his life, and that was a blessing. Joshua Acker Carlyle was a very successful man and a loving father. Everyone she knew thought of him as smart and honest, a man to trust. He'd never dabbled in junk bonds or sub-prime mortgages or any of the other shenanigans so many banks had been involved with. His three banks were as solvent as most Canadian banks. She caught herself already hearing his eulogy, delivered by his uncle, Alan Silverman, only ten years older than he was, a parental afterthought, he'd say, and laugh. He'd always banked his money with her dad and played golf with him most weekends. Uncle Alan and Aunt Jennifer, and their children, Court and Miranda, had been there all through the evening, but the doctors had asked them to leave. Only Lucy was allowed to stay with him. She'd turned off her cell phone because so many friends were calling and she simply couldn't deal with their sympathy and their endless questions. "Can you hear me, Dad?" Lucy lightly squeezed his hand. The skin seemed slack, as if it were hanging off him. They said it was from the medicines, to help his lungs, but she hated it. He'd awakened earlier but hadn't said anything, simply looked at her through a veil of drugs and closed his eyes again. But maybe he could hear her. If he was hovering up there, looking down, of course he could hear her. Dr. Pellotti said he couldn't, but one of the nurses rolled her eyes behind the doctor's back and nodded. And so Lucy talked. She told him about the case she was working on, the killer who targeted single women in neighborhood bars, and how he seemed to be coming this way, since he'd killed in San Francisco, Chicago, and now Cleveland. And why not Washington? There were so many single women here. She told him her partner on this case was Special Agent Cooper McKnight, a man she didn't much like because he had the reputation of being a playboy. He always had a different woman on his arm, and he was too good-looking, and he knew it. She'd heard a couple of agents in the unit talking about all the women he dated, and they wondered, laughing in the way men did, about how he managed to keep them all straight. What did he think of her? She didn't have a clue. So far he was polite and attentive, maybe checking her out to put her in his line to take to bed. He'd said a couple of funny things, and wouldn't that make sense? Women tended to like guys who were funny. It fit with what she'd heard. She talked and talked, and her father lay there, moving his legs now and then; sometimes, she'd swear, squeezing her hand. Once he'd mumbled words she couldn't understand before he lapsed again into that frozen silence. He was breathing, so she'd hang on to that. She told him about her boss's wild-hair adventure Tuesday night at his neighborhood convenience store, how he'd brought down two armed robbers with two children in the store. Dillon had said the kids were both champs, and their dad was a champ, too. "I wonder how I would have done if I'd seen that guy with a stocking on his face and a gun in his hand, while two kids were standing six feet away eating ice-cream bars." She told her father all the rest of it before she paused for a moment, then rubbed her fingers over his knuckles, wishing he would squeeze her hand again, show her he knew she was here and recognized her. "I saw Sherlock in Savich's office this morning, and she smacked him real hard on the arm, not that she could do much damage, he's hard as a brick outhouse, and then she kissed him. I know she must still be replaying what happened again and again in her mind. Can you imagine, Dad? Two innocent kids, and knowing all the way to your soul their lives were in the balance? "Sherlock called the father and gave him the name of a shrink for the kids. I'll bet they're going to have nightmares for a while." She smoothed her palm over her father's forehead, his cheeks. His skin felt clammy, and why was that? His leg jerked, then he was motionless again, and there was only the sound of his slow, difficult breathing. Lucy laid her cheek against his chest. "You're too young to leave me, Dad, please, you know it's always been just you and me, so you need to stay. You need to get better and tell Dr. Pellotti you're going to outlive him and his kids. Will you do that for me, Dad?" She was crying silently when her father suddenly yelled, "Mom, what did you do? Why did you stab Dad? Oh my God, he's not moving. There's so much blood. Why, Mom?" Lucy reared back, her mouth open to shout for the nurses when she saw he was looking at her, recognized her. He squeezed her hand. "Lucy," he whispered, and then he closed his eyes and took in a hitching breath, and then he lay still. Excerpted from Split Second by Catherine Coulter All rights reserved by the original copyright owners. 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