Critique du Publishers Weekly
Following the success of her first two novels (Still Life with Husband and Friends Like Us), Fox lays out a tale about a woman's attempt to piece her life together following the death of her best friend. When Josie dies unexpectedly in a car accident, her closest friend, Isabel, is left with nagging guilt, a broken marriage, a strained relationship with her preteen daughter, and the challenge of grieving and moving forward. Through painful months of doubt, anguish, and depression, Isabel reconciles herself to the truth that her actions bear no responsibility for the fatal outcome. This realization, however mollifying, comes just as Chris, her husband, moves out of their house in the Midwest into his own apartment. And to add to her misery, Isabel discovers him on a date with their marriage counselor shortly after their daughter begs to move in with him full-time. It's not until Josie's mother drags her to a support group for recent divorcées that she begins to see the possibility of love after so much loss. Filled with insecurities and anxieties, Isabel's nuanced character is relatable-her struggles are universal and the reader will root for her to succeed. Raw and darkly humorous at times, Fox's novel is a winner. (Aug.) © Copyright PWxyz, LLC. All rights reserved.
Critique de Kirkus
When a middle school teacher's best friend dies in a one-car accident, her world begins to fall apart. Isabel Applebaum Moore and Josie Abrams have been inseparable since Izzy's first day at Rhodes Avenue Middle School, keeping each other sane through the principal's inane speeches and the younger teachers' aggressive perkinessnot to mention the students' hormonal moods. Josie even married Mark, Izzy's friend since kindergarten, where they were seated next to each other, "two little alphabetized Jews, dark haired and slightly lost in a forest of Midwestern consonant clusters, all those strapping, blond Schultzes and Metzgers and Hrubys and Przybylskisstrapping even in kindergarten, if memory serves." What happens following Josie's death isn't all that unusual: Isabel starts spending most of her time in her ratty old sweatpants, "which Josie used to call a blend of cotton and self-loathing"; her overwhelming sadness deals the fatal blow to her already rocky marriage to the good-hearted Chris; her 11-year-old daughter, Hannah, who also loved Josie, struggles with her changing family; her mother, Helene, a Holocaust survivor, coaxes her into attending a support group for "relationships in transition," where she tentatively bonds with a good-looking older man named Cal by cracking jokesjust the way she bonded with Josie at their first staff meeting at Rhodes Avenue. Josie pushes Chris away and tries to pull him closer; she does the same with Cal and even with her old friend Mark. She thinks back on her relationship with Josie and gradually reveals the secrets they shared. What makes the book so special is Isabel's smart, acerbic voice and her way of seeing everything from a sharp angle. Fox (Friends Like Us, 2012, etc.) studs Izzy's narration with surprising metaphors, turning ordinary domestic items into dangerous beasts ("the herd of wild minivans") and Josie's fatal accident into something almost domestic ("Her rusty 11-year-old Toyota skidded off the slick road like a can of soup rolling across a supermarket aisle"). Isabel (and Fox) has such an offbeat way of looking at things that you'll eagerly keep reading just to see what she's going to say next. Read it for the magnetic voice and Fox's ever interesting perspective on work, love, friendship, and parenthoodbecause, really, what else is there? Copyright Kirkus Reviews, used with permission.
Critique de Booklist
Fortyish middle-school teacher Isabel's world crumbles in the year following the sudden death of her best friend, Josie. Her mother, Helene, has had a stroke; her husband, Chris, moves out of the house; her daughter, Hannah, turns into a sullen, moody adolescent. While giving herself up to grief over Josie, Isabel reflects on earlier losses as well; she has had several miscarriages, and part of Helene's family perished in the Holocaust. But despite the weight of sadness, Isabel is a clever, self-deprecating narrator, and humor lights up her descriptions of, for example, three younger teachers, in their slim trousers and their confident low heels, whom she and Josie dubbed the Andes because of similarities in their names, and a support group, Relationships in Transition, that Helene convinces her to join. As Isabel learns to move on, she also learns to accept some truths about her friend Josie's adventurous spirit skirted dangerously close to recklessness at times. Fox is also author of the well-received Friends like Us (2012).--Quinn, Mary Ellen Copyright 2015 Booklist
Critique du New York Review of Books
BEYOND WORDS: What Animals Think and Feel, by Carl Safina. (Picador, $18.) Humans have been far too anthropocentric when trying to understand the mental experiences of other animals, Safina, a marine conservationist, argues here. His observations on grieving elephants in Kenya, endangered wolves in Yellowstone National Park and a harmonious whale society in the Pacific Northwest build the case that other species are capable of nuanced thought and emotion. KITCHENS OF THE GREAT MIDWEST, by J. Ryan Stradal. (Penguin, $16.) This bighearted novel is partly a culinary biography of Minnesota, tracing how traditions (lutefisk) give way to fads, and partly a sendup of food. The story's central character, Eva, is born into a food-obsessed family and soon displays preternatural gifts of her own, using cooking to overcome a childhood tragedy. THE SEVEN GOOD YEARS: A Memoir, by Etgar Keret. Translated by Sondra Silverston, Miriam Shlesinger, Jessica Cohen and Anthony Berris. (Riverhead, $16.) The author, an Israeli, has built a fan base devoted to his fantastical short stories. In this, his first nonfiction book, Keret focuses on the stretch of time between his son's birth and his father's death, and considers the absurdities of fatherhood and family life. DAYS OF AWE, by Lauren Fox. (Vintage, $16.) The death of Isabel's close friend in a car crash sets off a period of tragedies; a year later, Isabel and her husband have divorced, her adolescent daughter has grown aloof and a number of her other relationships have become unmoored. Isabel reconsiders her identity throughout this novel as the relationships that once defined her fall away, but her rapport with her mother remains at her emotional core. THE WEATHER EXPERIMENT: The Pioneers Who Sought to See the Future, by Peter Moore. (Farrar, Straus & Giroux, $16.) If forecasts and precise weather reports are now a ubiquitous part of life, in the 1800s, the premise was improbable - even laughable. Moore, a Briton, tells the story of the 19th-century scientists and sailors who set out to show that data could help predict future meteorological patterns, and he includes the American contributions to the field. THE GAP OF TIME, by Jeanette Winterson. (Hogarth Shakespeare, $15.) In this novel, the inaugural title in a series of books "covering" plays by Shakespeare, Winterson ad apts the story of "The Winter's Tale" to a con temporary, post-financial-crash setting. Leo, a paranoid hedge fund manager in London, sends his newborn daughter to New Bohemia, a facsimile of New Orleans, after a fit of jealous rage. MIDNIGHT'S FURIES: The Deadly Legacy of India's Partition, by Nisid Hajari. (Mariner/ Houghton Mifflin Harcourt, $15.95.) Hajari's account focuses on the months preceding the 1947 split between India and Pakistan, probing one of the conflict's central questions: How did two countries with so many commonalities end up as bitter rivals?
Critique du Library Journal
Isabel Applebaum Moore is still grieving the death of her closest friend, Josie Abrams, killed in an auto accident. A fellow teacher in their Wisconsin elementary school, Josie was married to Isabel's longtime friend Mark. Isabel's husband, Chris, doesn't understand his wife lately, so he moves into his own apartment. Their tween daughter, Hannah, is no help, as everything her mother does is wrong. Isabel's mother, Helene, left Europe at the age of four with her parents; most of her family died in the Holocaust. Helene suggests that Isabel attend a support group for Relationships in Transition. How does one cope with a caustic mother, an absent husband, a self-absorbed daughter, and a gaping hole that was once occupied by one's closest ally? The ten-day period from Rosh Hashanah to Yom Kippur is known as the Days of Awe, a time for reflection and consideration of the sins of the previous year, leading to the Day of Atonement. The months following Josie's death heap change and revelation upon Isabel, who thought she had all the answers. Verdict Fox (Friends Like Us; Still Life with Husband) reveals the dissolution of our certainties with witty and arresting prose. A touching and impressive story for readers who thrive on the unexpected.-Bette-Lee Fox, Library Journal © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Extraits
One The morning of Josie's funeral was cloudless and knife-sharp, one of those bitter spring days that comes sandwiched between warmer ones and reminds you not to grow accustomed to good things. I was leaning against my car, face to the sun, trying to breathe, when Mark pulled into a spot near mine. I turned and watched as he got out of the car. He wore the scarf Chris and I had gotten him for his last birthday, soft dark blue cashmere, and my heart slammed inside my chest: that beautiful scarf still existed, warm as a blanket, and Josie was gone. Geese honked overhead. The funeral was in thirty minutes. I shaded my eyes with my hand. The funeral home shared its parking lot with Meehan's Market, a small upscale grocery store, and Mark and I, wearing our funeral finest, didn't look so different from the well-dressed shoppers in their everyday expensive clothes, although we, of course, weren't lugging canvas bags full of fresh bread and oranges and organic baby yogurts and bottles of red wine. "Stay close to Mommy!" I heard from two different women almost in unison. "Hold Mommy's hand, Olive," one added. Mark stumbled to me like a zombie, silent and dazed. His skin was pasty in the violent light. His face was unusually clean shaven and dotted with a few tiny, fresh specks of blood. His features seemed just slightly, disconcertingly off-kilter. Watching him, I understood that our pain separates us--that something as monumental as sorrow ought to make us porous, but it petrifies us instead. I understood that, and then, like a goldfish, I forgot it. "Hi?" I said stupidly, as if we were meeting for coffee, or a blind date. He mumbled something that sounded like my name and steadied himself on the hood of my car. "This was my fault," he whispered, an agonized croak, and he looked past me, squinting against the glare of the sun bouncing off all the bright cars in the parking lot, the herd of wild minivans. Josie had died two nights before at 2:00 a.m. on an icy overpass just north of downtown. Her rusty eleven-year-old Toyota skidded off the slick road like a can of soup rolling across a supermarket aisle. It crashed into a guardrail and killed her on impact. There was some alcohol in her blood, we learned, but she hadn't been over the limit. She had, though, been going much too fast for the slippery conditions. I got the call at 4:00 a.m. Hannah was at a sleepover. The phone woke me, and in a reptile panic I thought, Hannah. When Mark, on the other end of the line, said, "Josie's been in an accident," I'm ashamed to admit that I felt a split second of relief. But then I understood what I was being told, and the relief sizzled into horror. "How could this be your fault?" I said, grasping Mark's shoulders. "It's not!" A noise came from his throat, a squeaky gasp of breath, a not-quite-human cry: the soft, mad sound of grief. Of course it was his fault. And it was my fault, and possibly Chris's, and most definitely Josie's, and some other people's faults, too: we were all guilty, to varying degrees, the calibrations of which I would scrutinize, often and obsessively, for months to come. And let me tell you, that is one joyless board game. The winner gets a toppling stack of misery and resentment and a free pass to therapy. "Let's go," Mark said, recovering a bit. He put his arm around me, and we limped into Dalton's Funeral Home together, up the wide wooden steps and into the foyer that was meant to look like a snug, old-fashioned sitting room, with its overstuffed love seats and faded floral wallpaper, as if death had been a more palatable affair seventy years ago, cozy as Mayberry. Henry Dalton greeted us. He was tall and reedy, with a nimbus of wispy white hair. He spoke quietly to Mark, leaning in close without invading Mark's space. . . . So sorry for your loss, I heard him say, . . . will want to pay their respects. . . . He managed to seem both rehearsed and completely sincere. That's quite an undertaking, I imagined saying to Josie. I could almost feel her elbow sharp against my ribs. After a few minutes, he slipped away and disappeared into a side room. Mark looked around for him, then turned to me and shrugged. "I think the funeral director is a ghost," he said, and then he cringed. "This is my wife's funeral," he said, scolding himself, reminding himself. His dark gray suit was wrinkled and hung loosely off of his body, as if he were a boy pretending to be grown. "What would she make of this?" He cracked his knuckles. "I feel like I could just ask her! I keep hearing her voice. Like, Mark, this is a shit avalanche. Let's get out of here and go to a movie." Despair sparked in his eyes. "Literally, Iz. I'm hearing her." My throat tightened. "It's okay," I said. "Me, too. I've been talking to her, too." I swallowed hard. "And I hear her, too," I added, although I didn't. People began to wander through the front doors, friends, fellow teachers, some of Josie's students and their parents. You could practically smell their collective apprehension, like a perfume. Eau de Dread. I hovered near Mark, suddenly unsure of my place in the hierarchy of mourning. Josie was my best friend, Hannah's honorary aunt. She was the one who would come over with a bag of chocolate-covered almonds when she thought my voice sounded funny on the phone. She was the one who waited for me in the hospital after Helene had her stroke, and for months she kept me company during the rehab appointments. She had sleepovers with Hannah, cookie-decorating parties, and movie nights, so that Chris and I could be alone--our S.O.S. weekends, Chris called them, when we were first acknowledging how dire things were: Sink or Swim. (And sometimes, I thought, but just to myself: Same Old Sex.) I told Josie everything, until I didn't, and she told me everything, except she didn't. People were arriving now in a steady flow. Josie had few relatives, and they were far-flung: a cousin who lived in London, an uncle in Hawaii she barely knew, the casualties of a family rift a decade before she was born. Her parents had died years ago, a fact which had caused her great pain every day of her life and which right now would have given her solace if she'd been here--that her parents would not have had to suffer the anguish of attending their only daughter's funeral. And that idea muddied my thinking, because if Josie were here, she wouldn't have been granted that relief. That's what my brain felt like on the day of my best friend's funeral and for many weeks after: a confounding map of twisted, barely navigable roads that were long and tangled and led nowhere or doubled back without warning and ended up where they had begun. Mark grew busy and distracted, accepting hugs and handshakes and responding to murmurs of sympathy. I had my first inkling about the comforts of this ritual: the more you were asked to attend to, the less you had to feel. I wandered away and peered out the front window. The sky was such a fine porcelain blue it looked like it might crack. I had been worried that I wouldn't get through the day without cracking, myself. But numbness seemed to be keeping me together. Relief at feeling nothing shuddered through me. There was probably a long, hard-to-pronounce German word for it: the overwhelming feeling of feeling nothing. I watched as a small silver car pulled into a parking space, and a trio of teachers emerged from it: Andrea Brauer, Andi Friedman, and Kelly Anderson-Jensen. (Fifth-grade science, sixth-grade math, special ed.) They convened in the teachers' lounge every morning before school and at every lunch hour and at the end of each school day, sitting and sipping their Starbucks half-caff skim lattes or huddled together, tapping away on their phones, or planning their Friday-afternoon drinking sessions at the Leopard Spot, a trendy retro seventies cocktail bar across town where they could enjoy a few well-deserved tequila sunrises away from the prying eyes of local parents. "You're welcome to come," Kelly used to say to us, shaking her head no so slightly I'm sure she didn't even notice she was doing it. "I mean, everyone's welcome." The Andes were ten years younger than Josie and I, smooth haired and hardworking. They assessed us--the dark circles under my eyes, the faint lines on Josie's forehead, the pair of pants one of us might sometimes wear two or three or, let's face it, four days in a row. They took disapproving note of our midcareer shortcuts, those self-preservatory downhill coasts that allowed a person to catch her breath in the midst of the drudgery: a joint sick day from which Josie and I would return with suspiciously pretty fingernails; a multiple-choice test administered when an essay would have been a better measure. They evaluated the sad lunches I stashed in the fridge--peanut butter on Ritz Crackers, one time just a large bag of pretzels and an expired jar of Nutella--detritus of my domestic life huddling pathetically next to their California rolls and their Cobb salads and their tiny portions of pad Thai. We tried, at first, joining them for coffee breaks or tagging along on their Friday-night outings. But their indifference with a thin politeness glaze was too much to bear. "They reject the decade between us," Josie said over a glass of wine one night in my living room as Hannah pirouetted nearby. "They refuse to admit that they will one day turn forty." "And then die!" I added, raising my glass, and we laughed, because that was it. Pleasant, though: Andrea, Andi, and Kelly were perfectly pleasant colleagues, and we moved as separate entities through the school, and so all of that was fine until they clicked into Principal Coffey's office in their slim trousers and their confident low heels and helped destroy Josie's career. So the Andes were to blame for this, too. They were most definitely to blame. "Mark," Kelly Anderson-Jensen said, the front door blowing shut behind them. "Mark," Andrea and Andi echoed, "Mark," as if they were setting their sights on a clay pigeon, and he came to greet them. They offered their condolences--which, let it be noted, use the same words as apologies--and hugged Mark, and hugged one another, and first Andrea started crying, and then Kelly, high-pitched little sobs, and before I knew it I was out the door, standing near the building, blinded by fury and trying, once again, to catch my breath. Josie, I thought, you should be here to see this. Josie. You fucking idiot. That's when I saw Chris and Hannah and my mother walking across the parking lot. I stepped onto the path in front of the funeral home and called out to them, and Chris and Helene came toward me, Chris supporting my mother with his arm, and Hannah wiped her eyes with her hand and extended her thin arm in a small wave, and there they were, my perfect little family, with their flushed cheeks and their ears and their lips and their bones. Death smashes a crater into your life, and you're left alone to sort through the rubble. But here's something else I figured out in the long months after Josie died: she would always be my wild, grieving, huge-hearted, selfish, confident, insecure, extravagant, beloved best friend. I would define her. You think, during the worst of it, that it's the other way around, but it's not. And here's something else I learned: you lose some people that way--fast and blinding. But some people inch away from you slowly, in barely discernible steps. In the end it almost doesn't matter. They're just as gone. Excerpted from Days of Awe by Lauren Fox All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.