Résumé
Résumé
The Pulitzer Prize winner and New York Times bestselling author of Let's Take the Long Way Home now gives us a stunning, exquisitely written memoir about a dramatic turning point in her life, which unexpectedly opened up a world of understanding, possibility, and connection. New Life, No Instructions is about the surprising way life can begin again, at any age.
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"What do you do when the story changes in midlife? When a tale you have told yourself turns out to be a little untrue, just enough to throw the world off-kilter? It's like leaving the train at the wrong stop: You are still you, but in a new place, there by accident or grace, and you will need your wits about you to proceed.
"Any change that matters, or takes, begins as immeasurably small. Then it accumulates, moss on stone, and after a few thousand years of not interfering, you have a glen, or a waterfall, or a field of hope where sorrow used to be.
"I suppose all of us consider our loved ones extraordinary; that is one of the elixirs of attachment. But over the months of pain and disrepair of that winter, I felt something that made the grimness tolerable: I felt blessed by the tribe I was part of. Here I was, supposedly solo, and the real truth was that I had a force field of connection surrounding me.
"Most of all I told this story because I wanted to say something about hope and the absence of it, and how we keep going anyway. About second chances, and how they're sometimes buried amid the dross, even when you're poised for the downhill grade. The narrative can always turn out to be a different story from what you expected."
Praise for New Life, No Instructions
"Brimming with insights and wisdom . . . As far as I'm concerned, Caldwell can write about whatever she pleases. . . . Unabashed dispatches from lifelong single women are a fairly recent phenomenon. Caldwell has so much more to teach us." --Kate Bolick, The New York Times Book Review
"Gail Caldwell offers the kind of wisdom and grace you'd wish a friend, sister, or mother might deliver. . . . Fans and new readers alike will find comfort in Caldwell's voice." -- The Boston Globe
"Quiet but powerful . . . an absorbing meditation on grief and rebirth in midlife." -- More
"Eloquent and uplifting . . . [a story] to inspire you." -- Good Housekeeping
"Graceful and reflective." -- USA Today
"[Caldwell] confronts, with pluck and fortitude, the hurdles that life throws her way." -- Publishers Weekly
"An uplifting journey . . . This book celebrates finding support where you least expect it." -- Woman's Day
"[A] beautifully written memoir." -- Parade
"[A] thoughtful, wide-eyed view of the world . . . [Caldwell] ably explores the shifts of our hearts." -- Kirkus Reviews
"Getting old, as they say, is not for sissies, and no one would call Pulitzer Prize-winner Caldwell a wimp. . . . There may not have been a road map for the life-changing trip [she] was about to take, but . . . Caldwell realized she had the power to endure." -- Booklist
Critiques (3)
Critique du Publishers Weekly
Caldwell, a Cambridge, Mass.,-based author of two stalwart memoirs, most recently about the untimely death of her best friend Caroline Knapp (Let's Take the Long Way Home), again confronts, with pluck and fortitude, the hurdles that life throws her way-in this case, hip surgery while tending to a new pet Samoyed. Caldwell, we know from her previous work, adores dogs, specifically big dogs, and after the death of her beloved Clementine, in 2008, she tracked down a Samoyed breeder she had her eye on for years and procured a new puppy, Tula. However, at age 57 and with a "bum leg," the product of being stricken with polio as a six-month-old child growing up in West Texas in 1951, Caldwell wondered at the wisdom of getting a very muscular, high-octane dog when her leg strength seemed to be diminishing alarmingly. Indeed, after her limp got worse, after falling and increasing pain she could no longer ignore, she finally got an X-ray, and the severe degenerative arthritis that had been gnawing away at her right hip was clearly revealed. Hip surgery in 2011 proved a regular miracle for a condition like hers, despite the arduous six-month rehabilitative process. Yet poor Tula gets back-seated in this crisp, straightforward work, and while the author finds her solid footing, her narrative lacks the emotional centering of her last work. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.
Critique de Booklist
Getting old, as they say, is not for sissies, and no one would call Pulitzer Prize winner Caldwell (Let's Take the Long Way Home, 2010) a wimp. Yet time and loss were taking their toll as she suffered the deaths of her mother and her two best friends, one human (the writer Caroline Knapp) and one canine (her beloved Samoyed, Clementine). As Caldwell moved forward, she adopted a new puppy and immediately began to doubt the wisdom of this decision. The polio that had plagued her since childhood and left her with a perceptible limp was becoming increasingly painful, making life with an endlessly energetic and preternaturally strong dog difficult. When it was finally determined that Caldwell required a total hip replacement, the diagnosis was both a relief and a challenge for a middle-aged, single woman. There may not have been a road map for the life-changing trip Caldwell was about to take, but, as this memoir makes clear, given her indefatigable sense of commitment and community, at the very least Caldwell realized she had the power to endure.--Haggas, Carol Copyright 2014 Booklist
Critique du New York Review of Books
ON THE CUSP of turning 50, the artist Tracey Emin told the BBC: "I always thought that love was about desire, being with someone, holding someone, feeling someone. But it isn't necessarily. Love can be different and come in lots of different ways and lots of different guises." Her interviewer was suitably intrigued. England's notorious "bad girl" no longer cared about shagging. In her youth, Gail Caldwell was an enfant terrible of a different sort - a hard-drinking bookworm from the Texas Panhandle with the bravura of a rodeo queen. She rode her unbridled audacity halfway across the country in pursuit of the writing life, then tamed it; after getting sober in her early 30s, she went on to become chief book critic for The Boston Globe. Along the way, a colleague of many years admitted to having mistaken her lifelong limp for a swagger. At 50, she won the 2001 Pulitzer Prize for criticism. In the years since, she's suffered more than her share of losses, and become a serial memoirist. "New Life, No Instructions," her third, picks up where the second - about her extraordinary midlife friendship with Caroline Knapp, who died in 2002 - left off, exploring love's different and above all unpredictable guises, from canine to fraternal. That this new memoir was occasioned by a hip replacement, of all things, is a testament to her audacity. That the subplot revolves around getting a new dog did not improve matters for this reader (I am not a dog person). That neither hurdle proved a barrier to entry confirms that, as far as I'm concerned, Caldwell can write about whatever she pleases; it's a rare writer who can transform a commonplace surgery into a launching pad for life's big questions. "What do you do when the story changes in midlife?" she asks. "When a tale you have told yourself turns out to be a little untrue, just enough to throw the world off-kilter?" That swaggering limp was the result of the polio she contracted as an infant in 1951, before the vaccines. Ever since, her right leg had been 1.5 inches shorter than the left, a discrepancy she didn't bother herself with until a standard X-ray revealed her hip to be "a junkyard of bone." Coming on the heels of acquiring a new Samoyed, the training of which is a physical ordeal in itself, news of invasive surgery is particularly unwelcome, not to mention that at 60 she's still unmarried, standing alone on the bridge to old age. And so it is this - her status as a never-married woman in her seventh decade, a growing demographic we still know so little about - that makes the book not only a pleasure to read, brimming with insights and wisdom, but valuable as well. Her crisis forces the discovery that the "concentric circles of intimacy" she had been living within are actually "a force field of connection," in which those so-called lesser bonds - "neighbors and dog people and rowers and writers and A.A. people and women from the gym" - prove as durable as family. That she's made her home in the villagelike city of Cambridge, Mass., where she's on a first-name basis with half the people on her block, has something to do with it. So does solitude itself, which "makes you stretch your heart - the usual buffers of spouse and children are missing, so you reach toward the next circle of intimacy." That is, if you're so inclined. Because just as important as Caldwell's recognition of her unconventional support system is her modeling of what it takes to be a person who earns such care and solicitation. It's not by luck she's so well loved; it's the generosity and thoughtfulness she brings to her interactions, no matter how insignificant. When she leaves for surgery at dawn on Halloween, she puts baskets of peanut butter cups on the front porch for the trick-or-treaters. The scholar Leigh Gilmore has written that the "serial autobiographer returns to the scene because she has left a body there which requires further attention." If we're lucky, Caldwell will continue on like that other never-married writer, Diana Athill, who published her first memoir at 44, and her seventh at 93. Unabashed dispatches from lifelong single women are a fairly recent phenomenon. Caldwell has so much more to teach us. At 60 she was still unmarried, standing alone on the bridge to old age. KATE BOLICK'S first book, a personal exploration of single women in America, will be published next year.