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Praise for A Discovery of Witches "A wonderfully imaginative grown-up fantasy with all the magic of Harry Potter or Twilight  . . . An irresistible tale of wizardry, science, and forbidden love, A Discovery of Witches will leave you longing for the sequel." -- People "A thoroughly grown-up novel packed with gorgeous historical detail and a gutsy, brainy heroine to match: Diana Bishop, a renowned scholar of seventeenth-century chemistry and a descendant of accomplished witches. . . . Harkness writes with thrilling gusto about the magical world." --Karen Valby, Entertainment Weekly "Harkness conjures up a scintillating paranormal story. . . . Discover why everyone's talking about this magical book." -- USA Today "Delightfully well-crafted and enchantingly imaginative . . . An enthralling and deeply enjoyable read, A Discovery of Witches is to be the first in a trilogy and will likely draw considerable cross-genre interest. Its fantasy, historical, and romance genre appeal is clear, but it also has some of the same ineluctable atmosphere that made Anne Rice's vampire books such a popular success." -- The Miami Herald "A debut novel with a big supernatural canvas . . . Its ambitions are world-sized, ranging across history and zeroing in on DNA, human and otherworldly. Age-old tensions between science and magic and between evolution and alchemy erupt as Diana seeks to unlock the secrets of Ashmole 782." -- Los Angeles Times "Harkness, an eloquent writer, conjures this world of witches with Ivy League degrees and supernatural creatures completely--and believably--while maintaining a sense of wonder. Her large cast of characters is vivid and real. . . .  A Discovery of Witches is that rare historical novel that manages to be as intelligent as it is romantic. And it is supernatural fiction that those of us who usually prefer to stay grounded in reality can get caught up in. Pardon the pun, but Witches is truly spellbinding." -- San Antonio-Express News "A scintillating debut . . . Harkness imbues Bishop and Clairmont's romantic adventure with an odd charm, a sweet joy in the life of the mind." -- The Seattle Times "Readers who thrilled to Elizabeth Kostova's 2005 blockbuster, The Historian , will note the parallels, but A Discovery of Witches is a modern Romeo and Juliet story, with older, wiser lovers. Blood will flow when a witch and a vampire fall for each other. Author Deborah Harkness, a UCLA history professor, brings vast knowledge and research to the page." -- The Cleveland Plain Dealer "Enthralling . . . A rollicking mystery." -- Pittsburgh Post-Gazette "Fascinating and delightful . . . Harkness introduces elements of mystery, subtly builds up a romance, interjects some breathtaking action scenes, and brings it all to a cliff-hanger of an ending, all the while weaving strong threads of historical fact into the fabric of her fiction." -- The Tulsa World "Harkness works her own form of literary alchemy by deftly blending fantasy, romance, history, and horror into one completely bewitching book." -- Chicago Tribune "A shrewdly written romp and a satisfying snow-day read for those of us who heartily enjoyed the likes of Anne Rice and Marion Zimmer Bradley. By the book's rousing end . . . I was impatient for the sequel." --NPR "Five hundred and eighty pages of sheer pleasure. Harkness's sure hand when it comes to star-crossed love and chilling action sequences in striking locales makes for an enchanting debut." -- Parade "Fans of historical fiction will be mesmerized. . . . Harkness's attention to historical detail [and] the rich fantasy world she creates . . . hold us thoroughly." -- Paste "A riveting tale full of romance and danger that will have you on the edge of your seat, yet its chief strength lies in the wonderfully rich and ingenious mythology underlying the story. A Discovery of Witches is a captivating tale that will ensnare the heart and imagination of even the most skeptical reader. . . . Literary magic at its most potent." --Stephanie Harrison, BookPage "Deborah Harkness is a creative genius. She has taken a genre that is saturated with vampires, witches, and daemons, and has created something unique, with its own rich history and mythology, that draws you into her world with captivating storytelling. . . . Hands down the best book I have read in a very long time." --Molly Seddon, Words and Pieces "Harkness creates a spectacular fusion of historical and scientific facts, fantastical elements and creatures, fantasy, romance, and highly intellectual characters and dialogue." -- Among the Muses "Pure literary brain candy, but unlike many works of its type, it's very well written and chock-full of fascinating bits from Harkness's research. . . . One of those books that I wanted to rip through quickly so I could find out what happens, but also wanted to read very slowly so that I didn't have to be done too fast. I'll be waiting--impatiently--to find out what comes next." --Jeremy Dibbell, PhiloBiblos "We cannot give Harkness's debut enough praise. It is quite simply stunning. Blending fact and fiction, history and present, delicate courtship and tempestuous tantrums, understanding your identity and losing yourself: it is a beautiful work of fiction that fastens onto your heart and feeds your mind. In other words: probably perfection." -- The Truth About Books " A Discovery of Witches actually made me excited for vampires again. Deborah Harkness has written one of the most fantastic books I've read in ages. A flawless mixture of well-researched history and magic." --Vampires.com "A masterpiece of literary fiction, filled with factional and fantastical beings brought to us by the lyrical narrative of a most talented storyteller . . . An epic tale that will alter your ideas of good versus evil, it's a mystery of historic proportion and is filled with the fantasy that readers today can't seem to get enough of." -- The Reading Frenzy "Set in our contemporary world with a magical twist, this sparkling debut by a history professor features a large cast of fascinating characters, and readers will find themselves invested in Diana's success at unlocking the secrets of the manuscript. Although not a nail-biting cliff-hanger, the finale skillfully provides a sense of completion while leaving doors open for the possibility of wonderful sequel adventures. This reviewer, for one, hopes they come soon! Destined to be popular . . . his enchanting novel is an essential purchase. Harkness is an author to watch." -- Library Journal (starred review) "Harkness creates a compelling and sweeping tale that moves from Oxford to Paris to upstate New York and into both Diana's and Matthew's complex families and histories. All her characters are fully fleshed and unique, which, when combined with the complex and engaging plot, results in . . .  essential reading." -- Booklist (starred review) "Harkness's lively debut . . . imagines a crowded universe where normal and paranormal creatures observe a tenuous peace. . . . She brings this world to vibrant life and makes the most of the growing popularity of gothic adventure with an ending that keeps the Old Lodge door wide open." -- Publishers Weekly "A strange and wonderful novel of forbidden love and ancient spells that turns every preconception about magic on its head . . . I fell in love with it from the very first page." --Danielle Trussoni, author of Angelology "Deborah Harkness's novel is a brilliant synthesis of magic and history. A gripping story of dangerous passion, intellectual intrigue, and fantastical beings." --Ivy Pochoda, author of The Art of Disappearing "A fleet-footed novel set in a vivid otherworld, richly peppered with scholarly tidbits. Huge fun--with serious underpinnings of history." --Jane Borodale, author of The Book of Fires ABOUT THE AUTHOR Deborah Harkness is a professor of history at the University of Southern California. She has received Fulbright, Guggenheim, and National Humanities Center fellowships, and her most recent scholarly work is The Jewel House: Elizabethan London and the Scientific Revolution. She also writes an award-winning wine blog. Also by Deborah Harkness Shadow of Night The Book of Life Table of Contents   Cover Praise for A Discovery of Witches About The Author Also by Deborah Harkness Title Page Copyright Page Dedication   Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 Chapter 25 Chapter 26 Chapter 27 Chapter 28 Chapter 29 Chapter 30 Chapter 31 Chapter 32 Chapter 33 Chapter 34 Chapter 35 Chapter 36 Chapter 37 Chapter 38 Chapter 39 Chapter 40 Chapter 41 Chapter 42 Chapter 43   Acknowledgments PENGUIN BOOKS Published by the Penguin Group Penguin Group (USA) LLC 375 Hudson Street New York, New York 10014 USA | Canada | UK | Ireland | Australia | New Zealand | India | South Africa | China A Penguin Random House Company First published in the United States of America by Viking Penguin, a member of Penguin Group (USA) LLC 2011 Published in Penguin Books 2011 Copyright © 2011 by Deborah Harkness Penguin supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin to continue to publish books for every reader. THE LIBRARY OF CONGRESS HAS CATALOGED THE HARDCOVER EDITION AS FOLLOWS: Harkness, Deborah E., 1965- A discovery of witches : a novel / Deborah Harkness p. cm. ISBN: 9781101475690 1. Vampires--Fiction. 2. Witches--Fiction. 3. Alchemy--Manuscripts--Fiction. 4. Science and magic--Fiction. I. Title PS3608.A7436D57 2011 813'.6--dc22 2010030425 This is a work of fiction. Names, characters, places, and incidents either are the product of the author's imagination or are used fictitiously, and any resemblance to actual persons, living or dead, businesses, companies, events, or locales is entirely coincidental. For Lexie and Jake, and their bright futures It begins with absence and desire. It begins with blood and fear. It begins with a discovery of witches. Chapter 1 T he leather-bound volume was nothing remarkable. To an ordinary historian, it would have looked no different from hundreds of other manuscripts in Oxford's Bodleian Library, ancient and worn. But I knew there was something odd about it from the moment I collected it. Duke Humfrey's Reading Room was deserted on this late-September afternoon, and requests for library materials were filled quickly now that the summer crush of visiting scholars was over and the madness of the fall term had not yet begun. Even so, I was surprised when Sean stopped me at the call desk. "Dr. Bishop, your manuscripts are up," he whispered, voice tinged with a touch of mischief. The front of his argyle sweater was streaked with the rusty traces of old leather bindings, and he brushed at it self-consciously. A lock of sandy hair tumbled over his forehead when he did. "Thanks," I said, flashing him a grateful smile. I was flagrantly disregarding the rules limiting the number of books a scholar could call in a single day. Sean, who'd shared many a drink with me in the pink-stuccoed pub across the street in our graduate-student days, had been filling my requests without complaint for more than a week. "And stop calling me Dr. Bishop. I always think you're talking to someone else." He grinned back and slid the manuscripts--all containing fine examples of alchemical illustrations from the Bodleian's collections--over his battered oak desk, each one tucked into a protective gray cardboard box. "Oh, there's one more." Sean disappeared into the cage for a moment and returned with a thick, quarto-size manuscript bound simply in mottled calfskin. He laid it on top of the pile and stooped to inspect it. The thin gold rims of his glasses sparked in the dim light provided by the old bronze reading lamp that was attached to a shelf. "This one's not been called up for a while. I'll make a note that it needs to be boxed after you return it." "Do you want me to remind you?" "No. Already made a note here." Sean tapped his head with his fingertips. "Your mind must be better organized than mine." My smile widened. Sean looked at me shyly and tugged on the call slip, but it remained where it was, lodged between the cover and the first pages. "This one doesn't want to let go," he commented. Muffled voices chattered in my ear, intruding on the familiar hush of the room. "Did you hear that?" I looked around, puzzled by the strange sounds. "What?" Sean replied, looking up from the manuscript. Traces of gilt shone along its edges and caught my eye. But those faded touches of gold could not account for a faint, iridescent shimmer that seemed to be escaping from between the pages. I blinked. "Nothing." I hastily drew the manuscript toward me, my skin prickling when it made contact with the leather. Sean's fingers were still holding the call slip, and now it slid easily out of the binding's grasp. I hoisted the volumes into my arms and tucked them under my chin, assailed by a whiff of the uncanny that drove away the library's familiar smell of pencil shavings and floor wax. "Diana? Are you okay?" Sean asked with a concerned frown. "Fine. Just a bit tired," I replied, lowering the books away from my nose. I walked quickly through the original, fifteenth-century part of the library, past the rows of Elizabethan reading desks with their three ascending bookshelves and scarred writing surfaces. Between them, Gothic windows directed the reader's attention up to the coffered ceilings, where bright paint and gilding picked out the details of the university's crest of three crowns and open book and where its motto, "God is my illumination," was proclaimed repeatedly from on high. Another American academic, Gillian Chamberlain, was my sole companion in the library on this Friday night. A classicist who taught at Bryn Mawr, Gillian spent her time poring over scraps of papyrus sandwiched between sheets of glass. I sped past her, trying to avoid eye contact, but the creaking of the old floor gave me away. My skin tingled as it always did when another witch looked at me. "Diana?" she called from the gloom. I smothered a sigh and stopped. "Hi, Gillian." Unaccountably possessive of my hoard of manuscripts, I remained as far from the witch as possible and angled my body so they weren't in her line of sight. "What are you doing for Mabon?" Gillian was always stopping by my desk to ask me to spend time with my "sisters" while I was in town. With the Wiccan celebrations of the autumn equinox just days away, she was redoubling her efforts to bring me into the Oxford coven. "Working," I said promptly. "There are some very nice witches here, you know," Gillian said with prim disapproval. "You really should join us on Monday." "Thanks. I'll think about it," I said, already moving in the direction of the Selden End, the airy seventeenth-century addition that ran perpendicular to the main axis of Duke Humfrey's. "I'm working on a conference paper, though, so don't count on it." My aunt Sarah had always warned me it wasn't possible for one witch to lie to another, but that hadn't stopped me from trying. Gillian made a sympathetic noise, but her eyes followed me. Back at my familiar seat facing the arched, leaded windows, I resisted the temptation to dump the manuscripts on the table and wipe my hands. Instead, mindful of their age, I lowered the stack carefully. The manuscript that had appeared to tug on its call slip lay on top of the pile. Stamped in gilt on the spine was a coat of arms belonging to Elias Ashmole, a seventeenth-century book collector and alchemist whose books and papers had come to the Bodleian from the Ashmolean Museum in the nineteenth century, along with the number 782. I reached out, touching the brown leather. A mild shock made me withdraw my fingers quickly, but not quickly enough. The tingling traveled up my arms, lifting my skin into tiny goose pimples, then spread across my shoulders, tensing the muscles in my back and neck. These sensations quickly receded, but they left behind a hollow feeling of unmet desire. Shaken by my response, I stepped away from the library table. Even at a safe distance, this manuscript was challenging me--threatening the walls I'd erected to separate my career as a scholar from my birthright as the last of the Bishop witches. Here, with my hard-earned doctorate, tenure, and promotions in hand and my career beginning to blossom, I'd renounced my family's heritage and created a life that depended on reason and scholarly abilities, not inexplicable hunches and spells. I was in Oxford to complete a research project. Upon its conclusion, my findings would be published, substantiated with extensive analysis and footnotes, and presented to human colleagues, leaving no room for mysteries and no place in my work for what could be known only through a witch's sixth sense. But--albeit unwittingly--I had called up an alchemical manuscript that I needed for my research and that also seemed to possess an otherworldly power that was impossible to ignore. My fingers itched to open it and learn more. Yet an even stronger impulse held me back: Was my curiosity intellectual, related to my scholarship? Or did it have to do with my family's connection to witchcraft? I drew the library's familiar air into my lungs and shut my eyes, hoping that would bring clarity. The Bodleian had always been a sanctuary to me, a place unassociated with the Bishops. Tucking my shaking hands under my elbows, I stared at Ashmole 782 in the growing twilight and wondered what to do. My mother would instinctively have known the answer, had she been standing in my place. Most members of the Bishop family were talented witches, but my mother, Rebecca, was special. Everyone said so. Her supernatural abilities had manifested early, and by the time she was in grade school, she could outmagic most of the senior witches in the local coven with her intuitive understanding of spells, startling foresight, and uncanny knack for seeing beneath the surface of people and events. My mother's younger sister, my Aunt Sarah, was a skilled witch, too, but her talents were more mainstream: a deft hand with potions and a perfect command of witchcraft's traditional lore of spells and charms. My fellow historians didn't know about the family, of course, but everyone in Madison, the remote town in upstate New York where I'd lived with Sarah since the age of seven, knew all about the Bishops. My ancestors had moved from Massachusetts after the Revolutionary War. By then more than a century had passed since Bridget Bishop was executed at Salem. Even so, rumors and gossip followed them to their new home. After pulling up stakes and resettling in Madison, the Bishops worked hard to demonstrate how useful it could be to have witchy neighbors for healing the sick and predicting the weather. In time the family set down roots in the community deep enough to withstand the inevitable outbreaks of superstition and human fear. But my mother had a curiosity about the world that led her beyond the safety of Madison. She went first to Harvard, where she met a young wizard named Stephen Proctor. He also had a long magical lineage and a desire to experience life outside the scope of his family's New England history and influence. Rebecca Bishop and Stephen Proctor were a charming couple, my mother's all-American frankness a counterpoint to my father's more formal, old-fashioned ways. They became anthropologists, immersing themselves in foreign cultures and beliefs, sharing their intellectual passions along with their deep devotion to each other. After securing positions on the faculty in area schools--my mother at her alma mater, my father at Wellesley--they made research trips abroad and made a home for their new family in Cambridge. I have few memories of my childhood, but each one is vivid and surprisingly clear. All feature my parents: the feel of corduroy on my father's elbows, the lily of the valley that scented my mother's perfume, the clink of their wineglasses on Friday nights when they'd put me to bed and dine together by candlelight. My mother told me bedtime stories, and my father's brown briefcase clattered when he dropped it by the front door. These memories would strike a familiar chord with most people. Other recollections of my parents would not. My mother never seemed to do laundry, but my clothes were always clean and neatly folded. Forgotten permission slips for field trips to the zoo appeared in my desk when the teacher came to collect them. And no matter what condition my father's study was in when I went in for a good-night kiss (and it usually looked as if something had exploded), it was always perfectly orderly the next morning. In kindergarten I'd asked my friend Amanda's mother why she bothered washing the dishes with soap and water when all you needed to do was stack them in the sink, snap your fingers, and whisper a few words. Mrs. Schmidt laughed at my strange idea of housework, but confusion had clouded her eyes. That night my parents told me we had to be careful about how we spoke about magic and with whom we discussed it. Humans outnumbered us and found our power frightening, my mother explained, and fear was the strongest force on earth. I hadn't confessed at the time that magic--my mother's especially--frightened me, too. By day my mother looked like every other kid's mother in Cambridge: slightly unkempt, a bit disorganized, and perpetually harassed by the pressures of home and office. Her blond hair was fashionably tousled even though the clothes she wore remained stuck in 1977--long billowy skirts, oversize pants and shirts, and men's vests and blazers she picked up in thrift stores the length and breadth of Boston in imitation of Annie Hall. Nothing would have made you look twice if you passed her in the street or stood behind her in the supermarket. In the privacy of our home, with the curtains drawn and the door locked, my mother became someone else. Her movements were confident and sure, not rushed and hectic. Sometimes she even seemed to float. As she went around the house, singing and picking up stuffed animals and books, her face slowly transformed into something otherworldly and beautiful. When my mother was lit up with magic, you couldn't tear your eyes away from her. "Mommy's got a firecracker inside her," was the way my father explained it with his wide, indulgent grin. But firecrackers, I learned, were not simply bright and lively. They were unpredictable, and they could startle and frighten you, too. My father was at a lecture one night when my mother decided to clean the silver and became mesmerized by a bowl of water she'd set on the dining-room table. As she stared at the glassy surface, it became covered with a fog that twisted itself into tiny, ghostly shapes. I gasped with delight as they grew, filling the room with fantastic beings. Soon they were crawling up the drapes and clinging to the ceiling. I cried out for my mother's help, but she remained intent on the water. Her concentration didn't waver until something half human and half animal crept near and pinched my arm. That brought her out of her reveries, and she exploded into a shower of angry red light that beat back the wraiths and left an odor of singed feathers in the house. My father noticed the strange smell the moment he returned, his alarm evident. He found us huddled in bed together. At the sight of him, my mother burst into apologetic tears. I never felt entirely safe in the dining room again. Any remaining sense of security evaporated after I turned seven, when my mother and father went to Africa and didn't come back alive.   I shook myself and focused again on the dilemma that faced me. The manuscript sat on the library table in a pool of lamplight. Its magic pulled on something dark and knotted inside me. My fingers returned to the smooth leather. This time the prickling sensation felt familiar. I vaguely remembered experiencing something like it once before, looking through some papers on the desk in my father's study. Turning resolutely away from the leather-bound volume, I occupied myself with something more rational: searching for the list of alchemical texts I'd generated before leaving New Haven. It was on my desk, hidden among the loose papers, book call slips, receipts, pencils, pens, and library maps, neatly arranged by collection and then by the number assigned to each text by a library clerk when it had entered into the Bodleian. Since arriving a few weeks ago, I had been working through the list methodically. The copied-out catalog description for Ashmole 782 read, " Anthropologia, or a treatis containing a short description of Man in two parts: the first Anatomical, the second Psychological ." As with most of the works I studied, there was no telling what the contents were from the title. My fingers might be able to tell me about the book without even cracking open the covers. Aunt Sarah always used her fingers to figure out what was in the mail before she opened it, in case the envelope contained a bill she didn't want to pay. That way she could plead ignorance when it turned out she owed the electric company money. The gilt numbers on the spine winked. I sat down and considered the options. Ignore the magic, open the manuscript, and try to read it like a human scholar? Push the bewitched volume aside and walk away? Sarah would chortle with delight if she knew my predicament. She had always maintained that my efforts to keep magic at arm's length were futile. But I'd been doing so ever since my parents' funeral. There the witches among the guests had scrutinized me for signs that the Bishop and Proctor blood was in my veins, all the while patting me encouragingly and predicting it was only a matter of time before I took my mother's place in the local coven. Some had whispered their doubts about the wisdom of my parents' decision to marry. "Too much power," they muttered when they thought I wasn't listening. "They were bound to attract attention--even without studying ancient ceremonial religion." This was enough to make me blame my parents' death on the supernatural power they wielded and to search for a different way of life. Turning my back on anything to do with magic, I buried myself in the stuff of human adolescence--horses and boys and romantic novels--and tried to disappear among the town's ordinary residents. At puberty I had problems with depression and anxiety. It was all very normal, the kindly human doctor assured my aunt. Sarah didn't tell him about the voices, about my habit of picking up the phone a good minute before it rang, or that she had to enchant the doors and windows when there was a full moon to keep me from wandering into the woods in my sleep. Nor did she mention that when I was angry the chairs in the house rearranged themselves into a precarious pyramid before crashing to the floor once my mood lifted. When I turned thirteen, my aunt decided it was time for me to channel some of my power into learning the basics of witchcraft. Lighting candles with a few whispered words or hiding pimples with a time-tested potion--these were a teenage witch's habitual first steps. But I was unable to master even the simplest spell, burned every potion my aunt taught me, and stubbornly refused to submit to her tests to see if I'd inherited my mother's uncannily accurate second sight. The voices, the fires, and other unexpected eruptions lessened as my hormones quieted, but my unwillingness to learn the family business remained. It made my aunt anxious to have an untrained witch in the house, and it was with some relief that Sarah sent me off to a college in Maine. Except for the magic, it was a typical coming-of-age story. What got me away from Madison was my intellect. It had always been precocious, leading me to talk and read before other children my age. Aided by a prodigious, photographic memory--which made it easy for me to recall the layouts of textbooks and spit out the required information on tests--my schoolwork was soon established as a place where my family's magical legacy was irrelevant. I'd skipped my final years of high school and started college at sixteen. There I'd first tried to carve out a place for myself in the theater department, my imagination drawn to the spectacle and the costumes--and my mind fascinated by how completely a playwright's words could conjure up other places and times. My first few performances were heralded by my professors as extraordinary examples of the way good acting could transform an ordinary college student into someone else. The first indication that these metamorphoses might not have been the result of theatrical talent came while I was playing Ophelia in Hamlet. As soon as I was cast in the role, my hair started growing at an unnatural rate, tumbling down from shoulders to waist. I sat for hours beside the college's lake, irresistibly drawn to its shining surface, with my new hair streaming all around me. The boy playing Hamlet became caught up in the illusion, and we had a passionate though dangerously volatile affair. Slowly I was dissolving into Ophelia's madness, taking the rest of the cast with me. The result might have been a riveting performance, but each new role brought fresh challenges. In my sophomore year, the situation became impossible when I was cast as Annabella in John Ford's ' Tis Pity She's a Whore. Like the character, I attracted a string of devoted suitors--not all of them human--who followed me around campus. When they refused to leave me alone after the final curtain fell, it was clear that whatever had been unleashed couldn't be controlled. I wasn't sure how magic had crept into my acting, and I didn't want to find out. I cut my hair short. I stopped wearing flowing skirts and layered tops in favor of the black turtlenecks, khaki trousers, and loafers that the solid, ambitious prelaw students were wearing. My excess energy went into athletics. After leaving the theater department, I attempted several more majors, looking for a field so rational that it would never yield a square inch to magic. I lacked the precision and patience for mathematics, and my efforts at biology were a disaster of failed quizzes and unfinished laboratory experiments. At the end of my sophomore year, the registrar demanded I choose a major or face a fifth year in college. A summer study program in England offered me the opportunity to get even farther from all things Bishop. I fell in love with Oxford, the quiet glow of its morning streets. My history courses covered the exploits of kings and queens, and the only voices in my head were those that whispered from books penned in the sixteenth and seventeenth centuries. This was entirely attributable to great literature. Best of all, no one in this university town knew me, and if there were witches in the city that summer, they stayed well away. I returned home, declared a major in history, took all the required courses in record time, and graduated with honors before I turned twenty. When I decided to pursue my doctorate, Oxford was my first choice among the possible programs. My specialty was the history of science, and my research focused on the period when science supplanted magic--the age when astrology and witch-hunts yielded to Newton and universal laws. The search for a rational order in nature, rather than a supernatural one, mirrored my own efforts to stay away from what was hidden. The lines I'd already drawn between what went on in my mind and what I carried in my blood grew more distinct. My Aunt Sarah had snorted when she heard of my decision to specialize in seventeenth-century chemistry. Her bright red hair was an outward sign of her quick temper and sharp tongue. She was a plain-speaking, no-nonsense witch who commanded a room as soon as she entered it. A pillar of the Madison community, Sarah was often called in to manage things when there was a crisis, large or small, in town. We were on much better terms now that I wasn't subjected to a daily dose of her keen observations on human frailty and inconsistency. Though we were separated by hundreds of miles, Sarah thought my latest attempts to avoid magic were laughable--and told me so. "We used to call that alchemy," she said. "There's a lot of magic in it." "No, there's not," I protested hotly. The whole point of my work was to show how scientific this pursuit really was. "Alchemy tells us about the growth of experimentation, not the search for a magical elixir that turns lead into gold and makes people immortal." "If you say so," Sarah said doubtfully. "But it's a pretty strange subject to choose if you're trying to pass as human." After earning my degree, I fought fiercely for a spot on the faculty at Yale, the only place that was more English than England. Colleagues warned that I had little chance of being granted tenure. I churned out two books, won a handful of prizes, and collected some research grants. Then I received tenure and proved everyone wrong. More important, my life was now my own. No one in my department, not even the historians of early America, connected my last name with that of the first Salem woman executed for witchcraft in 1692. To preserve my hard-won autonomy, I continued to keep any hint of magic or witchcraft out of my life. Of course there were exceptions, like the time I'd drawn on one of Sarah's spells when the washing machine wouldn't stop filling with water and threatened to flood my small apartment on Wooster Square. Nobody's perfect. Now, taking note of this current lapse, I held my breath, grasped the manuscript with both hands, and placed it in one of the wedge-shaped cradles the library provided to protect its rare books. I had made my decision: to behave as a serious scholar and treat Ashmole 782 like an ordinary manuscript. I'd ignore my burning fingertips, the book's strange smell, and simply describe its contents. Then I'd decide--with professional detachment--whether it was promising enough for a longer look. My fingers trembled when I loosened the small brass clasps nevertheless. The manuscript let out a soft sigh. A quick glance over my shoulder assured me that the room was still empty. The only other sound was the loud ticking of the reading room's clock. Deciding not to record "Book sighed," I turned to my laptop and opened up a new file. This familiar task--one that I'd done hundreds if not thousands of times before--was as comforting as my list's neat checkmarks. I typed the manuscript name and number and copied the title from the catalog description. I eyed its size and binding, describing both in detail. The only thing left to do was open the manuscript. It was difficult to lift the cover, despite the loosened clasps, as if it were stuck to the pages below. I swore under my breath and rested my hand flat on the leather for a moment, hoping that Ashmole 782 simply needed a chance to know me. It wasn't magic, exactly, to put your hand on top of a book. My palm tingled, much as my skin tingled when a witch looked at me, and the tension left the manuscript. After that, it was easy to lift the cover. The first page was rough paper. On the second sheet, which was parchment, were the words " Anthropologia, or a treatis containing a short description of Man ," in Ashmole's handwriting. The neat, round curves were almost as familiar to me as my own cursive script. The second part of the title--" in two parts: the first Anatomical, the second Psychological" --was written in a later hand, in pencil. It was familiar, too, but I couldn't place it. Touching the writing might give me some clue, but it was against the library's rules and it would be impossible to document the information that my fingers might gather. Instead I made notes in the computer file regarding the use of ink and pencil, the two different hands, and the possible dates of the inscriptions. As I turned the first page, the parchment felt abnormally heavy and revealed itself as the source of the manuscript's strange smell. It wasn't simply ancient. It was something more--a combination of must and musk that had no name. And I noticed immediately that three leaves had been cut neatly out of the binding. Here, at last, was something easy to describe. My fingers flew over the keys: "At least three folios removed, by straightedge or razor." I peered into the valley of the manuscript's spine but couldn't tell whether any other pages were missing. The closer the parchment to my nose, the more the manuscript's power and odd smell distracted me. I turned my attention to the illustration that faced the gap where the missing pages should be. It showed a tiny baby girl floating in a clear glass vessel. The baby held a silver rose in one hand, a golden rose in the other. On its feet were tiny wings, and drops of red liquid showered down on the baby's long black hair. Underneath the image was a label written in thick black ink indicating that it was a depiction of the philosophical child--an allegorical representation of a crucial step in creating the philosopher's stone, the chemical substance that promised to make its owner healthy, wealthy, and wise. The colors were luminous and strikingly well preserved. Artists had once mixed crushed stone and gems into their paints to produce such powerful colors. And the image itself had been drawn by someone with real artistic skill. I had to sit on my hands to keep them from trying to learn more from a touch here and there. But the illuminator, for all his obvious talent, had the details all wrong. The glass vessel was supposed to point up, not down. The baby was supposed to be half black and half white, to show that it was a hermaphrodite. It should have had male genitalia and female breasts--or two heads, at the very least. Alchemical imagery was allegorical, and notoriously tricky. That's why I was studying it, searching for patterns that would reveal a systematic, logical approach to chemical transformation in the days before the periodic table of the elements. Images of the moon were almost always representations of silver, for example, while images of the sun referred to gold. When the two were combined chemically, the process was represented as a wedding. In time the pictures had been replaced by words. Those words, in turn, became the grammar of chemistry. But this manuscript put my belief in the alchemists' logic to the test. Each illustration had at least one fundamental flaw, and there was no accompanying text to help make sense of it. I searched for something--anything--that would agree with my knowledge of alchemy. In the softening light, faint traces of handwriting appeared on one of the pages. I slanted the desk lamp so that it shone more brightly. There was nothing there. Slowly I turned the page as if it were a fragile leaf. Words shimmered and moved across its surface--hundreds of words--invisible unless the angle of light and the viewer's perspective were just right. I stifled a cry of surprise. Ashmole 782 was a palimpsest--a manuscript within a manuscript. When parchment was scarce, scribes carefully washed the ink from old books and then wrote new text on the blank sheets. Over time the former writing often reappeared underneath as a textual ghost, discernible with the help of ultraviolet light, which could see under ink stains and bring faded text back to life. There was no ultraviolet light strong enough to reveal these traces, though. This was not an ordinary palimpsest. The writing hadn't been washed away--it had been hidden with some sort of spell. But why would anyone go to the trouble of bewitching the text in an alchemical book? Even experts had trouble puzzling out the obscure language and fanciful imagery the authors used. Dragging my attention from the faint letters that were moving too quickly for me to read, I focused instead on writing a synopsis of the manuscript's contents. "Puzzling," I typed. "Textual captions from the fifteenth to seventeenth centuries, images mainly fifteenth century. Image sources possibly older? Mixture of paper and vellum. Colored and black inks, the former of unusually high quality. Illustrations are well executed, but details are incorrect, missing. Depicts the creation of the philosopher's stone, alchemical birth/creation, death, resurrection, and transformation. A confused copy of an earlier manuscript? A strange book, full of anomalies." My fingers hesitated above the keys. Scholars do one of two things when they discover information that doesn't fit what they already know. Either they sweep it aside so it doesn't bring their cherished theories into question or they focus on it with laserlike intensity and try to get to the bottom of the mystery. If this book hadn't been under a spell, I might have been tempted to do the latter. Because it was bewitched, I was strongly inclined toward the former. And when in doubt, scholars usually postpone a decision. I typed an ambivalent final line: " Needs more time? Possibly recall later?" Holding my breath, I fastened the cover with a gentle tug. Currents of magic still thrummed through the manuscript, especially fierce around the clasps. Relieved that it was closed, I stared at Ashmole 782 for a few more moments. My fingers wanted to stray back and touch the brown leather. But this time I resisted, just as I had resisted touching the inscriptions and illustrations to learn more than a human historian could legitimately claim to know. Aunt Sarah had always told me that magic was a gift. If it was, it had strings attached that bound me to all the Bishop witches who had come before me. There was a price to be paid for using this inherited magical power and for working the spells and charms that made up the witches' carefully guarded craft. By opening Ashmole 782, I'd breached the wall that divided my magic from my scholarship. But back on the right side of it again, I was more determined than ever to remain there. I packed up my computer and notes and picked up the stack of manuscripts, carefully putting Ashmole 782 on the bottom. Mercifully, Gillian wasn't at her desk, though her papers were still strewn around. She must be planning on working late and was off for a cup of coffee. "Finished?" Sean asked when I reached the call desk. "Not quite. I'd like to reserve the top three for Monday." "And the fourth?" "I'm done with it," I blurted, pushing the manuscripts toward him. "You can send it back to the stacks." Sean put it on top of a pile of returns he had already gathered. He walked with me as far as the staircase, said good-bye, and disappeared behind a swinging door. The conveyor belt that would whisk Ashmole 782 back into the bowels of the library clanged into action. I almost turned and stopped him but let it go. My hand was raised to push open the door on the ground floor when the air around me constricted, as if the library were squeezing me tight. The air shimmered for a split second, just as the pages of the manuscript had shimmered on Sean's desk, causing me to shiver involuntarily and raising the tiny hairs on my arms. Something had just happened. Something magical. My face turned back toward Duke Humfrey's, and my feet threatened to follow. It's nothing, I thought, resolutely walking out of the library. Are you sure? whispered a long-ignored voice. Chapter 2 O xford's bells chimed seven times. Night didn't follow twilight as slowly as it would have a few months ago, but the transformation was still lingering. The library staff had turned on the lamps only thirty minutes before, casting small pools of gold in the gray light. It was the twenty-first day of September. All over the world, witches were sharing a meal on the eve of the autumn equinox to celebrate Mabon and greet the impending darkness of winter. But the witches of Oxford would have to do without me. I was slated to give the keynote address at an important conference next month. My ideas were still unformed, and I was getting anxious. At the thought of what my fellow witches might be eating somewhere in Oxford, my stomach rumbled. I'd been in the library since half past nine that morning, with only a short break for lunch. Sean had taken the day off, and the person working at the call desk was new. She'd given me some trouble when I requested one crumbling item and tried to convince me to use microfilm instead. The reading room's supervisor, Mr. Johnson, overheard and came out of his office to intervene. "My apologies, Dr. Bishop," he'd said hurriedly, pushing his heavy, dark-rimmed glasses over the bridge of his nose. "If you need to consult this manuscript for your research, we will be happy to oblige." He disappeared to fetch the restricted item and delivered it with more apologies about the inconvenience and the new staff. Gratified that my scholarly credentials had done the trick, I spent the afternoon happily reading. I pulled two coiled weights from the upper corners of the manuscript and closed it carefully, pleased at the amount of work I'd completed. After encountering the bewitched manuscript on Friday, I'd devoted the weekend to routine tasks rather than alchemy in order to restore a sense of normalcy. I filled out financial-reimbursement forms, paid bills, wrote letters of recommendation, and even finished a book review. These chores were interspersed with more homely rituals like doing laundry, drinking copious amounts of tea, and trying recipes from the BBC's cooking programs. After an early start this morning, I'd spent the day trying to focus on the work at hand, rather than dwelling on my recollections of Ashmole 782's strange illustrations and mysterious palimpsest. I eyed the short list of todos jotted down over the course of the day. Of the four questions on my follow-up list, the third was easiest to resolve. The answer was in an arcane periodical, Notes and Queries, which was shelved on one of the bookcases that stretched up toward the room's high ceilings. I pushed back my chair and decided to tick one item off my list before leaving. The upper shelves of the section of Duke Humfrey's known as the Selden End were reachable by means of a worn set of stairs to a gallery that looked over the reading desks. I climbed the twisting treads to where the old buckram-covered books sat in neat chronological rows on wooden shelves. No one but me and an ancient literature don from Magdalen College seemed to use them. I located the volume and swore softly under my breath. It was on the top shelf, just out of reach. A low chuckle startled me. I turned my head to see who was sitting at the desk at the far end of the gallery, but no one was there. I was hearing things again. Oxford was still a ghost town, and anyone who belonged to the university had left over an hour earlier to down a glass of free sherry in their college's senior common room before dinner. Given the Wiccan holiday, even Gillian had left in the late afternoon, after extending one final invitation and glancing at my pile of reading material with narrowed eyes. I searched for the gallery's stepstool, which was missing. The Bodleian was notoriously short on such items, and it would easily take fifteen minutes to locate one in the library and haul it upstairs so that I could retrieve the volume. I hesitated. Even though I'd held a bewitched book, I'd resisted considerable temptations to work further magic on Friday. Besides, no one would see. Despite my rationalizations, my skin prickled with anxiety. I didn't break my rules very often, and I kept mental accounts of the situations that had spurred me to turn to my magic for assistance. This was the fifth time this year, including putting the spell on the malfunctioning washing machine and touching Ashmole 782. Not too bad for the end of September, but not a personal best either. I took a deep breath, held up my hand, and imagined the book in it. Volume 19 of Notes and Queries slid backward four inches, tipped at an angle as if an invisible hand were pulling it down, and fell into my open palm with a soft thwack. Once there, it flopped open to the page I needed. It had taken all of three seconds. I let out another breath to exhale some of my guilt. Suddenly two icy patches bloomed between my shoulder blades. I had been seen, and not by an ordinary human observer. When one witch studies another, the touch of their eyes tingles. Witches aren't the only creatures sharing the world with humans, however. There are also daemons--creative, artistic creatures who walk a tightrope between madness and genius. "Rock stars and serial killers" was how my aunt described these strange, perplexing beings. And there are vampires, ancient and beautiful, who feed on blood and will charm you utterly if they don't kill you first. When a daemon takes a look, I feel the slight, unnerving pressure of a kiss. But when a vampire stares, it feels cold, focused, and dangerous. I mentally shuffled through the readers in Duke Humfrey's. There had been one vampire, a cherubic monk who pored over medieval missals and prayer books like a lover. But vampires aren't often found in rare-book rooms. Occasionally one succumbed to vanity and nostalgia and came in to reminisce, but it wasn't common. Witches and daemons were far more typical in libraries. Gillian Chamberlain had been in today, studying her papyri with a magnifying glass. And there were definitely two daemons in the music reference room. They'd looked up, dazed, as I walked by on the way to Blackwell's for tea. One told me to bring him back a latte, which was some indication of how immersed he was in whatever madness gripped him at the moment. No, it was a vampire who watched me now. I'd happened upon a few vampires, since I worked in a field that put me in touch with scientists, and there were vampires aplenty in laboratories around the world. Science rewards long study and patience. And thanks to their solitary work habits, scientists were unlikely to be recognized by anyone except their closest co-workers. It made a life that spanned centuries rather than decades much easier to negotiate. These days vampires gravitated toward particle accelerators, projects to decode the genome, and molecular biology. Once they had flocked to alchemy, anatomy, and electricity. If it went bang, involved blood, or promised to unlock the secrets of the universe, there was sure to be a vampire around. I clutched my ill-gotten copy of Notes and Queries and turned to face the witness. He was in the shadows on the opposite side of the room in front of the paleography reference books, lounging against one of the graceful wooden pillars that held up the gallery. An open copy of Janet Roberts's Guide to Scripts Used in English Handwriting Up to 1500 was balanced in his hands. I had never seen this vampire before--but I was fairly certain he didn't need pointers on how to decipher old penmanship. Anyone who has read paperback bestsellers or even watched television knows that vampires are breathtaking, but nothing prepares you to actually see one. Their bone structures are so well honed that they seem chiseled by an expert sculptor. Then they move, or speak, and your mind can't begin to absorb what you're seeing. Every movement is graceful; every word is musical. And their eyes are arresting, which is precisely how they catch their prey. One long look, a few quiet words, a touch: once you're caught in a vampire's snare you don't stand a chance. Staring down at this vampire, I realized with a sinking feeling that my knowledge on the subject was, alas, largely theoretical. Little of it seemed useful now that I was facing one in the Bodleian Library. The only vampire with whom I had more than a passing acquaintance worked at the nuclear particle accelerator in Switzerland. Jeremy was slight and gorgeous, with bright blond hair, blue eyes, and an infectious laugh. He'd slept with most of the women in the canton of Geneva and was now working his way through the city of Lausanne. What he did after he seduced them I had never wanted to inquire into too closely, and I'd turned down his persistent invitations to go out for a drink. I'd always figured that Jeremy was representative of the breed. But in comparison to the one who stood before me now, he seemed raw-boned, gawky, and very, very young. This one was tall--well over six feet even accounting for the problems of perspective associated with looking down on him from the gallery. And he definitely was not slight. Broad shoulders narrowed into slender hips, which flowed into lean, muscular legs. His hands were strikingly long and agile, a mark of physiological delicacy that made your eyes drift back to them to figure out how they could belong to such a large man. As my eyes swept over him, his own were fixed on me. From across the room, they seemed black as night, staring up under thick, equally black eyebrows, one of them lifted in a curve that suggested a question mark. His face was indeed striking--all distinct planes and surfaces, with high-angled cheekbones meeting brows that shielded and shadowed his eyes. Above his chin was one of the few places where there was room for softness--his wide mouth, which, like his long hands, didn't seem to make sense. But the most unnerving thing about him was not his physical perfection. It was his feral combination of strength, agility, and keen intelligence that was palpable across the room. In his black trousers and soft gray sweater, with a shock of black hair swept back from his forehead and cropped close to the nape of his neck, he looked like a panther that could strike at any moment but was in no rush to do so. He smiled. It was a small, polite smile that didn't reveal his teeth. I was intensely aware of them anyway, sitting in perfectly straight, sharp rows behind his pale lips. The mere thought of teeth sent an instinctive rush of adrenaline through my body, setting my fingers tingling. Suddenly all I could think was, Get out of this room NOW . The staircase seemed farther away than the four steps it took to reach it. I raced down to the floor below, stumbled on the last step, and pitched straight into the vampire's waiting arms. Of course he had beaten me to the bottom of the stairs. His fingers were cool, and his arms felt steelier than flesh and bone. The scent of clove, cinnamon, and something that reminded me of incense filled the air. He set me on my feet, picked Notes and Queries off the floor, and handed it to me with a small bow. "Dr. Bishop, I presume?" Shaking from head to toe, I nodded. The long, pale fingers of his right hand dipped into a pocket and pulled out a blue-and-white business card. He extended it. "Matthew Clairmont." I gripped the edge of the card, careful not to touch his fingers in the process. Oxford University's familiar logo, with the three crowns and open book, was perched next to Clairmont's name, followed by a string of initials indicating he had already been made a member of the Royal Society. Not bad for someone who appeared to be in his mid- to late thirties, though I imagined that his actual age was at least ten times that. As for his research specialty, it came as no surprise that the vampire was a professor of biochemistry and affiliated with Oxford Neuroscience at the John Radcliffe Hospital. Blood and anatomy--two vampire favorites. The card bore three different laboratory numbers in addition to an office number and an e-mail address. I might not have seen him before, but he was certainly not unreachable. "Professor Clairmont." I squeaked it out before the words caught in the back of my throat, and I quieted the urge to run screaming toward the exit. "We've not met," he continued in an oddly accented voice. It was mostly Oxbridge but had a touch of softness that I couldn't place. His eyes, which never left my face, were not actually dark at all, I discovered, but dominated by dilated pupils bordered with a gray-green sliver of iris. Their pull was insistent, and I found myself unable to look away. The vampire's mouth was moving again. "I'm a great admirer of your work." My eyes widened. It was not impossible that a professor of biochemistry would be interested in seventeenth-century alchemy, but it seemed highly unlikely. I picked at the collar of my white shirt and scanned the room. We were the only two in it. There was no one at the old oak card file or at the nearby banks of computers. Whoever was at the collection desk was too far away to come to my aid. "I found your article on the color symbolism of alchemical transformation fascinating, and your work on Robert Boyle's approach to the problems of expansion and contraction was quite persuasive," Clairmont continued smoothly, as if he were used to being the only active participant in a conversation. "I've not yet finished your latest book on alchemical apprenticeship and education, but I'm enjoying it a great deal." "Thank you," I whispered. His gaze shifted from my eyes to my throat. I stopped picking at the buttons around my neck. His unnatural eyes floated back to mine. "You have a marvelous way of evoking the past for your readers." I took that as a compliment, since a vampire would know if it was wrong. Clairmont paused for a moment. "Might I buy you dinner?" My mouth dropped open. Dinner? I might not be able to escape from him in the library, but there was no reason to linger over a meal--especially one he would not be sharing, given his dietary preferences. "I have plans," I said abruptly, unable to formulate a reasonable explanation of what those plans might involve. Matthew Clairmont must know I was a witch, and I was clearly not celebrating Mabon. "That's too bad," he murmured, a touch of a smile on his lips. "Another time, perhaps. You are in Oxford for the year, aren't you?" Being around a vampire was always unnerving, and Clairmont's clove scent brought back the strange smell of Ashmole 782. Unable to think straight, I resorted to nodding. It was safer. "I thought so," said Clairmont. "I'm sure our paths will cross again. Oxford is such a small town." "Very small," I agreed, wishing I had taken leave in London instead. "Until then, Dr. Bishop. It has been a pleasure." Clairmont extended his hand. With the exception of their brief excursion to my collar, his eyes had not drifted once from mine. I didn't think he had blinked either. I steeled myself not to be the first to look away. My hand went forward, hesitating for a moment before clasping his. There was a fleeting pressure before he withdrew. He stepped backward, smiled, then disappeared into the darkness of the oldest part of the library. I stood still until my chilled hands could move freely again, then walked back to my desk and switched off my computer. Notes and Queries asked me accusingly why I had bothered to go and get it if I wasn't even going to look at it; my to-do list was equally full of reproach. I ripped it off the top of the pad, crumpled it up, and tossed it into the wicker basket under the desk. "'Sufficient unto the day is the evil thereof,'" I muttered under my breath. The reading room's night proctor glanced down at his watch when I returned my manuscripts. "Leaving early, Dr. Bishop?" I nodded, my lips closed tightly to keep myself from asking whether he knew there had been a vampire in the paleography reference section. He picked up the stack of gray cardboard boxes that held the manuscripts. "Will you need these tomorrow?" "Yes," I whispered. "Tomorrow." Having observed the last scholarly propriety of exiting the library, I was free. My feet clattered against the linoleum floors and echoed against the stone walls as I sped through the reading room's lattice gate, past the books guarded with velvet ropes to keep them from curious fingers, down the worn wooden stairs, and into the enclosed quadrangle on the ground floor. I leaned against the iron railings surrounding the bronze statue of William Herbert and sucked the chilly air into my lungs, struggling to get the vestiges of clove and cinnamon out of my nostrils. There were always things that went bump in the night in Oxford, I told myself sternly. So there was one more vampire in town.   No matter what I told myself in the quadrangle, my walk home was faster than usual. The gloom of New College Lane was a spooky proposition at the best of times. I ran my card through the reader at New College's back gate and felt some of the tension leave my body when the gate clicked shut behind me, as if every door and wall I put between me and the library somehow kept me safe. I skirted under the chapel windows and through the narrow passage into the quad that had views of Oxford's only surviving medieval garden, complete with the traditional mound that had once offered a green prospect for students to look upon and contemplate the mysteries of God and nature. Tonight the college's spires and archways seemed especially Gothic, and I was eager to get inside. When the door of my apartment closed behind me, I let out a sigh of relief. I was living at the top of one of the college's faculty staircases, in lodgings reserved for visiting former members. My rooms, which included a bedroom, a sitting room with a round table for dining, and a decent if small kitchen, were decorated with old prints and warm wainscoting. All the furniture looked as if it had been culled from previous incarnations of the senior common room and the master's house, with down-at-the-heels late-nineteenth-century design predominant. In the kitchen I put two slices of bread in the toaster and poured myself a cold glass of water. Gulping it down, I opened the window to let cool air into the stuffy rooms. Carrying my snack back into the sitting room, I kicked off my shoes and turned on the small stereo. The pure tones of Mozart filled the air. When I sat on one of the maroon upholstered sofas, it was with the intention to rest for a few moments, then take a bath and go over my notes from the day. At half past three in the morning, I woke with a pounding heart, a stiff neck, and the strong taste of cloves in my mouth. I got a fresh glass of water and closed the kitchen window. It was chilly, and I shivered at the touch of the damp air. After a glance at my watch and some quick calculations, I decided to call home. It was only ten-thirty there, and Sarah and Em were as nocturnal as bats. Slipping around the rooms, I turned off all the lights except the one in my bedroom and picked up my mobile. I was out of my grimy clothes in a matter of minutes--how do you get so filthy in a library?--and into a pair of old yoga pants and a black sweater with a stretched-out neck. They were more comfortable than any pajamas. The bed felt welcoming and firm underneath me, comforting me enough that I almost convinced myself a phone call home was unnecessary. But the water had not been able to remove the vestiges of cloves from my tongue, and I dialed the number. "We've been waiting for your call," were the first words I heard. Witches. I sighed. "Sarah, I'm fine." "All signs to the contrary." As usual, my mother's younger sister was not going to pull any punches. "Tabitha has been skittish all evening, Em got a very clear picture of you lost in the woods at night, and I haven't been able to eat anything since breakfast." The real problem was that damn cat. Tabitha was Sarah's baby and picked up any tension within the family with uncanny precision. "I'm fine. I had an unexpected encounter in the library tonight, that's all." A click told me that Em had picked up the extension. "Why aren't you celebrating Mabon?" she asked. Emily Mather had been a fixture in my life for as long as I could remember. She and Rebecca Bishop had met as high-school students working in the summer at Plimoth Plantation, where they dug holes and pushed wheel-barrows for the archaeologists. They became best friends, then devoted pen pals when Emily went to Vassar and my mother to Harvard. Later the two reconnected in Cambridge when Em became a children's librarian. After my parents' death, Em's long weekends in Madison soon led to a new job in the local elementary school. She and Sarah became inseparable partners, even though Em had maintained her own apartment in town and the two of them had made a big deal of never being seen heading into a bedroom together while I was growing up. This didn't fool me, the neighbors, or anyone else living in town. Everybody treated them like the couple they were, regardless of where they slept. When I moved out of the Bishop house, Em moved in and had been there ever since. Like my mother and my aunt, Em came from a long line of witches. "I was invited to the coven's party but worked instead." "Did the witch from Bryn Mawr ask you to go?" Em was interested in the classicist, mostly (it had turned out over a fair amount of wine one summer night) because she'd once dated Gillian's mother. "It was the sixties," was all Em would say. "Yes." I sounded harassed. The two of them were convinced I was going to see the light and begin taking my magic seriously now that I was safely tenured. Nothing cast any doubt on this wishful prognostication, and they were always thrilled when I had any contact with a witch. "But I spent the evening with Elias Ashmole instead." "Who's he?" Em asked Sarah. "You know, that dead guy who collected alchemy books," was Sarah's muffled reply. "Still here, you two," I called into the phone. "So who rattled your cage?" Sarah asked. Given that both were witches, there was no point in trying to hide anything. "I met a vampire in the library. One I've never seen before, named Matthew Clairmont." There was silence on Em's end as she flipped through her mental card file of notable creatures. Sarah was quiet for a moment, too, deciding whether or not to explode. "I hope he's easier to get rid of than the daemons you have a habit of attracting," she said sharply. "Daemons haven't bothered me since I stopped acting." "No, there was that daemon who followed you into the Beinecke Library when you first started working at Yale, too," Em corrected me. "He was just wandering down the street and came looking for you." "He was mentally unstable," I protested. Like using witchcraft on the washing machine, the fact that I'd somehow caught the attention of a single, curious daemon shouldn't count against me. "You draw creatures like flowers draw bees, Diana. But daemons aren't half as dangerous as vampires. Stay away from him," Sarah said tightly. "I have no reason to seek him out." My hands traveled to my neck again. "We have nothing in common." "That's not the point," Sarah said, voice rising. "Witches, vampires, and daemons aren't supposed to mix. You know that. Humans are more likely to notice us when we do. No daemon or vampire is worth the risk." The only creatures in the world that Sarah took seriously were other witches. Humans struck her as unfortunate little beings blind to the world around them. Daemons were perpetual teenagers who couldn't be trusted. Vampires were well below cats and at least one step below mutts within her hierarchy of creatures. "You've told me the rules before, Sarah." "Not everyone obeys the rules, honey," Em observed. "What did he want?" "He said he was interested in my work. But he's a scientist, so that's hard to believe." My fingers fiddled with the duvet cover on the bed. "He invited me to dinner." "To dinner ?" Sarah was incredulous. Em just laughed. "There's not much on a restaurant menu that would appeal to a vampire." "I'm sure I won't see him again. He's running three labs from the look of his business card, and he holds two faculty positions." "Typical," Sarah muttered. "That's what happens when you have too much time on your hands. And stop picking at that quilt--you'll put a hole in it." She'd switched on her witch's radar full blast and was now seeing as well as hearing me. "It's not as if he's stealing money from old ladies and squandering other people's fortunes on the stock market," I countered. The fact that vampires were reputed to be fabulously wealthy was a sore spot with Sarah. "He's a biochemist and a physician of some sort, interested in the brain." "I'm sure that's fascinating, Diana, but what did he want ?" Sarah matched my irritation with impatience--the one-two punch mastered by all Bishop women. "Not dinner," Em said with certainty. Sarah snorted. "He wanted something. Vampires and witches don't go on dates. Unless he was planning to dine on you, of course. They love nothing more than the taste of a witch's blood." "Maybe he was just curious. Or maybe he does like your work." Em said it with such doubt that I had to laugh. "We wouldn't be having this conversation at all if you'd just take some elementary precautions," Sarah said tartly. "A protection spell, some use of your abilities as a seer, and--" "I'm not using magic or witchcraft to figure out why a vampire asked me to dinner," I said firmly. "Not negotiable, Sarah." "Then don't call us looking for answers when you don't want to hear them," Sarah said, her notoriously short temper flaring. She hung up before I could think of a response. "Sarah does worry about you, you know," Em said apologetically. "And she doesn't understand why you won't use your gifts, not even to protect yourself." Because the gifts had strings attached, as I'd explained before. I tried again. "It's a slippery slope, Em. I protect myself from a vampire in the library today, and tomorrow I protect myself from a hard question at a lecture. Soon I'll be picking research topics based on knowing how they'll turn out and applying for grants that I'm sure to win. It's important to me that I've made my reputation on my own. If I start using magic, nothing would belong entirely to me. I don't want to be the next Bishop witch." I opened my mouth to tell Em about Ashmole 782, but something made me close it again. "I know, I know, honey." Em's voice was soothing. "I do understand. But Sarah can't help worrying about your safety. You're all the family she has now." My fingers slid through my hair and came to rest at my temples. Conversations like this always led back to my mother and father. I hesitated, reluctant to mention my one lingering concern. "What is it?" Em asked, her sixth sense picking up on my discomfort. "He knew my name. I've never seen him before, but he knew who I was." Em considered the possibilities. "Your picture's on the inside of your latest book cover, isn't it?" My breath, which I hadn't been aware I was holding, came out with a soft whoosh. "Yes. That must be it. I'm just being silly. Can you give Sarah a kiss from me?" "You bet. And, Diana? Be careful. English vampires may not be as well behaved around witches as the American ones are." I smiled, thinking of Matthew Clairmont's formal bow. "I will. But don't worry. I probably won't see him again." Em was quiet. "Em?" I prompted. "Time will tell." Em wasn't as good at seeing the future as my mother was reputed to have been, but something was niggling at her. Convincing a witch to share a vague premonition was almost impossible. She wasn't going to tell me what worried her about Matthew Clairmont. Not yet. Chapter 3 T he vampire sat in the shadows on the curved expanse of the bridge that spanned New College Lane and connected two parts of Hertford College, his back resting against the worn stone of one of the college's newer buildings and his feet propped up on the bridge's roof. The witch appeared, moving surprisingly surely across the uneven stones of the sidewalk outside the Bodleian. She passed underneath him, her pace quickening. Her nervousness made her look younger than she was and accentuated her vulnerability. So that's the formidable historian, he thought wryly, mentally going over her vita. Even after looking at her picture, Matthew expected Bishop to be older, given her professional accomplishments. Diana Bishop's back was straight and her shoulders square, in spite of her apparent agitation. Perhaps she would not be as easy to intimidate as he had hoped. Her behavior in the library had suggested as much. She'd met his eyes without a trace of the fear that Matthew had grown to rely upon from those who weren't vampires--and many of those who were. When Bishop rounded the corner, Matthew crept along the rooflines until he reached the New College wall. He slipped silently down into its boundaries. The vampire knew the college's layout and had anticipated where her rooms would be. He was already tucked into a doorway opposite her staircase when she began her climb. Matthew's eyes followed her around the apartment as she moved from room to room, turning on the lights. She pushed the kitchen window open, left it ajar, disappeared. That will save me from me breaking the window or picking her lock, he thought. Matthew darted across the open space and scaled her building, his feet and hands finding sure holds in the old mortar with the help of a copper downspout and some robust vines. From his new vantage point, he could detect the witch's distinctive scent and a rustle of turning pages. He craned his neck to peer into the window. Bishop was reading. In repose her face looked different, he reflected. It was as if her skin fit the underlying bones properly. Her head bobbed slowly, and she slid against the cushions with a soft sigh of exhaustion. Soon the sound of regular breathing told Matthew she was asleep. He swung out from the wall and kicked his feet up and through the witch's kitchen window. It had been a very long time since the vampire had climbed into a woman's rooms. Even then the occasions were rare and usually linked to moments when he was in the grip of infatuation. This time there was a far different reason. Nonetheless, if someone caught him, he'd have a hell of a time explaining what it was. Matthew had to know if Ashmole 782 was still in Bishop's possession. He hadn't been able to search her desk at the library, but a quick glance had suggested that it wasn't among the manuscripts she'd been consulting today. Still, there was no chance that a witch--a Bishop--would have let the volume slip through her fingers. With inaudible steps he traveled through the small set of rooms. The manuscript wasn't in the witch's bathroom or her bedroom. He crept quietly past the couch where she lay sleeping. The witch's eyelids were twitching as if she were watching a movie only she could see. One of her hands was drawn into a fist, and every now and then her legs danced. Bishop's face was serene, however, unperturbed by whatever the rest of her body thought it was doing. Something wasn't right. He'd sensed it from the first moment he saw Bishop in the library. Matthew crossed his arms and studied her, but he still couldn't figure out what it was. This witch didn't give off the usual scents--henbane, sulfur, and sage. She's hiding something, the vampire thought, something more than the lost manuscript . Matthew turned away, seeking out the table she was using as a desk. It was easy to spot, littered with books and papers. That was the likeliest place for her to have put the smuggled volume. As he took a step toward it, he smelled electricity and froze. Light was seeping from Diana Bishop's body--all around the edges, escaping from her pores. The light was a blue so pale it was almost white, and at first it formed a cloudlike shroud that clung to her for a few seconds. For a moment she seemed to shimmer. Matthew shook his head in disbelief. It was impossible. It had been centuries since he'd seen such a luminous outpouring from a witch. But other, more urgent matters beckoned, and Matthew resumed the hunt for the manuscript, hurriedly searching through the items on her desk. He ran his fingers through his hair in frustration. The witch's scent was everywhere, distracting him. Matthew's eyes returned to the couch. Bishop was stirring and shifting again, her knees creeping toward her chest. Once more, luminosity pulsed to the surface, shimmered for a moment, retreated. Matthew frowned, puzzled at the discrepancy between what he'd overheard last night and what he was witnessing with his own eyes. Two witches had been gossiping about Ashmole 782 and the witch who'd called it. One had suggested that the American historian didn't use her magical power. But Matthew had seen it in the Bodleian--and now watched it wash through her with evident intensity. He suspected she used magic in her scholarship, too. Many of the men she wrote about had been friends of his--Cornelius Drebbel, Andreas Libavius, Isaac Newton. She'd captured their quirks and obsessions perfectly. Without magic how could a modern woman understand men who had lived so long ago? Fleetingly, Matthew wondered if Bishop would be able to understand him with the same uncanny accuracy. The clocks struck three, startling him. His throat felt parched. He realized he'd been standing for several hours, motionless, watching the witch dream while her power rose and fell in waves. He briefly considered slaking his thirst with this witch's blood. A taste of it might reveal the location of the missing volume and indicate what secrets the witch was keeping. But he restrained himself. It was only his desire to find Ashmole 782 that made him linger with the enigmatic Diana Bishop. If the manuscript wasn't in the witch's rooms, then it was still in the library. He padded to the kitchen, slid out the window, and melted into the night. Chapter 4 F our hours later I woke up on top of the duvet, clutching the phone. At some point I'd kicked off my right slipper, leaving my foot trailing over the edge of the bed. I looked at the clock and groaned. There was no time for my usual trip to the river, or even for a run. Cutting my morning ritual short, I showered and then drank a scalding cup of tea while drying my hair. It was straw blond and unruly, despite the ministrations of a hairbrush. Like most witches, I had a problem getting the shoulder-length strands to stay put. Sarah blamed it on pent-up magic and promised that the regular use of my power would keep the static electricity from building and make my hair more obedient. After brushing my teeth, I slipped on a pair of jeans, a fresh white blouse, and a black jacket. It was a familiar routine, and this was my habitual outfit, but neither proved comforting today. My clothes seemed confining, and I felt self-conscious in them. I jerked on the jacket to see if that would make it fit any better, but it was too much to expect from inferior tailoring. When I looked into the mirror, my mother's face stared back. I could no longer remember when I'd developed this strong resemblance to her. Sometime in college, perhaps? No one had commented on it until I came home for Thanksgiving break during freshman year. Since then it was the first thing I heard from those who had known Rebecca Bishop. Today's check in the mirror also revealed that my skin was pale from lack of sleep. This made my freckles, which I'd inherited from my father, stand out in apparent alarm, and the dark blue circles under my eyes made them appear lighter than usual. Fatigue also managed to lengthen my nose and render my chin more pronounced. I thought of the immaculate Professor Clairmont and wondered what he looked like first thing in the morning. Probably just as pristine as he had last night, I decided--the beast. I grimaced at my reflection. On my way out the door, I stopped and surveyed my rooms. Something niggled at me--a forgotten appointment, a deadline. There was something I was missing that was important. The sense of unease wrapped around my stomach, squeezed, then let go. After checking my datebook and the stacks of mail on my desk, I wrote it off as hunger and went downstairs. The obliging ladies in the kitchen offered me toast when I passed by. They remembered me as a graduate student and still tried to force-feed me custard and apple pie when I looked stressed. Munching on toast and slipping along the cobblestones of New College Lane was enough to convince me that last night had been a dream. My hair swung against my collar, and my breath showed in the crisp air. Oxford is quintessentially normal in the morning, with the delivery vans pulled up to college kitchens, the aromas of burned coffee and damp pavement, and fresh rays of sunlight slanting through the mist. It was not a place that seemed likely to harbor vampires. The Bodleian's blue-jacketed attendant went through his usual routine of scrutinizing my reader's card as if he had never seen me before and suspected I might be a master book thief. Finally he waved me through. I deposited my bag in the cubbyholes by the door after first removing my wallet, computer, and notes, and then I headed up to the twisting wooden stairs to the third floor. The smell of the library always lifted my spirits--that peculiar combination of old stone, dust, woodworm, and paper made properly from rags. Sun streamed through the windows on the staircase landings, illuminating the dust motes flying through the air and shining bars of light on the ancient walls. There the sun highlighted the curling announcements for last term's lecture series. New posters had yet to go up, but it would only be a matter of days before the floodgates opened and a wave of undergraduates arrived to disrupt the city's tranquillity. Humming quietly to myself, I nodded to the busts of Thomas Bodley and King Charles I that flanked the arched entrance to Duke Humfrey's and pushed through the swinging gate by the call desk. "We'll have to set him up in the Selden End today," the supervisor was saying with a touch of exasperation. The library had been open for just a few minutes, but Mr. Johnson and his staff were already in a flap. I'd seen this kind of behavior before, but only when the most distinguished scholars were expected. "He's already put in his requests, and he's waiting down there." The unfamiliar female attendant from yesterday scowled at me and shifted the stack of books in her arms. "These are his, too. He had them sent up from the New Bodleian Reading Room." That's where they kept the East Asia books. It wasn't my field, and I quickly lost interest. "Get those to him now, and tell him we'll bring the manuscripts down within the hour." The supervisor sounded harassed as he returned to his office. Sean rolled his eyes heavenward as I approached the collection desk. "Hi, Diana. Do you want the manuscripts you put on reserve?" "Thanks," I whispered, thinking of my waiting stack with relish. "Big day, huh?" "Apparently," he said drily, before disappearing into the locked cage that held the manuscripts overnight. He returned with my stack of treasures. "Here you go. Seat number?" "A4." It's where I always sat, in the far southeastern corner of the Selden End, where the natural light was best. Mr. Johnson came scurrying toward me. "Ah, Dr. Bishop, we've put Professor Clairmont in A3. You might prefer to sit in A1 or A6." He shifted nervously from one foot to the other and pushed his glasses up, blinking at me through the thick glass. I stared at him. "Professor Clairmont ?" "Yes. He's working on the Needham papers and requested good light and room to spread out." "Joseph Needham, the historian of Chinese science?" Somewhere around my solar plexus, my blood started to seethe. "Yes. He was a biochemist, too, of course--hence Professor Clairmont's interest," Mr. Johnson explained, looking more flustered by the moment. "Would you like to sit in A1?" "I'll take A6." The thought of sitting next to a vampire, even with an empty seat between us, was deeply unsettling. Sitting across from one in A4 was unthinkable, however. How could I concentrate, wondering what those strange eyes were seeing? Had the desks in the medieval wing been more comfortable, I would have parked myself under one of the gargoyles that guarded the narrow windows and braved Gillian Chamberlain's prim disapproval instead. "Oh, that's splendid. Thank you for understanding." Mr. Johnson sighed with relief. As I came into the light of the Selden End, my eyes narrowed. Clairmont looked immaculate and rested, his pale skin startling against his dark hair. This time his open-necked gray sweater had flecks of green, and his collar stood up slightly in the back. A peek under the table revealed charcoal gray trousers, matching socks, and black shoes that surely cost more than the average academic's entire wardrobe. The unsettled feeling returned. What was Clairmont doing in the library? Why wasn't he in his lab? Making no effort to muffle my footsteps, I strode in the vampire's direction. Clairmont, seated diagonally across from me at the far end of the cluster of desks and seemingly oblivious to my approach, continued reading. I dumped my plastic bag and manuscripts onto the space marked A5, staking out the outer edges of my territory. He looked up, brows arching in apparent surprise. "Dr. Bishop. Good morning." "Professor Clairmont." It occurred to me that he'd overheard everything said about him at the reading room's entrance, given that he had the hearing of a bat. I refused to meet his eyes and started pulling individual items out of my bag, building a small fortification of desk supplies between me and the vampire. Clairmont watched until I ran out of equipment, then lowered his eyebrows in concentration and returned to his reading. I took out the cord for my computer and disappeared under the desk to shove it into the power strip. When I righted myself, he was still reading but was also trying not to smile. "Surely you'd be more comfortable in the northern end," I grumbled under my breath, rooting around for my list of manuscripts. Clairmont looked up, dilating pupils making his eyes suddenly dark. "Am I bothering you, Dr. Bishop?" "Of course not," I said hastily, my throat closing at the sudden, sharp aroma of cloves that accompanied his words, "but I'm surprised you find a southern exposure comfortable." "You don't believe everything you read, do you?" One of his thick, black eyebrows rose into the shape of a question mark. "If you're asking whether I think you're going to burst into flames the moment the sunlight hits you, the answer is no." Vampires didn't burn at the touch of sunlight, nor did they have fangs. These were human myths. "But I've never met . . . someone like you who liked to bask in its glow either." Clairmont's body remained still, but I could have sworn he was repressing a laugh. "How much direct experience have you had, Dr. Bishop, with 'someone like me'?" How did he know I hadn't had much experience with vampires? Vampires had preternatural senses and abilities--but no supernatural ones, like mind reading or precognition. Those belonged to witches and, on rare occasions, could sometimes crop up in daemons, too. This was the natural order, or so my aunt had explained when I was a child and couldn't sleep for fear that a vampire would steal my thoughts and fly out the window with them. I studied him closely. "Somehow, Professor Clairmont, I don't think years of experience would tell me what I need to know right now." "I'd be happy to answer your question, if I can," he said, closing his book and placing it on the desk. He waited with the patience of a teacher listening to a belligerent and not very bright student. "What is it that you want?" Clairmont sat back in his chair, his hands resting easily on the arms. "I want to examine Dr. Needham's papers and study the evolution of his ideas on morphogenesis." "Morphogenesis?" "The changes to embryonic cells that result in differentiation--" "I know what morphogenesis is, Professor Clairmont. That's not what I'm asking." His mouth twitched. I crossed my arms protectively across my chest. "I see." He tented his long fingers, resting his elbows on the chair. "I came into Bodley's Library last night to request some manuscripts. Once inside, I decided to look around a bit--I like to know my environment, you understand, and don't often spend time here. There you were in the gallery. And of course what I saw after that was quite unexpected." His mouth twitched again. I flushed at the memory of how I'd used magic just to get a book. And I tried not to be disarmed by his old-fashioned use of "Bodley's Library" but was not entirely successful. Careful, Diana, I warned myself. He's trying to charm you. "So your story is that this has just been a set of odd coincidences, culminating in a vampire and a witch sitting across from each other and examining manuscripts like two ordinary readers?" "I don't think anyone who took the time to examine me carefully would think I was ordinary, do you?" Clairmont's already quiet voice dropped to a mocking whisper, and he tilted forward in his chair. His pale skin caught the light and seemed to glow. "But otherwise, yes. It's just a series of coincidences, easily explained." "I thought scientists didn't believe in coincidences anymore." He laughed softly. "Some have to believe in them." Clairmont kept staring at me, which was unnerving in the extreme. The female attendant rolled the reading room's ancient wooden cart up to the vampire's elbow, boxes of manuscripts neatly arrayed on the trolley's shelves. The vampire dragged his eyes from my face. "Thank you, Valerie. I appreciate your assistance." "Of course, Professor Clairmont," Valerie said, gazing at him raptly and turning pink. The vampire had charmed her with no more than a thank-you. I snorted. "Do let us know if you need anything else," she said, returning to her bolt-hole by the entrance. Clairmont picked up the first box, undid the string with his long fingers, and glanced across the table. "I don't want to keep you from your work." Matthew Clairmont had taken the upper hand. I'd had enough dealings with senior colleagues to recognize the signs and to know that any response would only make the situation worse. I opened my computer, punched the power button with more force than necessary, and picked up the first of my manuscripts. Once the box was unfastened, I placed its leather-bound contents on the cradle in front of me. Over the next hour and a half, I read the first pages at least thirty times. I started at the beginning, reading familiar lines of poetry attributed to George Ripley that promised to reveal the secrets of the philosopher's stone. Given the surprises of the morning, the poem's descriptions of how to make the Green Lion, create the Black Dragon, and concoct a mystical blood from chemical ingredients were even more opaque than usual. Clairmont, however, got a prodigious amount done, covering pages of creamy paper with rapid strokes of his Montblanc Meisterstück mechanical pencil. Every now and again, he'd turn over a sheet with a rustle that set my teeth on edge and begin once more. Occasionally Mr. Johnson drifted through the room, making sure no one was defacing the books. The vampire kept writing. I glared at both of them. At 10:45, there was a familiar tingle when Gillian Chamberlain bustled into the Selden End. She started toward me--no doubt to tell me what a splendid time she'd had at the Mabon dinner. Then she saw the vampire and dropped her plastic bag full of pencils and paper. He looked up and stared until she scampered back to the medieval wing. At 11:10, I felt the insidious pressure of a kiss on my neck. It was the confused, caffeine-addicted daemon from the music reference room. He was repeatedly twirling a set of white plastic headphones around his fingers, then unwinding them to send them spinning through the air. The daemon saw me, nodded at Matthew, and sat at one of the computers in the center of the room. A sign was taped to the screen: OUT OF ORDER. TECHNICIAN CALLED. He remained there for the next several hours, glancing over his shoulder and then at the ceiling periodically as if trying to figure out where he was and how he'd gotten there. I returned my attention to George Ripley, Clairmont's eyes cold on the top of my head. At 11:40, icy patches bloomed between my shoulder blades. This was the last straw. Sarah always said that one in ten beings was a creature, but in Duke Humfrey's this morning the creatures outnumbered humans five to one. Where had they all come from? I stood abruptly and whirled around, frightening a cherubic, tonsured vampire with an armful of medieval missals just as he was lowering himself into a chair that was much too small for him. He let out a squeak at the sudden, unwanted attention. At the sight of Clairmont, he turned a whiter shade than I thought was possible, even for a vampire. With an apologetic bow, he scuttled off to the library's dimmer recesses. Over the course of the afternoon, a few humans and three more creatures entered the Selden End. Two unfamiliar female vampires who appeared to be sisters glided past Clairmont and came to a stop among the local-history shelves under the window, picking up volumes about the early settlement of Bedfordshire and Dorset and writing notes back and forth on a single pad of paper. One of them whispered something, and Clairmont's head swiveled so fast it would have snapped the neck of a lesser being. He made a soft hissing sound that ruffled the hair on my own neck. The two exchanged looks and departed as quietly as they had appeared. The third creature was an elderly man who stood in a full beam of sunlight and stared raptly at the leaded windows before turning his eyes to me. He was dressed in familiar academic garb--brown tweed jacket with suede elbow patches, corduroy pants in a slightly jarring tone of green, and a cotton shirt with a button-down collar and ink stains on the pocket--and I was ready to dismiss him as just another Oxford scholar before my skin tingled to tell me that he was a witch. Still, he was a stranger, and I returned my attention to my manuscript. A gentle sensation of pressure on the back of my skull made it impossible to keep reading, however. The pressure flitted to my ears, growing in intensity as it wrapped around my forehead, and my stomach clenched in panic. This was no longer a silent greeting, but a threat. Why, though, would he be threatening me? The wizard strolled toward my desk with apparent casualness. As he approached, a voice whispered in my now-throbbing head. It was too faint to distinguish the words. I was sure it was coming from this male witch, but who on earth was he? My breath became shallow. Get the hell out of my head, I said fiercely if silently, touching my forehead. Clairmont moved so quickly I didn't see him round the desks. In an instant he was standing with one hand on the back of my chair and the other resting on the surface in front of me. His broad shoulders were curved around me like the wings of a falcon shielding his prey. "Are you all right?" he asked. "I'm fine," I replied with a shaking voice, utterly confused as to why a vampire would need to protect me from another witch. In the gallery above us, a reader craned her neck to see what all the fuss was about. She stood, her brow creased. Two witches and a vampire were impossible for a human to ignore. "Leave me alone. The humans have noticed us," I said between clenched teeth. Clairmont straightened to his full height but kept his back to the witch and his body angled between us like an avenging angel. "Ah, my mistake," the witch murmured from behind Clairmont. "I thought this seat was available. Excuse me." Soft steps retreated into the distance, and the pressure on my head gradually subsided. A slight breeze stirred as the vampire's cold hand reached toward my shoulder, stopped, and returned to the back of the chair. Clairmont leaned over. "You look quite pale," he said in his soft, low voice. "Would you like me to take you home?" "No." I shook my head, hoping he would go sit down and let me gather my composure. In the gallery the human reader kept a wary eye on us. "Dr. Bishop, I really think you should let me take you home." "No!" My voice was louder than I intended. It dropped to a whisper. "I am not being driven out of this library--not by you, not by anyone." Clairmont's face was disconcertingly close. He took a slow breath in, and once again there was a powerful aroma of cinnamon and cloves. Something in my eyes convinced him I was serious, and he drew away. His mouth flattened into a severe line, and he returned to his seat. We spent the remainder of the afternoon in a state of détente. I tried to read beyond the second folio of my first manuscript, and Clairmont leafed through scraps of paper and closely written notebooks with the attention of a judge deciding on a capital case. By three o'clock my nerves were so frayed that I could no longer concentrate. The day was lost. I gathered my scattered belongings and returned the manuscript to its box. Clairmont looked up. "Going home, Dr. Bishop?" His tone was mild, but his eyes glittered. "Yes," I snapped. The vampire's face went carefully blank. Every creature in the library watched me on my way out--the threatening wizard, Gillian, the vampire monk, even the daemon. The afternoon attendant at the collection desk was a stranger to me, because I never left at this time of day. Mr. Johnson pushed his chair back slightly, saw it was me, and looked at his watch in surprise. In the quadrangle I pushed the glass doors of the library open and drank in the fresh air. It would take more than fresh air, though, to turn the day around. Fifteen minutes later I was in a pair of fitted, calf-length pants that stretched in six different directions, a faded New College Boat Club tank, and a fleece pullover. After tying on my sneakers I set off for the river at a run. When I reached it, some of my tension had already abated. "Adrenaline poisoning," one of my doctors had called these surges of anxiety that had troubled me since childhood. The doctors explained that, for reasons they could not understand, my body seemed to think it was in a constant state of danger. One of the specialists my aunt consulted explained earnestly that it was a biochemical leftover from hunter-gatherer days. I'd be all right so long as I rid my bloodstream of the adrenaline load by running, just as a frightened ibex would run from a lion. Unfortunately for that doctor, I'd gone to the Serengeti with my parents as a child and had witnessed such a pursuit. The ibex lost. It had made quite an impression on me. Since then I'd tried medication and meditation, but nothing was better for keeping panic at bay than physical activity. In Oxford it was rowing each morning before the college crews turned the narrow river into a thorough-fare. But the university was not yet in session, and the river would be clear this afternoon. My feet crunched against the crushed gravel paths that led to the boathouses. I waved at Pete, the boatman who prowled around with wrenches and tubs of grease, trying to put right what the undergraduates mangled in the course of their training. I stopped at the seventh boathouse and bent over to ease the stitch in my side before retrieving the key from the top of the light outside the boathouse doors. Racks of white and yellow boats greeted me inside. There were big, eight-seated boats for the first men's crew, slightly leaner boats for the women, and other boats of decreasing quality and size. A sign hung from the bow of one shiny new boat that hadn't been rigged yet, instructing visitors that NO ONE MAY TAKE THE FRENCH LIEUTENANT'S WOMAN OUT OF THIS HOUSE WITHOUT THE PERMISSION OF THE NCBC PRESIDENT. The boat's name was freshly stenciled on its side in a Victorian-style script, in homage to the New College graduate who had created the character. At the back of the boathouse, a whisper of a boat under twelve inches wide and more than twenty-five feet long rested in a set of slings positioned at hip level. God bless Pete, I thought. He'd taken to leaving the scull on the floor of the boathouse. A note resting on the seat read, "College training next Monday. Boat will be back in racks." I kicked off my sneakers, picked two oars with curving blades from the stash near the doors, and carried them down to the dock. Then I went back for the boat. I plopped the scull gently into the water and put one foot on the seat to keep it from floating away while I threaded the oars into the oarlocks. Holding both oars in one hand like a pair of oversize chopsticks, I carefully stepped into the boat and pushed the dock with my left hand. The scull floated out onto the river. Rowing was a religion for me, composed of a set of rituals and movements repeated until they became a meditation. The rituals began the moment I touched the equipment, but its real magic came from the combination of precision, rhythm, and strength that rowing required. Since my undergraduate days, rowing had instilled a sense of tranquillity in me like nothing else. My oars dipped into the water and skimmed along the surface. I picked up the pace, powering through each stroke with my legs and feeling the water when my blade swept back and slipped under the waves. The wind was cold and sharp, cutting through my clothes with every stroke. As my movements flowed into a seamless cadence, it felt as though I were flying. During these blissful moments, I was suspended in time and space, nothing but a weightless body on a moving river. My swift little boat darted along, and I swung in perfect unison with the boat and its oars. I closed my eyes and smiled, the events of the day fading in significance. The sky darkened behind my closed lids, and the booming sound of traffic overhead indicated that I'd passed underneath the Donnington Bridge. Coming through into the sunlight on the other side, I opened my eyes--and felt the cold touch of a vampire's gaze on my sternum. A figure stood on the bridge, his long coat flapping around his knees. Though I couldn't see his face clearly, the vampire's considerable height and bulk suggested that it was Matthew Clairmont. Again. I swore and nearly dropped one oar. The City of Oxford dock was nearby. The notion of pulling an illegal maneuver and crossing the river so that I could smack the vampire upside his beautiful head with whatever piece of boat equipment was handy was very tempting. While formulating my plan, I spotted a slight woman standing on the dock wearing paint-stained overalls. She was smoking a cigarette and talking into a mobile phone. This was not a typical sight for the City of Oxford boathouse. She looked up, her eyes nudging my skin. A daemon. She twisted her mouth into a wolfish smile and said something into the phone. This was just too weird. First Clairmont and now a host of creatures appearing whenever he did? Abandoning my plan, I poured my unease into my rowing. I managed to get down the river, but the serenity of the outing had evaporated. Turning the boat in front of the Isis Tavern, I spotted Clairmont standing beside one of the pub's tables. He'd managed to get there from the Donnington Bridge--on foot--in less time than I'd done it in a racing scull. Pulling hard on both oars, I lifted them two feet off the water like the wings of an enormous bird and glided straight into the tavern's rickety wooden dock. By the time I'd climbed out, Clairmont had crossed the twenty-odd feet of grass lying between us. His weight pushed the floating platform down slightly in the water, and the boat wiggled in adjustment. "What the hell do you think you're doing?" I demanded, stepping clear of the blade and across the rough planks to where the vampire now stood. My breath was ragged from exertion, my cheeks flushed. "Are you and your friends stalking me?" Clairmont frowned. "They aren't my friends, Dr. Bishop." "No? I haven't seen so many vampires, witches, and daemons in one place since my aunts dragged me to a pagan summer festival when I was thirteen. If they're not your friends, why are they always hanging around you?" I wiped the back of my hand across my forehead and pushed the damp hair away from my face. "Good God," the vampire murmured incredulously. "The rumors are true." "What rumors?" I said impatiently. "You think these . . . things want to spend time with me?" Clairmont's voice dripped with contempt and something that sounded like surprise. "Unbelievable." I worked my fleece pullover up above my shoulders and yanked it off. Clairmont's eyes flickered to my collarbones, over my bare arms, and down to my fingertips. I felt uncharacteristically naked in my familiar rowing clothes. "Yes," I snapped. "I've lived in Oxford. I visit every year. The only thing that's been different this time is you. Since you showed up last night, I've been pushed out of my seat in the library, stared at by strange vampires and daemons, and threatened by unfamiliar witches." Clairmont's arms rose slightly, as if he were going to take me by the shoulders and shake me. Though I was by no means short at just under five-seven, he was so tall that my neck had to bend sharply so I could make eye contact. Acutely aware of his size and strength relative to my own, I stepped back and crossed my arms, calling upon my professional persona to steel my nerves. "They're not interested in me, Dr. Bishop. They're interested in you. " "Why? What could they possibly want from me?" "Do you really not know why every daemon, witch, and vampire south of the Midlands is following you?" There was a note of disbelief in his voice, and the vampire's expression suggested he was seeing me for the first time. "No," I said, my eyes on two men enjoying their afternoon pint at a nearby table. Thankfully, they were absorbed in their own conversation. "I've done nothing in Oxford except read old manuscripts, row on the river, prepare for my conference, and keep to myself. It's all I've ever done here. There's no reason for any creature to pay this kind of attention to me." "Think, Diana." Clairmont's voice was intense. A ripple of something that wasn't fear passed across my skin when he said my first name. "What have you been reading?" His eyelids dropped over his strange eyes, but not before I'd seen their avid expression. My aunts had warned me that Matthew Clairmont wanted something. They were right. Excerpted from A Discovery of Witches: A Novel by Deborah Harkness All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.