Rezensionen (5)
Publisher's Weekly-Rezension
Gretchen Lowell strikes again-or does she?-in bestseller Cain's grisly third thriller to feature the female serial killer who takes sadistic pleasure in taunting Portland, Ore., detective Archie Sheridan (after Sweetheart and Heartsick). A violent attack that leaves body parts in a rest stop bathroom, along with Lowell's signature heart design, persuades Sheridan, a recovering Vicodin addict, to leave rehab and rejoin the hunt for Lowell. As he and newspaper reporter Susan Ward dig deeper, they discover that while the corpses cropping up around town are reminiscent of Lowell's nasty handiwork, they might also point to one of the myriad fan clubs dedicated to the killer, who has become a media sensation since she escaped from prison in Heartsick. Even though readers may wonder how much longer this extended game can play out, Cain delivers her usual blend of organ-ripping, blood-soaked gore and compelling flawed heroes-and antiheroes. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Kirkus-Rezension
Detective Archie Sheridan (Sweetheart, 2008, etc.) continues his danse macabre with serial killer Gretchen Lowell in what might well be the year's most repellent novel. She's extracted his spleen, hammered nails into his chest, broken his ribs, whittled away at him with an X-Acto knife, but these and an array of other scarifications, emotional as well as physical, have not dampened Archie's ardor. He remains crazy about Gretchen Lowell, aka the Beauty Killer. And crazy, too, in the sense that as the result of her ministrations, he currently resides in Portland, Ore.'s Providence Medical Center, termed by Archie "the loony bin." As for Gretchen, until recently she's been residing in the slammer, where Archie helped put her. Having busted out, however, she's up to her old tricksmurdering with undiminished enthusiasm, leaving her signature heart carved into the torsos of her victims, usually before they're dead. Seldom indeed, when in the hands of Gretchen the grotesque, does anyone die in a hurry. And now, perversely, she's become a media darling. Her glam photographs seem omnipresent. She sells newspapers, she boosts ratings, she has fan clubs: global constituencies, gleefully marking the days their hero has been able to elude slew-footed police forces76 and counting. So suddenly the question takes on an unsettling nuance. Is it Gretchen and Gretchen alone who's been dismembering and disemboweling? Or has she been joined by copycats? It's enough to get Archie into his clothes, out of the hospital and back into bossing his catch-Gretchen task force, the trauma of it all having driven him sane. Archie wallows in victimhood and Gretchen is a mindless, robotic monster. Is loathsomeness as good a sales driver as sex? Clearly, Cain's publisher has decided to bet it is. Copyright Kirkus Reviews, used with permission.
Booklist-Rezension
*Starred Review* After his last encounter with bewitching serial killer Gretchen Lowell (Sweetheart, 2008), Portland, Oregon, police detective Archie Sheridan checked himself into a mental hospital. And why not? The man has suffered enough at Gretchen's beautiful but deadly hands. Let's recap: first she tortured him unmercifully, cutting out his spleen sans anesthesia, before inexplicably letting him live (Heartsick, 2007); then, after escaping from prison, she drew him into her web again, seduced him, and sliced his jugular vein, not quite badly enough to kill him. But, of course, Gretchen isn't through with Archie. When bodies with missing spleens start turning up around Portland, usually in locations where Gretchen has plied her trade in the past, Archie's police colleagues come calling at the loony bin: they need his help if they are to have any chance at catching the Beauty Killer this time. But is Gretchen really back, or has she spawned a generation of copycats whose taste for removing internal organs is every bit as voracious as her own? A few more spleens are sacrificed before that gets sorted out, and Cain packs plenty of surprises for us along the way (don't even ask by which male part one hapless fellow is suspended), but don't panic: it isn't all spectacular gore. Cain continues to display her remarkable ability to probe the psyches of her characters the way Gretchen probes our squishy parts. She's no slouch at narrative strategy, either. Remarkably, both Gretchen and Archie are offstage more than on this time around, but that proves a clever ploy, both because it heightens our anticipation for the inevitable confrontation and because it gives more screen time to punky, spunky reporter Susan Ward, whose charisma demands a starring role eventually. Popular entertainment the kind that mixes crime, horror, and even a little black comedy just doesn't get much better than this.--Ott, Bill Copyright 2009 Booklist
New York Review of Books-Rezension
You have to hand it to Cain, who's made the serial-killer genre a thoroughly female-friendly experience. It's not just that Gretchen Lowell, the psycho killer at the center of Cain's thrillers, is a woman. She is also gorgeous, intelligent, irresistible to men - so hard to hate that she's become a pop-culture phenomenon, gracing magazine covers and enthralling fans who take guided tours of her murder sites. Cain seems to want us to be equally appalled and amused by the stylish Gretchen and her lover-victim-nemesis, Detective Archie Sheridan. This third book of the series begins with Archie on a mental ward, recovering from a creative torture session that involved swallowing drain cleaner, enduring a splenectomy and having one of Gretchen's signature hearts carved into his chest. His dilemma: How can he capture her when, after all that, he still wants to sleep with her? The book wrestles with the idea that the media's obsession with serial killers has aided Gretchen and inspired copycats. (Serial-killer novels are presumably off the hook.) Cain, who started her career rather more placidly with "Dharma Girl," a memoir of her childhood on a hippie commune, churns stomachs with a delicate touch. Let's just say that small, vulnerable body parts - eyeballs, tongues, urethras - get a lot of play.
Library Journal-Rezension
Just two months after serial killer Gretchen Lowell, aka the "Beauty Killer," escapes from police custody (see Sweetheart), body parts begin showing up in random Portland, OR, locales. Meanwhile, devastated Det. Archie Sheridan continues to languish in a mental hospital, while irrepressible journalist Susan Hunt longs to save him and her story. Her story-and the essence of this thriller-goes beyond Gretchen's certifiable status as a psychopathic killer and instead examines society's morbid glorification of gruesome, ritualistic killings. Have Gretchen's despicable acts spawned more evil? Archie reemerges, determined to kill Gretchen this time, but then puzzling inconsistencies suggest that a copycat killer is at work. Archie and Susan match their wits against the opposition, meeting people who defy all the rules and experiencing horrors beyond comprehension. Verdict This sequel can't top the jaw-dropping horror of Cain's Heartsick, but her snappy pace and sustained creepiness keep the pages turning at a steady clip. Not for the faint of heart, this addictive thriller will be quickly devoured by serial killer addicts. Gretchen Lowell has taken on a persona not unlike Hannibal Lector. [See Prepub Alert, LJ 5/15/09; library marketing campaign and 200,000-copy first printing.]-Teresa L. Jacobsen, Solano Cty. Lib., Fairfield, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.