Résumé
Résumé
#1 NEW YORK TIMES BESTSELLER * From the author of the runaway phenomenon Unbroken comes a universal underdog story about the horse who came out of nowhere to become a legend.
Seabiscuit was one of the most electrifying and popular attractions in sports history and the single biggest newsmaker in the world in 1938, receiving more coverage than FDR, Hitler, or Mussolini. But his success was a surprise to the racing establishment, which had written off the crooked-legged racehorse with the sad tail. Three men changed Seabiscuit's fortunes:
Charles Howard was a onetime bicycle repairman who introduced the automobile to the western United States and became an overnight millionaire. When he needed a trainer for his new racehorses, he hired Tom Smith, a mysterious mustang breaker from the Colorado plains. Smith urged Howard to buy Seabiscuit for a bargain-basement price, then hired as his jockey Red Pollard, a failed boxer who was blind in one eye, half-crippled, and prone to quoting passages from Ralph Waldo Emerson. Over four years, these unlikely partners survived a phenomenal run of bad fortune, conspiracy, and severe injury to transform Seabiscuit from a neurotic, pathologically indolent also-ran into an American sports icon.
BONUS: This edition contains a Seabiscuit discussion guide and an excerpt from Unbroken .
Praise for Seabiscuit
"Fascinating . . . Vivid . . . A first-rate piece of storytelling, leaving us not only with a vivid portrait of a horse but a fascinating slice of American history as well." -- The New York Times
"Engrossing . . . Fast-moving . . . More than just a horse's tale, because the humans who owned, trained, and rode Seabiscuit are equally fascinating. . . . [Laura Hillenbrand] shows an extraordinary talent for describing a horse race so vividly that the reader feels like the rider." -- Sports Illustrated
"REMARKABLE . . . MEMORABLE . . . JUST AS COMPELLING TODAY AS IT WAS IN 1938." -- The Washington Post
Critiques (6)
Critique du Publishers Weekly
HGifted sportswriter Hillenbrand unearths the rarefied world of thoroughbred horse racing in this captivating account of one of the sport's legends. Though no longer a household name, Seabiscuit enjoyed great celebrity during the 1930s and 1940s, drawing record crowds to his races around the country. Not an overtly impressive physical specimenD"His stubby legs were a study in unsound construction, with huge, squarish, asymmetrical `baseball glove' knees that didn't quite straighten all the way"Dthe horse seemed to transcend his physicality as he won race after race. Hillenbrand, a contributor to Equus magazine, profiles the major players in Seabiscuit's fantastic and improbable career. In simple, elegant prose, she recounts how Charles Howard, a pioneer in automobile sales and Seabiscuit's eventual owner, became involved with horse racing, starting as a hobbyist and growing into a fanatic. She introduces esoteric recluse Tom Smith (Seabiscuit's trainer) and jockey Red Pollard, a down-on-his-luck rider whose specialty was taming unruly horses. In 1936, Howard united Smith, Pollard and "The Biscuit," whose performance had been spottyDand the horse's star career began. Smith, who recognized Seabiscuit's potential, felt an immediate rapport with him and eased him into shape. Once Seabiscuit started breaking records and outrunning lead horses, reporters thronged the Howard barn day and night. Smith's secret workouts became legendary and only heightened Seabiscuit's mystique. Hillenbrand deftly blends the story with explanations of the sport and its culture, including vivid descriptions of the Tijuana horse-racing scene in all its debauchery. She roots her narrative of the horse's breathtaking career and the wild devotion of his fans in its socioeconomic context: Seabiscuit embodied the underdog myth for a nation recovering from dire economic straits. (Mar.) Forecast: Despite the shrinking horse racing audienceDand the publishing adage that books on horse racing don't sellDthis book has the potential to do well, even outside the realm of the racing community, due to a large first printing and forthcoming Universal Studios movie. A stylish cover will attract both baby boomers and young readers, tapping into the sexiness and allure of the "Sport of Kings." Hillenbrand's glamorous photo on the book jacket won't hurt her chances, and Seabiscuit should sell at a galloping pace. (c) Copyright PWxyz, LLC. All rights reserved
Critique de Booklist
There have been numerous biographies of famous horses, but this one is the best by open lengths, partly because Hillenbrand expands the scope of her project to include owner Charles Howard, trainer Tom Smith, and jockey Red Pollard, whose boom-and-bust and boom-again careers are fascinating in themselves. But Seabiscuit's rags-to-riches story is unparalleled in a sport known for its longshots. A nondescript little bay, Seabiscuit ran 50 races without distinction on the lowest rungs of racing's class ladder before dominating the sport in the late 1930s, when he reached a level of popularity that is utterly inconceivable today. Hillenbrand's detailed and dramatic re-creation of Seabiscuit's life and times is a remarkable testament to what four years of meticulous research and a writer's gift for storytelling can accomplish. And it's mighty good reading, even if you're not a racing fan. --Dennis Dodge
Critique de School Library Journal
Adult/High School-This well-written and compelling book celebrates the life of a racehorse that just happened to be a descendant of Man O' War. It is a story of a huge talent that almost went unrecognized until the right people came along. According to descriptions, Seabiscuit was a runt, with stubby legs, an odd walk, and a lazy nature. However, he became so popular that he drew more news coverage than President Roosevelt, Hitler, or Mussolini. The atmosphere surrounding his historic match with War Admiral was so intense that FDR kept advisors waiting as he listened with the rest of the country to hear the outcome. Hillenbrand also tells the stories of owner Charles Howard, trainer Tom Smith, and jockey Red Pollard and the part each man played in the recognition and development of a racing legend. But the book is much more. Seabiscuit is a story of the times and it is a story of the hard and dangerous life of a jockey. Even readers with no interest in the sport will be hooked with the opening sentence of the book's preface. Hillenbrand does a wonderful job in bringing an unlikely winner to life.-Peggy Bercher, Fairfax County Public Library, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Critique du Guardian
Horses exercise a powerful hold over the public imagination. When Sir Donald Bradman died in February, the only comparable Aussie hero commentators could summon up was Phar Lap, a legend of the Australian track who won 37 of his 51 races, including 14 in a row. He died in 1932 aged only five, and his skeleton remains the Museum of Victoria's most popular exhibit. Our equivalent of Phar Lap (though the Aussie horse raced on the flat) is the Irish steeplechaser Arkle, who won three successive Cheltenham Gold Cups in the mid-1960s and was so far ahead of his rivals that the handicapping rules had to be rewritten to give him extra weight. He still won. The joke was that had he stood for the Irish presidency, he would have won that too. The British and Irish love steeplechasers: not just Arkle, but Red Rum, Desert Orchid and Golden Miller (who in the 1930s won five successive Cheltenham Gold Cups). The roar that greets the start of the National resounds across the country: it remains a truly national event. We admire great flat horses - Sea Bird, Shergar, Sir Ivor, Nijinsky, this year's champion Galileo - but we adore those horses that slog through the mud and mist of winter. In the US, steeplechasing is less prominent, and the great flat- racing champions have had the field to themselves. The abiding heroes are Man o'War, Seabiscuit, Secretariat and Cigar, and the second of that illustrious quartet is the subject of Laura Hillenbrand's loving study. Seabiscuit's story in many ways parallels that of Phar Lap: an unprepossessing colt of whom little was expected but who went on to captivate a nation in the throes of the Depression. Seabiscuit never enjoyed the dominance of an Arkle or Golden Miller, but as the ugly duckling come good and a horse with a huge heart he became not just his country's champion but the custodian of its dreams - Babe Ruth without the booze. America in the 1930s also had a booming radio industry, and racing is a great radio sport: two minutes of concentrated action, with the rhythmic commentary reaching a thunderous climax in the closing strides. All America hugged its radios to hear (and thus be part of) the Biscuit's immortal clash with arch-rival War Admiral in 1938. Seabiscuit was based in the west, War Admiral was the pride of the east, and the two warriors (both descendants of Man o'War) circled each other for a year before their owners agreed to let them meet. When the crunch came, the Biscuit took the spoils in a thrilling race. Hillenbrand has a grand story to tell, though the manner of the telling is sometimes a little too grand for its own good. "Red Pollard was sinking downward through his life with the pendulous motion of a leaf falling through still air." Rough translation: Seabiscuit's jockey, Red Pollard, was having a tough time getting decent rides. In this world of superannuated superlatives, no adjective or fancy phrase is left unmolested: blisters can never be just blisters, they must be "angry" ones; George Woolf was not merely a very fine jockey, he was "supernatural"; the bookish Pollard didn't hide in dark corners of the jockeys' room, he "sequestered himself" there. Hillenbrand has been reading too many Great American Novels; worse, her book began as a Great American Magazine Feature. If, stylistically, it had tried half as hard and been half the length (is there a global computer key that removes adjectives?), it might have been twice as good. But overblown though the book is, the tale remains enticing: "runty" horse, expansive millionaire owner, laconic trainer and half- blind jockey combining to create a legend just when America needed one. It ought to be made into a film. In fact it was, in 1949, and Universal are now working on another, based on Hillenbrand's book and with the author as "consultant". In an epilogue, Hillenbrand makes a point of slagging off the earlier movie, which starred Shirley Temple, as "inexcusably bad". It will be intriguing to see how hers fares, and where it ends - with the epic triumph over War Admiral, victory in the 1940 Santa Anita Handicap (owner Charles Howard's holy grail), or, my preference, in retirement on Howard's estate, where thousands came to pay homage and watch Seabiscuit gambol in his paddock, the hero at grass. Stephen Moss is writing a cultural history of sport for HarperCollins. To order Seabiscuit for pounds 13.99 plus p&p call Guardian book service on 0870 066 7979. Caption: article-seabiscuit.1 In the US, steeplechasing is less prominent, and the great flat- racing champions have had the field to themselves. The abiding heroes are Man o'War, [Seabiscuit], Secretariat and Cigar, and the second of that illustrious quartet is the subject of [Laura Hillenbrand]'s loving study. Seabiscuit's story in many ways parallels that of Phar Lap: an unprepossessing colt of whom little was expected but who went on to captivate a nation in the throes of the Depression. Seabiscuit never enjoyed the dominance of an [Arkle] or Golden Miller, but as the ugly duckling come good and a horse with a huge heart he became not just his country's champion but the custodian of its dreams - Babe Ruth without the booze. - Stephen Moss.
Critique de Kirkus
The former editor of Equus magazine retells the riveting story of an unlikely racehorse that became an American obsession during the Depression. Like all heroes of an epic, Seabiscuit had to endure setbacks, dispel doubts about his abilities, and contend with formidable rivals. Hillenbrand deftly mixes arcane horse lore with a narrative as compelling as any adventure yarn as she introduces first the men who would make Seabiscuit great and then the horse himself. Racing was a popular, often unregulated sport in the 1930s, and wealthy men like Bing Crosby and his friend Charles Howard, who became Seabiscuit¿s owner, fielded strings of horses all over the country. Howard, a sucker for lost causes, took on as his trainer Tom Smith, a taciturn westerner down on his luck who studied horses for days until he took their measure. Both men were well suited to invest emotionally and financially in Seabiscuit, as were the two jockeys who would be associated with him, Red Pollard and George Woolf. Howard first saw Seabiscuit racing in 1936. The colt was a descendant of the famous Man o' War, but his body was stunted, his legs stubby, and he walked with an odd gait. Smith believed he had potential, however, so Howard bought him and took him back to California. There Smith patiently worked on Seabiscuit's strengths, corrected his weaknesses, and encouraged his ability to run faster than any other horse. When Smith thought he was ready, Howard began racing the colt. Seabiscuit broke numerous track records, despite accidents, injuries, and even foul play. His fame was secured with a 1938 race against his rival, War Admiral; their contest divided the country into two camps and garnered more media coverage than President Roosevelt, who himself was so riveted by the race that he kept advisers waiting while he listened to the broadcast. A great ride.
Critique du Library Journal
A veteran thoroughbred-racing writer whose stories have appeared in American Heritage, Talk, and other magazines, Hillenbrand here takes readers on a thrilling ride through 341 pages on the back of champion thoroughbred Seabiscuit. This is a Cinderella story in which four creatures, united for a brief period of time (1936-47), spark the imagination of an entire country. Hillenbrand combines the horse's biography with a social history of 1930s and 1940s America and incisive portraits of the team around Seabiscuit. Charlie Howard, a car dealer, bought the crooked-legged, scruffy little horse; Tom Smith, a man who rarely spoke to people but who communicated perfectly with horses, became its trainer; and Red Pollard, a half-blind jockey, rode Seabiscuit to fame. Hillenbrand's extensive research compares favorably with that of Alexander MacKay-Smith's in Speed and the Thoroughbred (Derrydale, 2000). This story of trust, optimism, and perseverance in overcoming obstacles will appeal to many readers. Highly recommended. [Previewed in Prepub Alert, LJ 11/1/00.] Patsy E. Gray, Huntsville P.L., AL (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Extraits
Extraits
THE DAY OF THE HORSE IS PAST Charles Howard had the feel of a gigantic onrushing machine: You had to either climb on or leap out of the way. He would sweep into a room, working a cigarette in his fingers, and people would trail him like pilot fish. They couldn't help themselves. Fifty-eight years old in 1935, Howard was a tall, glowing man in a big suit and a very big Buick. But it wasn't his physical bearing that did it. He lived on a California ranch so huge that a man could take a wrong turn on it and be lost forever, but it wasn't his circumstances either. Nor was it that he spoke loud or long; the surprise of the man was his understatement, the quiet and kindly intimacy of his acquaintance. What drew people to him was something intangible, an air about him. There was a certain inevitability to Charles Howard, an urgency radiating from him that made people believe that the world was always going to bend to his wishes. On an afternoon in 1903, long before the big cars and the ranch and all the money, Howard began his adulthood with only that air of destiny and 21 cents in his pocket. He sat in the swaying belly of a transcontinental train, snaking west from New York. He was twenty-six, handsome, gentle-manly, with a bounding imagination. Back then he had a lot more hair than anyone who knew him later would have guessed. Years in the saddles of military-school horses had taught him to carry his six-foot-one-inch frame straight up. He was eastern born and bred, but he had a westerner's restlessness. He had tried to satisfy it by enlisting in the cavalry for the Spanish-American War, and though he became a skilled horseman, thanks to bad timing and dysentery he never got out of Camp Wheeler in Alabama. After his discharge, he got a job in New York as a bicycle mechanic, took up competitive bicycle racing, got married, and had two sons. It seems to have been a good life, but the East stifled Howard. His mind never seemed to settle down. His ambitions had fixed upon the vast new America on the other side of the Rockies. That day in 1903 he couldn't resist the impulse anymore. He left everything he'd ever known behind, promised his wife Fannie May he'd send for her soon, and got on the train. He got off in San Francisco. His two dimes and a penny couldn't carry him far, but somehow he begged and borrowed enough money to open a little bicycle-repair shop on Van Ness Avenue downtown. He tinkered with the bikes and waited for something interesting to come his way. It came in the form of a string of distressed-looking men who began appearing at his door. Eccentric souls with too much money in their pockets and far too much time on their hands, they had blown thick wads of cash on preposterous machines called automobiles. Some of them were feeling terribly sorry about it. The horseless carriage was just arriving in San Francisco, and its debut was turning into one of those colorfully unmitigated disasters that bring misery to everyone but historians. Consumers were staying away from the "devilish contraptions" in droves. The men who had invested in them were the subjects of cautionary tales, derision, and a fair measure of public loathing. In San Francisco in 1903, the horse and buggy was not going the way of the horse and buggy. For good reason. The automobile, so sleekly efficient on paper, was in practice a civic menace, belching out exhaust, kicking up storms of dust, becoming hopelessly mired in the most innocuous-looking puddles, tying up horse traffic, and raising an earsplitting cacophony that sent buggy horses fleeing. Incensed local lawmakers responded with monuments to legislative creativity. The laws of at least one town required automobile drivers to stop, get out, and fire off Roman candles every time horse-drawn vehicles came into view. Massachusetts tried and, fortunately, failed to mandate that cars be equipped with bells that would ring with each revo- lution of the wheels. In some towns police were authorized to disable passing cars with ropes, chains, wires, and even bullets, so long as they took reasonable care to avoid gunning down the drivers. San Francisco didn't escape the legislative wave. Bitter local officials pushed through an ordinance banning automobiles from the Stanford campus and all tourist areas, effectively exiling them from the city. Nor were these the only obstacles. The asking price for the cheapest automobile amounted to twice the $500 annual salary of the average citizen-- some cost three times that much--and all that bought you was four wheels, a body, and an engine. "Accessories" like bumpers, carburetors, and headlights had to be purchased separately. Just starting the thing, through hand cranking, could land a man in traction. With no gas stations, owners had to lug five-gallon fuel cans to local drugstores, filling them for 60 cents a gallon and hoping the pharmacist wouldn't substitute benzene for gasoline. Doctors warned women away from automobiles, fearing slow suffocation in noxious fumes. A few adventurous members of the gentler sex took to wearing ridiculous "windshield hats," watermelon-sized fabric balloons, equipped with little glass windows, that fit over the entire head, leaving ample room for corpulent Victorian coiffures. Navigation was another nightmare. The first of San Francisco's road signs were only just being erected, hammered up by an enterprising insurance underwriter who hoped to win clients by posting directions into the countryside, whose drivers retreated for automobile "picnic parties" held out of the view of angry townsfolk. Finally, driving itself was something of a touch-and-go pursuit. The first automobiles imported to San Francisco had so little power that they rarely made it up the hills. The grade of Nineteenth Avenue was so daunting for the engines of the day that watching automobiles straining for the top became a local pastime. The automobiles' delicate constitutions and general faintheartedness soon became a source of scorn. One cartoon from the era depicted a wealthy couple standing on a roadside next to its dearly departed vehicle. The caption read, "The Idle Rich." Where San Franciscans saw an urban nuisance, Charles Howard saw opportunity. Automobile-repair shops hadn't been created yet--and would have made little sense anyway as few were fool enough to buy a car. Owners had no place to go when their cars expired. A bicycle repairman was the closest thing to an auto mechanic available, and Howard's shop was conveniently close to the neighborhoods of wealthy car owners. Howard hadn't been in town long before the owners began showing up on his doorstep. Howard had a weakness for lost causes. He accepted the challenge, poked around in the cars, and figured out how to fix them. Soon he was showing up at the primitive automobile races held around the city. Before long, he was driving in them. The first American race, run around Evanston, Illinois, had been held only eight years before, with the winning car ripping along at the dizzying average speed of seven and a half miles per hour. But by 1903, automotive horsepower had greatly improved-- one car averaged 65.3 mph in a cross-European race that season--making the races a good spectacle. It also made for astronomical casualty rates. The European race, for one, turned into such a godawful bloodletting that it was ultimately halted due to "too many fatalities." Howard was beginning to see these contraptions as the instrument of his ambition. Taking an audacious step, he booked a train east, got off in Detroit, and somehow talked his way into a meeting with Will Durant, chief of Buick Automobiles and future founder of General Motors. Howard told Durant that he wanted to be a part of the industry, troubled though it was. Durant liked what he saw and hired him to set up dealerships and recruit dealers. Howard returned to San Francisco, opened the Pioneer Motor Company on Buick's behalf, and hired a local man to manage it. But on a checkup visit, he was dismayed to find that the manager was focusing his sales effort not on Buicks but on ponderous Thomas Flyers. Howard went back to Detroit and told Durant that he could do better. Durant was sold. Howard walked away with the Buick franchise for all of San Francisco. It was 1905, and he was just twenty-eight years old. Howard returned to San Francisco by train with three Buicks in tow. By some accounts, he first housed his automobiles in the parlor of his old bicycle-repair shop on Van Ness Avenue before moving to a modest building on Golden Gate Avenue, half a block from Van Ness. He brought Fannie May out to join him. With two young boys to feed, and two more soon to follow, Fannie May must have been alarmed by her husband's career choice. Two years had done little to pacify the San Franciscan hostility for the automobile. Howard failed to sell a single car. From the Trade Paperback edition. Excerpted from Seabiscuit: An American Legend by Laura Hillenbrand All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.Table des matières
Preface | p. 11 |
Part I | |
1. The Day of the Horse Is Past | p. 17 |
2. The Lone Plainsman | p. 41 |
3. Mean, Restive, and Ragged | p. 58 |
4. The Cougar and the Iceman | p. 83 |
5. A Boot on One Foot, a Toe Tag on the Other | p. 106 |
6. Light and Shadow | p. 131 |
Part II | |
7. Learn Your Horse | p. 153 |
8. Fifteen Strides | p. 172 |
9. Gravity | p. 192 |
10. War Admiral | p. 212 |
11. No Pollard, No Seabiscuit | p. 233 |
12. All I Need Is Luck | p. 258 |
13. Hardball | p. 277 |
14. The Wise We Boys | p. 298 |
15. Fortune's Fool | p. 323 |
16. I Know My Horse | p. 338 |
17. The Dingbustingest Contest You Ever Clapped an Eye On | p. 351 |
18. Deal | p. 366 |
19. The Second Civil War | p. 384 |
Part III | |
20. "All Four of His Legs Are Broken" | p. 407 |
21. A Long, Hard Pull | p. 425 |
22. Four Good Legs Between Us | p. 434 |
23. One Hundred Grand | p. 452 |
Epilogue | p. 467 |
Acknowledgments | p. 484 |
Notes | p. 497 |