Résumé
Résumé
As a killer stalks Weimar Berlin, a Russian woman with a mysterious past is drawn into an audacious scheme in this historical thriller. Berlin, 1922 . Scarred by the Great War, the German capital struggles to regain a glimmer of its former glory. Among the troubled city's influx of refugees, Esther Solomonova survives by working for the charming, unscrupulous cabaret owner "Prince" Nick. But now she finds herself roped into his latest shady endeavor: passing off a young asylum patient as Grand Duchess Anastasia, the last surviving heir to the murdered czar of Russia. Pulling off such a hoax could lead to a fortune. But their found "princess," Anna Anderson, fears that she's being hunted. And this may turn out to be more than paranoia when innocent people all around her begin to die.
Critiques (3)
Critique du Publishers Weekly
British author Franklin (the pseudonym of a veteran historical fiction writer) makes the most of an original premise in this engrossing thriller that opens in 1922 Berlin. The German government is in crisis, inflation is staggering, anti-Semitism is rife, citizens are starving and Hitler has begun his rise to power. Horribly scarred Esther Solonomova works as a secretary for fake Russian nobleman Prince Nick, the owner of several Berlin nightclubs (think Cabaret) catering to the rich, the foreign and the deviant. Nick finds an inmate in a local asylum who claims to be the Grand Duchess Anastasia, sole survivor of the slaughter of Russia's royal family. Prince Nick renames the inmate Anna Anderson, installs her in an apartment with Esther and sets in motion plans to get his hands on the money and jewels that Anna will claim as the heir to the Russian throne. But a mysterious Nazi is trying to murder Anna, and those near her begin to die. Franklin deftly orchestrates her characters on and off the world's stage, building suspense to a dramatic, surprising finish. (May) (c) Copyright PWxyz, LLC. All rights reserved
Critique de Kirkus
Murder mystery meets historical enigma in pre-Nazi Era Berlin. Franklin's historical thriller flows from the crossover point between two populations in flux: the Germans of the Weimar Republic and a surge of Russian migrs--rich whites, poor servants, scarred Jews--fleeing the Bolsheviks. Using extensive research, she evokes the hectic, Cabaret-esque mood of 1920s Berlin and the growing appeal to the Germans of Hitler's brand of aggressive nationalism, in the wake of the hyper-inflation and shame arising from defeat in World War I. Two questions drive the plot: Could one of the Czar's daughters have survived the massacre of the Russian royal family at Ekaterinburg? And who is the hulking murderer slaughtering women in the German capital? Prince Nick Potrovskov, a wheeler-dealer club owner and currency speculator, rescues a frightened, identity-less woman, who might be Anastasia, Princess of all the Russias, from the Berlin insane asylum and resettles her under the name Anna Anderson in an apartment with two companions, Nicky's world-weary Jewish secretary Esther and an ex-Romanov servant-turned-stripper, Natalya. Anna is terrified of a man she claims is stalking her, maybe a Cheka Communist operative. When Esther is attacked, then Natalya killed, Police Inspector Schmidt takes up the case, simultaneously tracing the criminal to Hitler's Brownshirts and falling in love with Esther. The irregularly shaped and paced story wraps up a decade later as Hitler comes to power. If Anna's past and future circumstances remain hung about with question marks, Germany's do not. Franklin, stirring a strange pot of romance, violence, sardonic humor and self-fulfilling prophecy, is most successful with scenes between her wise-cracking lovers. Anna and Esther have an audience with Adolf but the big finale is when the real Romanov steps forward. Entertaining enough when not stating the historically obvious. Copyright ©Kirkus Reviews, used with permission.
Critique du Library Journal
As Berlin struggles under the challenges of a post-World War I world, secretary Esther Solomonova finds herself caught up in her boss's scheme-to authenticate young asylum patient Anna Anderson's claims that she is the Grand Duchess Anastasia and survivor of the Bolshevik massacre of the Romanov family. But as acquaintances of the would-be royal begin turning up dead, Esther is left to wonder if proving her identity is the least of Anna's problems. British author Franklin's novel effectively blends history and suspense with a light touch of romance. The pace effectively mirrors the social and political upheaval that took place in Germany in the 1920s and 1930s, turning up the tension in the plot as the Nazis rise to power. Franklin's characterization is strong and believable-Esther is especially likable. She is plucky and clever, broadening the book's appeal to fans of crime, historical fiction, romance, and women's fiction. Highly recommended for all public libraries. [Readers interested in this period may also want to read Faye Kellerman's Straight into Darkness, which is set in 1929 Munich.-Ed.]-Amy Brozio-Andrews, Albany P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.