School Library Journal Review
Gr 9-11-Sensitive and intelligent Amelia Hayes, 15, takes an after-school job at a local supermarket, and the minute she meets university student Chris, who trains her to work the checkout, she's a goner. Alas, it's a mostly one-sided infatuation. Amelia wants romance with the charming 21-year-old, but he is mourning a failed relationship and sees Amelia only as a bright and funny "youngster." Over the course of a year, her cringe-worthy crush persists, although she tries valiantly to hide it from Chris and the rest of the supermarket crew, all of whom are quirky and deserve books of their own. Chris is busy working too many hours and trying to avoid graduating and getting a real job by extending his coursework to include a second major. It's abundantly clear that if there weren't such a dramatic age difference, the genuine friendship between Chris and Amelia could have morphed into a heavy-duty romance, and this makes her plight even more painful. The author captures all of the conflicting emotions of both characters by telling the story through Amelia's eyes as well as through some of Chris's journal entries, which provide background information about his failed love affair, his relationship with his family and friends, and his ambivalence about his future. There is quite a lot of underage drinking and some funny discussions of pot use. The realistic conclusion is a bit open-ended, which lends hope that there will be a sequel.-Susan Riley, Mount Kisco Public Library, NY (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Set over the course of a year, Buzo's debut, first published in Australia, tracks 15-year-old Amelia as she pines over Chris, a boy six years her senior, who works the checkout with her at a supermarket in New South Wales. Amelia knows that a relationship with Chris is probably impossible, but she can't get him out of her head. From the beginning, Buzo underscores the idea that Chris and Amelia are simply at different stages of their lives (a line Chris even uses on Amelia at one point). Chapters told from Amelia's perspective are all about Chris, even as she vents her frustrations about her parents' relationship and feeling young and naive. Conversely, Amelia barely warrants a mention in Chris's chapters, diary entries in which he mopes over being dumped by the love of his life and details partying with friends at university. Throughout, readers see how little Amelia really knows about Chris, a powerful bit of dramatic irony. It's a believable and often funny portrait of the messy relationship between a starry-eyed but sharp-witted teenager and a young man stumbling his way into adulthood. Ages 14-up. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved.
Horn Book Review
Amelia's part-time supermarket job would be a total bore if not for Chris, her smart, funny, and friendly coworker; he keeps her entertained with conversations both humorous ("I will call you grasshopper and you will call me sensei, and I will share with you what I know") and thought-provoking (they argue boisterously about literature, feminism, and society). Amelia (likewise smart and funny) is instantly smitten, and her first-person narration alternates with Chris's letters and journal entries, so readers are also treated to his version of events -- and his own feelings for Amelia. Unfortunately, Amelia is fifteen and in high school; university student Chris is twenty-one. But, like Amelia, readers will fall for Chris and will, as Amelia does in the end, appreciate that he's decent enough to see that dating her would be both impractical and more than a little bit pervy. (They'll also swoon over Chris's fit of jealousy when coworker Jeremy puts the moves on Amelia; the drunken kiss Chris gives Amelia in a moment of weakness; and his journal entries that detail his growing attraction to "Youngster," as he calls her.) This Australian import, Buzo's debut novel, delves into both the emotional life of an adolescent (with a spot-on description, for example, of what a crush feels like) and that of a youngish adult (including Chris's painful attempt to forget a former girlfriend), giving readers keen insight into both the present and the future. jennifer m. brabander (c) Copyright 2013. The Horn Book, Inc., a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Kirkus Review
A sweet and scathingly funny love story (kinda) from Australia. Amelia is thoroughly crushed out on Chris. Chris pines for Michaela, though he does think Amelia is interesting. Amelia lives for her evening and weekend shifts at the local supermarket, aka "the Land of Dreams"; Chris lives for his post-work and -class benders and the hope of sex. As Chris says, "[Y]ou are fifteen and I am twenty-two, we have nothing in common socially and are at completely different stages in our lives." Well, they are and they aren't. Amelia is "in [the] no-man's-land between the trenches of childhood and adulthood," and really, so is Chris. About to finish his sociology degree, he still lives with his parents and avoids planning beyond university. Amelia tells her side of the nonromance in a smart, wistfully perceptive present tense, while Chris' story unfolds in his journals, written with savage, self-deprecating, foulmouthed ferocity. These accounts are interleaved, though staggered chronologically so readers move back and forth in time as the relationship develops--a brilliant juxtaposition. Alcohol-drenched encounters outside of work are, with one exception, almost irredeemably sordid (though as funny as the rest of the book); the Land of Dreams becomes a weird haven for them both, where they discuss Great Expectations and school each other in third-wave feminism. The exactly right conclusion eschews easy resolution, though there's plenty of hope as they flounder into the future. (Fiction. 14 up)]] Copyright Kirkus Reviews, used with permission.
Booklist Review
The hot topic of romance on the job is at the center of this debut novel. Working at the checkout in her local supermarket in Sydney, Australia, 15-year-old Amelia has a crush on her handsome supervisor, college student Christopher. He likes the youngster, and they talk about classic books, movies, and more; but he is in love with fellow worker Michaela. Or is his obsession with his supervisor, Kathy? With a big cast, this novel from Australia takes on just about everything, mainly in Amelia's first-person, present-tense narrative, with a few detours into Chris' long notebook entries and letters. Woven around the romance plots are issues about feminism today: yes, mom can work, but why does she still have to do all the housework? What will hold teens most is the charged, authentic, and awkward social scene at work. Amelia is not popular: is it because she refuses to cozy? The realistic situations and questions will stay with readers.--Rochman, Hazel Copyright 2010 Booklist
Excerpts
Lights Up "I'm writing a play," says Chris, leaning over the counter of my cash register. "It's called Death of a Customer. Needless to say, it's set here." He jerks his head toward the aisles lined with groceries and lit with harsh fluorescent bars. It takes me a moment to place the reference, but then I remember Death of a Salesman from when Dad took me to see the play last year. "Sounds good." "Want to be in it?" I nod eagerly. "Cool. We're going to the pub after work to workshop it. You should come." "Who--" I squeak. "Who's going?" "Oh, Ed, Bianca, Donna . . . people." I am only three weeks past my fifteenth birthday, but my braces came off a month ago, so I could possibly slip into a pub looks-wise. Trouble is, my scorching unease would give me away to the door guy, and even if by some miracle it didn't, I am terrified of interacting socially with my coworkers. Except Chris. Donna is my age, but she has no trouble keeping up with them. She wears eye makeup and pulls it off. She wears calf-high black boots with purple laces. She smokes and has been kicked out of home by her father several times. She has serious street cred. Unlike me. Ed is nice enough, but he's eighteen and kind of vagued out all the time. Bianca is twenty-three and ignores me so consistently that it must be deliberate. I am not going to the pub with them. "I can't," I say. "Why not?" "I have homework." This is not a lie. I'm struggling in math as it is. Getting behind will make it worse. My shift ends at nine o'clock, so even if I go straight home, I won't get to my homework until nine-forty at least. Chris's face contracts in annoyance. "So? I have a two-thousand-word paper due on Friday. Life must still be lived." "I can't." "You can do it in the morning." I shake my head. "I'll take you home afterward. You'll be home by midnight." Now I'm torn. Two hours of sharing him with the others and then I'd be rewarded by fifteen minutes of having him all to myself on the walk home. "Ed's got his parents' car tonight. We'll drop you right at your door." Crap. "I can't." "Fine, whatever," he says, withdrawing his presence like a parent confiscating a favorite toy. He stalks off in the direction of the deli, probably to ask "She's-big-she's-blond-she-works-in-the-deli" Georgia to go to the pub and join the collaboration on his dramatic masterpiece. As Chris's name for her suggests, Georgia is in fact blond, has big breasts, and manages to wear the deli's white uniform in a way that is quite fetching. However, my point of envy is the fact that, at eighteen, she is a good three years closer in age to Chris. "No fair," I mutter as he disappears from sight. Land of Dreams Chris never refers to the Coles supermarket we work at as "Coles." He calls it the Land of Dreams. On nights and weekends, the Land of Dreams is staffed by part-timers. Mainly high school students (me, Street Cred Donna and several others who go to public schools in the area), university students (Chris, Kathy, Kelly, Stuart) and a few other "young adult" types who obviously haven't yet decided what to "do" with their lives and are working at Coles while they figure it out (Ed, Bianca, Andy). Come to think of it, that may be a bit of an assumption on my part. I've never actually seen Ed, Bianca or Andy grappling with the mystery of their existence or their place in the universe. They're just there. Ed to earn enough money to support his pot habit. Bianca to flirt with the teenage checkout boys. And Andy? Well, who knows; he rarely says anything. I started work at the Land of Dreams last year, almost on the dot of age fourteen and nine months. This was a move motivated by a passionate aversion to asking my parents for money and the knowledge that there was not much of it going spare around our way in any case. Money is never openly discussed in my house, but I suspect that last year was a bit tough. My sister Liza moved out to go to university in Bathurst, and my dad was longer than usual between jobs. Asking for money began to stress me out. Dad would say he didn't have any cash and to ask Mum. Mum would sigh and look pissed off and give it to me with less than good grace. So I thought, Enough of that. I went to the local shopping center and asked for work at every shop except the butcher (eww) and the tobacconist (evil). I really had to push myself to go in each time and not stumble over my words. I did stumble a bit, but most took my number and said they'd call if something came up. One week later a lady from Coles rang and asked me to come in for an interview after school. I started a week after that. The morning of my first training shift I came down to breakfast. Dad was reading the newspaper and Mum was wiping up some Ovaltine spilled on the floor by my little sister. "I've got a job at Coles," I said. "At Metro Fair," I added. "On the checkout," I concluded. Mum nodded as she wiped. "Good," said Dad, looking up from his newspaper for a second. "That's good, darling." Ever since then I've been working three nights a week from four till nine, and from noon till four on Saturday or sometimes Sunday. I've got my work routine down pat. At the final school bell I make my way to my locker amid hordes of girls stampeding to freedom. My locker is next to my best friend Penny's, so we always meet at the end of the day. I change out of my school uniform and into my black work pants and black shoes. "Sweetie pie," Penny often says, watching me struggle into my work pants and hoick my tunic over my head, trying not to take my shirt up with it. "There's got to be an easier way." She holds the shirt down for me and catches me if I lose my balance while unknotting the laces of my school shoes. I stuff my school uniform into my backpack and gather up my textbooks and folders. Then we join the throng and negotiate our way outside. As Australia is "girt by sea," my school is "girt by road." Major six-lane traffic arteries on all sides. Heavy on the fumes. When it rains, great swaths of dirty, oily water collect in the gutters. Then buses roar past and send gallons of energetic spray up onto the pavement. In the five yards between the curb and the school fence there's no escape. It's bad enough if you get drenched while waiting for the bus home, but getting caught on the way to the school gates in the morning seriously blows. My afternoon bus is the 760. I never get a seat, as the boys from the brother school next door are ferocious pushers. Some of my most disillusioning school moments have involved getting stuck in a crush of twenty or so teenage boys who have no qualms whatsoever about going straight over the top of anyone smaller or less inclined to push. They shove, swear, show off and certainly aren't above hair-pulling. Vindication sometimes comes with a certain bus driver who won't let any of the boys on until all the girls are aboard. The boys jeer under their breath as we girls file on, and you can bet they're even more merciless the next day. Most days I'm happy to hang back and see if I can squeeze on at the end. But on workdays, I have to get on or I'll be late. The 760 gets me to Coles by four, whereupon I don my red scarf and name badge, shove my stuff into my locker, check the roster to see what register I'm on that shift and jump on. The Ropes "Miss Amelia Hayes, welcome to the Land of Dreams!" The boy grinned at me and motioned me into the same tiny room I'd been interviewed in. "I'll leave you to it then," said the manager, and she closed the door. The boy and I regarded each other for a moment. I judged him to be about twenty. His features were unremarkable, but his face was open, immediately warm and engaging; he seemed to twinkle. "I," he said, "am Chris, your friendly staff trainer. You'll be with me for three four-hour shifts. I will call you Grasshopper and you will call me Sensei, and I will share with you what I know. Right?" "Okay." I smiled. It was hard not to. "Now," he said, fumbling in his pants pocket. "Where's your . . . ? Got it." He pulled out a name badge that said TRAINEE. "This baby is yours for three days, and after that, if you play your cards right, you'll get your very own to love and cherish for all your days." He approached me and fastened it to my shirt. I wasn't sure where to look. "Just so you know, I'm open to all kinds of bribery." "Good to know." "Now let's get out there." Chris taught me how to pack groceries in such a way as to incur the overall least amount of wrath from the customer. However, he stressed, you can't please everyone. He taught me about the more obscure fruits and vegetables: swedes, rambutan, jackfruit, persimmon, durian, tamarillo, dragon fruit, star fruit, okra. And the many different kinds of apples: Fuji, Braeburn, Pink Lady, Bonza, Jonathan, Sundowner, Red Delicious, Golden Delicious, Granny Smith. Then there were brushed potatoes, washed potatoes, Desiree potatoes, new potatoes, Kipfler potatoes and Red Pontiac Potatoes. At the beginning, he said, I would have to look up the different codes for each of them, which would be tedious and slow, but soon enough they would all be in my head. Chris also told me that every so often I would have a complete jerk come through my register. "The important thing to remember," said Chris, "is It's Not About You. Some people are just pricks. And that's not only true in here." On the third night of training it was time for me to serve my first customers. Chris stayed beside me for the first few and then hovered close by for an hour, twinkling encouragement and appearing at my side if I was struggling with anything. At about eight o'clock the rush had finished and he sidled over. "I think you've earned a break, Youngster." He smiled and put up the CLOSED sign on my register. "I'll buy you a Coke." We sat drinking our Cokes in the deserted food court of the shopping center. All the shops were in darkness, with their security shutters down. "So, Amelia, how old would you be?" "I'm fifteen. Almost." "Wow, you really are a youngster." "Guess so." "You like school?" "Yeah. Yeah, I like it most of the time. Not math, though." "The best thing about finishing school is not having to do math anymore. You mark my words." "Can't wait." "Favorite subject?" "English. Definitely. My teacher this year is a bit weird, but still . . ." "Your love is strong and true." I looked at him. "What?" "For English." "Oh yeah. For sure. I just hope I don't get her for senior English." "Got someone else in mind?" "Miss McFadden. Everyone wants Miss McFadden." "But they can't all have her." "No, they can't." It's really easy to talk to him, I thought. "What about you?" I asked. "Me. I'm in my last year at University of New South Wales." "What do you take?" "Major in English with a minor in sociology. I'm thinking of staying on another year to make it a double major." "Then what?" "Oh, don't you start," he said sharply. Chastened, I drank my Coke. "Got brothers or sisters?" he asked. "Older sister, Liza. She's away at uni. Charles Sturt. Lives in Bathurst in some share house." "Half her luck." He grimaced. "I'm with the folks." "You don't get along?" "They're nice people. It's not bad. It's just . . . It's gone on too long. But there's no other choice. So . . ." He trailed off. "And my other sister has just turned three." "Three! Wow." "I know." "Contraception doesn't work in the top drawer." "My parents know that now." We laughed. "She's super-gorgeous, though," I said, my heart swelling a little at the thought of Jessica's soft chubby cheeks and philosophical musings. That morning she had approached me while I ate my toast. Amelia. She laid one of her hands gently over mine. My hands don't come off. They're attached to my body. So true. "Got a boyfriend?" "What? No. How would that even happen?" I hadn't really talked to a boy since primary school. My only male contact was with the pushers and shovers on the bus, and they fell short of every expectation. Talking to them wouldn't be like this, I thought. "Got a girlfriend?" I countered. He twisted the pull tab on his Coke can and then pulled it off. "No." He threw the can in the direction of a trash can a few yards away. It missed, clanged against the metal and hit the ground. "We'd better get back in there." I nodded and pushed back my chair. "Oh, and you should join the union, Youngster. It doesn't cost much and by God you'll get screwed around here." The weeks went on and I settled into the routine of going to work after school. It was a little harder to keep up with schoolwork, but nothing that couldn't be remedied by late-night caffeine hits and working through the odd lunch period. Chris often brought drafts of his uni essays into work for me to read during my breaks. His favorite course was the History of Popular Culture. His essays were littered with references to his favorite films, which I soon learned were along the lines of Alien, Rambo, Platoon, Apocalypse Now and The Godfather. So different from what we were studying at school. He asked me what I thought of his work and he listened to my replies. "So, Youngster," he said one day, fixing me with an eagle eye. "Why did Barnes shoot Elias?" "Why did-- Who?" "Barnes! He shot Elias. Why?" "I don't know what you're--" "Don't--do not tell me you haven't seen Platoon." I obliged and remained silent. "What do they teach you at that school?" Another day, in line to pick up our pay slips at the back office: "So the mother ship in Alien clearly draws on feminist theory, don'tcha think?" Excerpted from Love and Other Perishable Items by Laura Buzo All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.