Reseña de Publisher's Weekly
Bestseller Sparks (The Wish) serves up a sentimental romance between a farmer with a tragic past and a musician with lofty ambitions. Overworked Colby Mills, 25, is on a brief vacation from his North Carolina farm and indulging in his true passion, music, by playing gigs at a bar in St. Petersburg, Fla., when he meets 21-year-old Morgan Lee, a recent college grad heading to Nashville to make it big. Their chemistry sparks immediately, underpinned by their shared love of music, and they embark on a romance. But when tragedy strikes for Colby, and Morgan achieves life-changing success, their path to happily ever after becomes unexpectedly bumpy. Woven throughout is a suspenseful subplot about a woman named Beverly who is fleeing an abusive marriage with her young son, Tommie. While it's slightly jarring in the beginning, the story line's connection to Colby and Morgan evaentually comes into beautiful, heartbreaking clarity. As ever, Sparks brings the melodrama, but his empathetic characters and their down-to-earth personalities make it easy to get immersed in this world. Readers who love epic romantic sagas will want to snap this up. (Sept.)eb
Reseña de Booklist
Colby is taking the first vacation from his family farm that he has had in years. It's not entirely a vacation, since he is playing in a band at a bar in Florida. There, he meets Morgan, a young woman of means from Chicago who just graduated college and is getting ready to launch her own music career. They fall in love within days, and he wonders if he will be able to change his life and follow this new, unexpected direction. Colby and Morgan's story alternates with that of Beverly, who is running from her abusive husband and trying to hide her young son to keep him safe. Beverly's tale is fraught with tension, and readers will realize that there is more to her situation than it appears. When Colby is called home to deal with a family emergency, forces converge to link Beverly with the lovers. Sparks' (The Wish, 2021) latest appealing novel is filled with plenty of serious situations among the dreams and romance and rewards with a satisfyingly hopeful ending.
Library Journal Review
In Other Birds, next from the New York Times best-selling Allen, Zoey encounters a runaway girl, two grumpy middle-aged sisters, a famed writer, an isolated chef, and three ghosts when she returns to her recently deceased mother's apartment in a horseshoe-shaped house on South Carolina's Mallow Island, where tiny turquoise birds called Dellawisps flit (200,000-copy first printing). In Emmons's Unleashed, deep cracks in Lu and George Barnes's marriage become evident once only daughter Pippa goes to college, even as Pippa struggles to retain her budding sense of independence amid loneliness and the California wine country surrounding them all threatens to burn. Cohost of the popular podcast Who? Weekly, Finger sets his debut, The Old Place, in a small Texas town where a reluctantly retired schoolteacher Mary Alice finds her life--especially her friendship with close neighbor Ellie--suddenly in question when a long-buried secret is revealed. In debuter Huynh's The Fortunes of Jaded Women, three estranged Vietnamese American sisters living in Orange County's Little Saigon must find a way to lift a curse placed on their family long ago never to find love or happiness (100,000-copy first printing). Blockbuster author Sparks again takes readers to Dreamland in a book about pursuing one's desires possibly at the cost of abandoning the past.
Extractos
It was morning. She was in the bedroom of the house she'd just rented, and her six-year-old son, Tommie, was asleep in the room across the hallway. She had only recently arrived in town . Yes, Beverly thought, reminding herself. My new life. I'm beginning my new life, and only then was she able to push the covers back. She got out of bed, feeling a thin silky rug beneath her feet, a pleasant surprise. The bedroom door was closed, but she knew the short hallway beyond it would lead to the stairs and that, on the main floor, there was a living room and a small kitchen furnished with an old Formica table surrounded by four scuffed wooden chairs. Beverly slipped into the jeans and T-shirt that had been heaped on the floor and wondered how long she'd been sleeping. She couldn't remember what time she finally went to bed, other than that it had been really, really late. But what had she done? The memories of the night before were nothing but dream smoke, blurring at the edges and black in the middle. She couldn't remember what she'd had for dinner or even if she'd eaten at all, but she supposed it didn't much matter. Starting over always carried with it stress, and stress made the mind do funny things. She crept from her bedroom, peeked in on Tommie, and saw him jumbled under the covers. She quietly made her way down the stairs to the kitchen. As she poured herself a glass of water from the faucet, she remembered a recent night when she'd snuck from her bedroom, moving quietly and without turning on a single light. She was already dressed when she roused Tommie. His small backpack was loaded and hidden beneath his bed. She helped him get dressed and they crept down the stairs. Like Tommie, she carried only a backpack, for ease and speed. She knew that neighbors might remember a woman and child hauling rolling suitcases along the sidewalk in the middle of the night; she knew that her husband, Gary, would seek out those neighbors and they would tell him what he needed to know to find her. In Tommie's backpack were his favorite Iron Man action figure and Go, Dog. Go!, a book she still read to him every night. She'd also packed two T-shirts, a second pair of pants, socks, underwear, toothbrush and toothpaste, and hair wax for his cowlick. In her backpack were the same sorts of items and other things, along with a smattering of makeup, a brush, sunglasses, an Ace bandage, and a wig. Near the front window, she didn't bother looking for the black SUV with tinted windows that had been parked along her street for the past three days. She already knew it would be there, even if parked in a different spot. Instead, after she helped Tommie with his jacket, they slipped out the back door. She made sure not to let the screen door bang or squeak, inching it closed as slowly as possible. They crossed the damp grass to the wooden fence that bordered their lawn, and Beverly helped Tommie climb over into the neighbor's backyard. Through all of that, Tommie had said nothing. He wobbled when he walked as though still partially asleep. They exited through the neighbor's gate and stayed near the hedges until reaching the street that ran parallel to her own. There, she hid behind a car parked on the street and peered in both directions. She saw no black SUV with tinted windows. Where are we going? Tommie finally asked her. On an adventure, she'd whispered. Is Daddy coming with us? He's working, she'd responded, which was true, even if it didn't really answer his question. It was the middle of the night and quiet, but the moon was half full and the streets were illuminated by lampposts at the intersections. She needed darkness and shadows to remain invisible, so she cut across lawns and driveways, sticking close to the houses. In the rare moments when she heard a car coming, she led Tommie to whatever nearby secluded spot she could find--behind bushes or trellises and even an old RV. Occasionally, a dog would bark, but the sound always came from a distance. They walked and walked, but Tommie didn't whine, didn't so much as whimper. Residential streets gradually gave way to commercial ones, then, an hour and a half later, to an industrial area, with warehouses and a salvage yard and parking lots surrounded by chain-link fencing. Though there was no place to hide, the streets were empty. When they eventually reached the bus station, the entrance smelled of cigarette smoke and fried food and urine. They went inside. In the restroom, Beverly pinned her hair up with bobby pins and donned the wig that turned her from a long-haired blonde to a brunette with a pixie cut. She wrapped a long Ace bandage around her chest, making her breasts smaller, pulling it tight to the point that it was hard to breathe. She donned a baseball hat, and though it was still dark, she put on her sunglasses. Tommie didn't recognize her when she emerged. She had told him to sit on one of the benches and explained that it was important not to wander off, and it was only after she removed her glasses while directly in front of him that his eyes widened in recognition. She walked him to an even more isolated bench in the corner of the terminal, one that was out of sight from the ticket window, and told him to sit quietly. There were only a few people milling about in the station when she went to the ticket window and took her place in line behind an elderly woman in a heavy brown cardigan sweater. When it was her turn, she stood before a man with bags under his eyes and a long side patch of stringy gray hair that he swept over his bald spot. She asked for two tickets to Chicago, and as she handed over the money, she mentioned casually that she and her sister were going to visit their mother. She didn't want the man behind the Plexiglas to know she was traveling with her son, but apparently he didn't care one way or the other--he barely seemed to notice her as he handed her the tickets. Beverly returned to a bench kitty-corner from Tommie, where she could keep an eye on him but it wouldn't be obvious that they were together. Every minute or so she would glance at him, then toward the entrance, searching beyond the glass for the black SUV with tinted windows, but thankfully it never appeared. She also studied other faces in the terminal, trying to memorize them, seeing if anyone was paying attention to a little boy sitting all alone, just in case. But no one seemed to care. Dawn arrived, a bright late-spring glare. In time, the engine of the appropriate bus began to idle beneath one of the aluminum canopies out back. With her stomach in knots, she sent Tommie ahead so he could pretend to be boarding with a man in a bomber jacket, a father and son traveling together. Through the windows, she watched Tommie follow the man toward seats near the rear of the bus. Others boarded, then she finally stepped aboard, walking past the thin, dark-haired bus driver. She took a seat in the second-to-last row; on the opposite side, in the next row up, was an older woman knitting, moving the needle like a conductor standing in front of an orchestra. Tommie remained in his seat ahead of her until the bus started moving, just as she'd instructed, and when they reached the highway, he joined her. There, he leaned his head against her shoulder while she continued to watch the people on the bus, forcing herself to remember them and trying to figure out whether any of them had noticed anything amiss. She reminded herself of how careful she'd been. Gary was out of town, doing whatever secret thing it was he did for the government. They'd also left on a Saturday, and on each of the four previous weekends she'd made sure not to leave the house or even let Tommie play in the yard, establishing a pattern that would hopefully buy time. Using money she'd secretly saved over a period of six months, she set up automatic timers on the lights, which would come on and then go out in the evenings. With any luck, the driver in the black SUV wouldn't know they were gone until the school bus showed up on Monday morning. Excerpted from Dreamland: A Novel by Nicholas Sparks All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.