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Résumé
Résumé
Solo by Kwame Alexander and Mary Rand Hess is a New York Times bestseller! Kirkus Reviews said Solo is, "A contemporary hero's journey, brilliantly told." Through the story of a young Black man searching for answers about his life, Solo empowers, engages, and encourages teenagers to move from heartache to healing, burden to blessings, depression to deliverance, and trials to triumphs.
Blade never asked for a life of the rich and famous. In fact, he'd give anything not to be the son of Rutherford Morrison, a washed-up rock star and drug addict with delusions of a comeback. Or to no longer be part of a family known most for lost potential, failure, and tragedy, including the loss of his mother. The one true light is his girlfriend, Chapel, but her parents have forbidden their relationship, assuming Blade will become just like his father.
In reality, the only thing Blade and Rutherford have in common is the music that lives inside them. And songwriting is all Blade has left after Rutherford, while drunk, crashes his high school graduation speech and effectively rips Chapel away forever. But when a long-held family secret comes to light, the music disappears. In its place is a letter, one that could bring Blade the freedom and love he's been searching for, or leave him feeling even more adrift.
Solo:
Is written by New York Times bestselling author and Newbery Medal and Coretta Scott King Book Award-winner Kwame Alexander Showcases Kwame's signature intricacy, intimacy, and poetic style, by exploring what it means to finally go home An #OwnVoices novel that features a BIPOC protagonist on a search for his roots and identity Received great reviews from Publishers Weekly, School Library Journal, Booklist, and Kirkus.If you enjoy Solo, check out Swing by Kwame Alexander and Mary Rand Hess.
Critiques (5)
Critique de School Library Journal
Gr 7 Up-Seventeen-year-old Blade Morrison is the son of a washed-up musician father who finds his way out of rehab and into the tabloids on a regular basis. As Blade graduates high school and looks forward to college, he discovers a long-buried secret that changes his life forever. Told in poetic verse interspersed with original songs and famous song lyrics, this is a unique story of family, forgiveness, and faith. From Aretha Franklin to Metallica, with stops in Los Angeles and Ghana, this book covers a lot of territory, both figuratively and literally. The plot is all over the map with a secret love gone awry, a failed relationship between father and son, and a far-fetched journey across the world. Alexander narrates his own work and artfully accentuates the poetic verse. Because of his pacing and tone, it is often difficult to distinguish which character is speaking or where a verse begins and ends. Original songs are sprinkled throughout the reading, and a separate disc is devoted to them. VERDICT Despite some holes in the plot and thin character development, Alexander's prose is beautifully written and will appeal to avid and reluctant readers alike.-April Everett, Rowan County Information Technology, NC © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Critique du Publishers Weekly
Betrayed by those closest to him and stunned by a family secret, 17-year-old Blade Morrison flees his comfortable but chaotic life as the son of a drug-addicted rock star. Seeking answers and closure, Blade travels to the Ghanaian village of Konko, where he gains new perspective on family and belonging. Writing in free verse, Alexander and Hess, who recently collaborated on Animal Ark, strongly communicate Blade's frustration and disappointment ("I have taken for granted/ the palm trees of Cali... planted by Spanish missionaries/ in the 18th century.... They don't belong here./ And neither do I"). Lyrics from Blade's songs (and interspersed references to songs from Lenny Kravitz, Metallica, and others) emphasize the importance of music in his life, both as a link to his family and as a way to express himself. Blade's interactions with his father, a Ghanaian young woman named Joy, and a child named Sia are especially poignant, so much so that these secondary characters can draw focus. But many readers will identify with Blade's struggle to find his place in a family where he feels like an outsider. Ages 13-up. Agent: Arielle Eckstut, Levine Greenberg Rostan. (Aug.) © Copyright PWxyz, LLC. All rights reserved.
Critique de Horn Book
Seventeen-year-old Blade Morrison, son of a famous rocker, just wants to avoid the attention his family receives for his father's drug-and-alcohol-fueled bad behavior. When a family secret is revealed, further alienating Blade, the Hollywood-raised teen embarks on a life-altering trip to Ghana. Alexander's verse, co-written with Hess, evokes the moody emotions of Blade's favorite real-life rock ballads (lyrics to which are interspersed). (c) Copyright 2019. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Critique de Kirkus
The 17-year-old son of a troubled rock star is determined to find his own way in life and love.On the verge of adulthood, Blade Morrison wants to leave his father's bad-boy reputation for drug-and-alcohol-induced antics and his sister's edgy lifestyle behind. The death of his mother 10 years ago left them all without an anchor. Named for the black superhero, Blade shares his family's connection to music but resents the paparazzi that prevent him from having an open relationship with the girl that he loves. However, there is one secret even Blade is unaware of, and when his sister reveals the truth of his heritage during a bitter fight, Blade is stunned. When he finally gains some measure of equilibrium, he decides to investigate, embarking on a search that will lead him to a small, remote village in Ghana. Along the way, he meets people with a sense of purpose, especially Joy, a young Ghanaian who helps him despite her suspicions of Americans. This rich novel in verse is full of the music that forms its core. In addition to Alexander and co-author Hess' skilled use of language, references to classic rock songs abound. Secondary characters add texture to the story: does his girlfriend have real feelings for Blade? Is there more to his father than his inability to stay clean and sober? At the center is Blade, fully realized and achingly real in his pain and confusion. A contemporary hero's journey, brilliantly told. (Verse fiction. 14-adult) Copyright Kirkus Reviews, used with permission.
Critique de Booklist
*Starred Review* Blade Morrison begins his story by disclosing, I am / the wretched son / of a poor / rich man. Master storytellers and poets Alexander (The Crossover, 2014) and Hess (The Day I Met the Nuts, 2009) have joined forces to pen a rhythmic, impassioned ode to family, identity, and the history of rock and roll. The only things 17-year-old Blade can count on as the wealthy but neglected son of famously erratic rock god Rutherford Morrison are his soulful guitar ballads and his girlfriend, Chapel. When Rutherford disappoints Blade one time too many and they end up fighting, Blade's sister reveals a long-guarded family secret. Suddenly the music leaves him; when Chapel is no longer there to anchor him either, Blade sets out to discover more about his own past. A mix tape of classic rock hits guides him from Los Angeles all the way to the small village of Konko, Ghana, where a delay in his journey brings him unexpected fulfillment. Scattered throughout the novel in verse are some of Blade's original rock ballads, though every poem feels like a song, pulsing with Alexander's signature lyrical style. Blade ends up finding much more than what he expects: self-discovery, community, and a deeper understanding of what family means. HIGH-DEMAND BACKSTORY: Alexander has a history of appealing to teens of all sorts, and a Newbery to his name; don't expect this collaboration to stay on shelves long.--Kling, Caitlin Copyright 2017 Booklist
