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Résumé
Résumé
Nominated as one of America's best-loved novels by PBS's The Great American Read
"It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife." So begins Pride and Prejudice, Jane Austen's witty comedy of manners--one of the most popular novels of all time--that features splendidly civilized sparring between the proud Mr. Darcy and the prejudiced Elizabeth Bennet as they play out their spirited courtship in a series of eighteenth-century drawing-room intrigues. Renowned literary critic and historian George Saintsbury in 1894 declared it the "most perfect, the most characteristic, the most eminently quintessential of its author's works," and Eudora Welty in the twentieth century described it as "irresistible and as nearly flawless as any fiction could be."
Critiques (4)
Critique de School Library Journal
Gr 8 Up- Les Miserables relates the tales of those who suffer the injustices and moral qualms of life. The manga primarily focuses on the love and struggles of Jean Valjean, Fantine, Cosette, and Marius, before and during the Paris Uprising. While some attractive art nicely expresses their plights and eventual ascent, certain design choices gives the atmosphere too pleasant a feel. A similarly upbeat style works much better for Pride and Prejudice, which takes full advantage of manga's characteristics. The flowery decorations, screentones, chibi form create a fun and charming tone for this love story and work of social commentary. When Elizabeth encounters Mr. Darcy, they hardly get along, yet slowly their original perceptions change. Sadly, much of their witty dialogue is condensed because of the limited space. King successfully refines these hefty texts down to their core elements. Although both have specific problems regarding characterization, the emotions remain true. Between a quick pace and the use of common English, these adaptations are a much easier format for the reluctant reader, and teens, to enjoy. A few minor issues hardly mar what are faithful translations of the originals, making both of these titles worthy of their esteemed names.- Rachel Forbes, Oakville Public Library, Ontario, Canada (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Critique du Guardian
Two hundred years since the novelist's death, Austen obsessives celebrate her legacy Roland Anderson, 44, finance director, London It wasn't until I was in my 20s that I started getting into Austen. My friend Mark kept going on about Pride And Prejudice, so I reread it, then worked my way through the rest of the novels, plus anything I could get my hands on: the letters, the unfinished novels. Once I read a boyfriend Pride And Prejudice as a bedtime story. It doesn't take as long as you think -- 20 nights at two or three chapters a night. He really liked it, even if the relationship didn't last. I've got copies of Pride And Prejudice in French, Italian, a couple of German ones, and I'm looking for a Norwegian After I started posting at the Austen messageboard pemberley.com, I met other fans. We visited Bath and other locations, and spent the afternoons drinking tea and talking about Austen. I studied French and German at university. Whenever I visit a new place, I look for a translation of Pride And Prejudice and see if I can read it. I've now got copies in French, Italian, a couple of different German ones, and I'm looking for a Norwegian. Virginia Woolf says somewhere that Austen is the hardest writer to catch in the act of greatness. She's so economical: she can sketch a character in a single stroke. When Elizabeth Bennet is feeling sorry for herself about Darcy, she goes for walks "to indulge in all the delight of unpleasant recollections"; it's such a perfect phrase. In Sense And Sensibility, Elinor looks at Robert Ferrars, who's a complete idiot and decides that he doesn't deserve "the compliment of rational opposition". Who hasn't thought that about someone they've met at a party? The novels are so modern, particularly in the way they treat women: I don't think any writer before her managed to write about female characters as if they were actual human beings, with their own feelings and ambitions. She was centuries ahead of her time. Sophie Andrews, 21, blogger, Reading At school, I was a bit of an odd one out. I felt as if I was born in the wrong century. I wasn't into teenage things. Then we were set Pride And Prejudice for GCSE English, and suddenly everything clicked. Her characters are two centuries old, but all of us know flirts like Lydia Bennet, or mean girls like Caroline Bingley. And her voice is so strong on the page. There's a line from a letter from Jane to her sister Cassandra I really like: "I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal." You get a sense of her personality immediately. I reread Pride And Prejudice straight away, and then devoured the rest, as well as the film and TV adaptations. The books were better: it was much more enjoyable to imagine the characters in my head. I think my followers are waiting for me to find my Mr Darcy I began posting on Facebook, and then started a blog. I was 16, and I called it Laughing with Lizzie, because of that line by Elizabeth Bennet: "I dearly love a laugh." It was low-key at first: GCSE essays, writing about the adaptations, things like that. It grew from there. I've hosted guest posts, interviews, and reviews of Austen-inspired fan fiction. It's become a bit of a hub. My followers enjoy reading about me attending events; I think they're waiting for me to find my Mr Darcy. It's sort of become my life. There's this line of Jane's I really like: "Let other pens dwell on guilt and misery." That's why she means so much to me: there's drama in the books, but it's never threatening. A few years ago, I nearly lost my sister to a serious illness, and I myself have a condition a bit like ME, which makes it hard for me to do a regular job. The books have been my lifeline; when things are tough in the real world, I can just dive into hers. I can't imagine my life without Jane. It sounds melodramatic but, in a way, she's saved me. Amy Rollason, 25, and Jagjit Dhandra, 51, members of the Jane Austen Dancers, Bath Jagjit I was really keen on archery, and I went to a historical fair a few years ago to buy some strings for my bow. There was a flyer for a Regency ball in Bath, and it was happening on my birthday, so I thought, why not? I didn't really love the books, to be honest; Austen's not very good at male characters -- they're a bit one-dimensional -- but that world really appealed. Partly it's the history: the Regency period was a time of great social and political change, with almost continual warfare and great inequality; even though you see only bits of that in the novels. Captain Wentworth in Persuasion and William Price in Mansfield Park were both probably based on Austen's brother Francis, who joined the Royal Navy. When I started dancing, I took some lessons from a local group in Lichfield. Finding a decent costume was more of a challenge: there are a lot of dressmakers online, but they're very busy so they need a lot of advance notice. I got lucky with a tailcoat and breeches from eBay, and ordered another tailcoat and waistcoat from America. I'm probably not the tallest or most handsome guy, but a uniform makes all the difference -- as I've discovered walking around Bath in costume while hen parties are on the loose. The dancing is really graceful; people move quite slowly and sedately, and the music is soft. It's surprisingly easy, too, if you count the beats and keep your footwork precise. You can do it while you're drunk. Believe me, I've tried. I probably do seven or eight balls a year with different groups, all over the country and even abroad, and private events, too. I know a lot of couples who've met at Austen dances. In the world of Austen, men are massively outnumbered. I'm pretty sure I'm invited to so many balls because I'm a single man who knows how to dance. Amy People think everyone's middle-aged, but they're not. We meet every other week to rehearse; anyone can come along; it's [pound]4 a go. The dancing isn't hard to pick up: it's like country dancing. It's a really sociable thing to do, because you're swapping around the whole time. I'm in my 20s and the other month, I was at someone's 60th birthday ball. Not many of my friends have that. I started reading the books as a teenager and got hooked. They just felt so adult, compared with the things I'd been reading before: full of deep emotions, but so smartly and funnily told with so much social observation. Even when the story is as simple as girl meets bad boy in Brighton, as it is with the Lydia Bennet subplot in Pride And Prejudice, it's told with such humanity. You feel for Lydia, even as you realise how silly she is. I did English at university, but for a long time I avoided specialising in Austen because I love the novels so much -- I didn't want to spoil them. Then I ended up doing a master's in Austen. It became a kind of joke. Later, I got a job volunteering at the Jane Austen festival in Bath. We walk through the streets wearing costume. You get such an amazing reaction, children yelling, "Why are you dressed so crazily?" I love that. Mira Magdo, 31, blogger, Cambridge My first encounter with Austen was watching the 1995 BBC adaptation of Pride And Prejudice. I'm from Hungary originally, so I got the videos and watched them with my mum, then I read the books in one big gulp, in translation. Austen's world was just so different from mine: the characters seemed to spend all day studying, reading, going for walks. Four years ago, I moved to England to be close to Jane -- it sounds weird but it's true. Each year, there's a big festival in Bath. One year, I was there and Adrian Lukis, who played Wickham in the BBC version, was there too, and I had the idea of trying to meet every major cast member. Some of them were in plays, so I bought tickets and got autographs afterwards. I had to travel to New York to get Jennifer Ehle; she was in a play off-Broadway. I tweeted her, asking if she could sign a book of the original TV script, and she messaged straight back, saying to meet her at the stage door afterwards. She was lovely. My family think I'm too old for spending money on gowns, books and balls, but it makes me happy Colin Firth was my last. I went to the premiere of Bridget Jones's Baby in London last year, and caught him in the crowd. I was a bit dumbfounded. All I could do was ask him for a selfie and if he could he sign a painting of him as Darcy. He gave me a bit of a weird look when he saw the painting, but he did it. I was shaking for an hour afterwards. My family think I'm too old for it, spending money on gowns, books and balls, but it makes me happy. I have 80 copies of Pride And Prejudice in 15 languages. Maybe it's a bit unoriginal, but it's definitely my favourite novel as well as my favourite TV series; the writing is so sharp and funny: "One cannot be always laughing at a man without now and then stumbling on something witty." I also read a lot of Jane Austen fan fiction, and review it on my blog. I remember telling my mum that I was going to meet everyone who'd been in the TV series, and she told me that life doesn't work like that. But sometimes it does. Gabrielle Malcolm, 46, academic, Bath I was standing at the bus stop one day, and saw a young woman carrying an "I heart Darcy" tote bag. I thought, that's interesting. It's not just about Austen, it's Darcy particularly, and probably Colin Firth or Matthew Macfadyen, too. I hadn't realised that fan culture was such a huge thing. So I started digging: going to events, meeting people, interviewing fans. Eventually it turned into a book. People often talk about the books being a kind of refuge. George Henry Lewes, George Eliot's lover, said of Austen that she was a "carefully fenced, highly cultivated garden", and a lot of fans seem to think of her like that: a witty friend you can turn to. There's something in the plots, too: conflict leading to resolution, the happy ever after. Then there's the history, the feminism and the English thing, which attract fans from all across the world. The costume-drama side is really strong, too: a lot of fans are also madly passionate about Poldark and Downton Abbey. And then you have the Jane Austen fan fiction (Jaff) scene, with as many as 70 new books a month, mostly self-published, all inspired by Austen stories -- from faithful continuations of plots to things that are more out-there: The Other Mr Bingley, Pride And Pettiness, Sif And Sensibility, the Zombies series... They keep coming. There are so many sides to Austen fan culture: it's as if you got all the fans of Star Trek, cosplay and book groups, and rolled them into one. And then added a lot of tea. I'm one too, of course. I first read Pride And Prejudice when I was 11 and my whole family read Austen; it was a large family, and we'd swap the books between us. I was pretty young, but my mum helped me with the language. I lost both my parents when I was in my 20s, so it's a way of connecting with them, I suppose. It's become a major part of my life. I was giving a talk at an Austen festival the other month, thinking, "I wish my mum could see this." Nili Olay, 72, and Jerry Vetowich, 80, members of the Jane Austen Society of North America Nili I first read Austen at university in the 1960s, and adored her straight away. I love language, so that was partly it, but it's also the psychology. You meet someone and find yourself saying, "Oh, they're an Elizabeth Bennet", or "They're a bit like Frank Churchill", a bit of a rogue. Pre-Freud, she just nails it. Jerry started reading the books and we used to read Austen to each other while we were driving the kids around. Then one day, Jerry saw an advert for the Jane Austen Society of North America and said, guess what, there's a whole society of people as crazy as we are. I've got four costumes -- including a redcoat and an admiral We went to our first meeting in Savannah, Georgia, in the 1980s -- 250 people, maybe. Now about 800 show up at the annual event, with about 5,000 members in all. We're based mostly in New York, but when we started spending more time in Florida, we realised there wasn't a local chapter; so we turned up in costume one day at a book festival and encouraged people to sign up. We're up to 25 people. I think we'll get more. Jerry I love the dressing-up, I admit -- I've got four costumes, including a redcoat and an admiral, and Nili has several gowns. They look pretty authentic. Of course, we don't dress up for the regular meetings, just the balls, but it's great to see people in their finery. We've been to the UK a couple of times. We did all the Austen tours; it's fascinating to stand inside Chawton, the house where she lived, and to walk along the cliffs at Lyme Regis like Anne Elliot in Persuasion. I guess people might be surprised that Americans love Austen so much, but we were the colonies for a long time, so it's partly in our blood. Jane Austen's world, that world of early 19th-century Britain, seems very orderly to us. Maybe it's something we wish we had -- particularly right now. - Andrew Dickson.
Critique de Booklist
Edginton, previous adapter of several classics into graphic form (The Picture of Dorian Gray, 2009), teams up with illustrator Deas to undertake the much-loved (and oft-adapted) Pride and Prejudice. Austenites will find an overall carefully simplified version of the novel that retains much of the original text and might even entertain a little suspense if they allow the able adapters to guide the show. Perfect for class or book-group discussion, this adaptation is full of well-chosen scenes and authentic dialogue, which will helpfully solidify characters for readers: the squawking Mrs. Bennet; the pompous clergyman Mr. Collins; the alternately confounding and dashing Mr. Darcy; and, of course, Lizzy herself. Newcomers to the story will find a pleasing and accessible entry to the novel and perhaps will be inspired to pick up the original. Deas' illustrations are clean and spare, and though his characters are only nominally expressive, that makes key players easily recognizable and their occasionally drastic changes in mood all the more apparent. Deas' nearly photographic backgrounds lend the Regency era a modern, high-definition feel.--Bostrom, Annie Copyright 2010 Booklist
Critique du Library Journal
Arguably Austen's most popular novel today, the story of Elizabeth Bennet and Mr. Darcy has spun out endless adaptations, in print and on screen, and is the source of one of literature's most quoted lines: "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife." The very rich Mr. Darcy fails that supposition immediately. He is not searching for a wife and is in fact disdainful of most women and certainly of Elizabeth. This suits Elizabeth just fine, as the two are immediately at odds and remain so while their paths cross again and again. But underneath the simmering joint animosity is a growing attraction and slow path to, perhaps, mutual appreciation. Austen's wit and keen eye are on full display as she skewers the marriage market and writes about the perils women face as they try to navigate their futures in a world that offers few attractive options. The plot is brilliantly managed, as both Elizabeth and Mr. Darcy circle each other within the smaller and larger circles of the society in which they engage, colliding in interesting ways that reveal much about themselves and their world. VERDICT Quick-moving, clever, and interrogative, Austen's popular love story, edited by the late literary scholar Kinsley and with a new introduction by Christina Lupton (English, Univ. of Warwick), is far more than a quest for a happily-ever-after.
