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Zusammenfassung
Zusammenfassung
Now a television miniseries, as seen on Masterpiece on PBS
Set in seventeenth century Amsterdam--a city ruled by glittering wealth and oppressive religion--a masterful debut steeped in atmosphere and shimmering with mystery, in the tradition of Emma Donoghue, Sarah Waters, and Sarah Dunant.
"There is nothing hidden that will not be revealed . . ."
On a brisk autumn day in 1686, eighteen-year-old Nella Oortman arrives in Amsterdam to begin a new life as the wife of illustrious merchant trader Johannes Brandt. But her new home, while splendorous, is not welcoming. Johannes is kind yet distant, always locked in his study or at his warehouse office--leaving Nella alone with his sister, the sharp-tongued and forbidding Marin.
But Nella's world changes when Johannes presents her with an extraordinary wedding gift: a cabinet-sized replica of their home. To furnish her gift, Nella engages the services of a miniaturist--an elusive and enigmatic artist whose tiny creations mirror their real-life counterparts in eerie and unexpected ways . . .
Johannes' gift helps Nella to pierce the closed world of the Brandt household. But as she uncovers its unusual secrets, she begins to understand--and fear--the escalating dangers that await them all. In this repressively pious society where gold is worshipped second only to God, to be different is a threat to the moral fabric of society, and not even a man as rich as Johannes is safe. Only one person seems to see the fate that awaits them. Is the miniaturist the key to their salvation . . . or the architect of their destruction?
Enchanting, beautiful, and exquisitely suspenseful, The Miniaturist is a magnificent story of love and obsession, betrayal and retribution, appearance and truth.
Rezensionen (5)
Publisher's Weekly-Rezension
Late 17th-century Amsterdam is the sumptuous backdrop for this debut novel about a young Dutch girl from the village of Assendelft, Nella Oortman, who is chosen to be the bride of Johannes Brandt, a wealthy merchant with a shocking secret. Not long after Nella's arrival in the city, her enigmatic husband presents her with a beautifully wrought cabinet, an exact replica of the house in which they live with Brandt's sister, Marin, and their loyal servants. Nella engages a miniaturist to fill it and begins to encounter mysteries no one is willing to explain, secrets in which everyone in the household is implicated. The elusive miniaturist, too, seems to know more than Nella, as reflected in the tiny dolls and furniture he creates for the cabinet. The artisan may even be able to predict the future: he sends Nella portentous objects she has not commissioned, such as a cradle and a perfect replica of Brandt's beloved dog stained with blood. As in all good historical novels, the setting is a major character; in this case the city of Amsterdam, with its waterways and warehouses, confectioners' shops, and kitchens, teems with period detail. Myriad plot twists involve Brandt's commercial activities, especially the stores of precious sugar cones from Surinam, and the tragic, fatal consequences of illicit love affairs. Strangely enough, however, the central mystery, the miniaturist's uncanny knowledge of the future, is never solved, and the reader is left unsatisfied. (Aug.) (c) Copyright PWxyz, LLC. All rights reserved.
Kirkus-Rezension
A talented new writer of historical fiction evokes 17th-century Amsterdam, the opulent but dangerous Dutch capital, where an innocent young wife must navigate the intrigues of her new household."Every woman is the architect of her own fortune," reads 18-year-old Nella Oortman in a message that will gather meaning like a rolling stone as this novel progresses. It comes from the peculiarly knowledgeable artisan who is creating miniature objects for a dollhouse-sized version of her new home, which Nella received as a wedding gift. Hastily married to a wealthy older merchant, Johannes Brandt, after her father's death left her provincial family struggling, Nella arrives alone in Amsterdam, readying herself for her unknown husband's demands. Instead, she finds herself sleeping by herself, ignored by Johannes and dismissed by his brusque sister, Marin, who rules the house and influences the business, too. Distracted by the wedding present, Nella commissions a miniaturist to supply tiny items of furniture; but these exquisite objects and their accompanying messages soon begin to bear a chilly, even prophetic relationship to people and thingssuggesting their maker knows more about the family and its business than is possible or safe. In a debut that evokes Old Master interiors and landscapes, British actress Burton depicts a flourishing society built on water and trade, where women struggle to be part of the world. Her empathetic heroine, Nella, endures loneliness and confusion until a sequence of domestic shocks forces her to grow up very quickly. Finally obliged to become that architect of her own fortune, Nella acts to break the miniaturist's spell and save everything she holds dear.With its oblique storytelling, crescendo of female empowerment and wrenching ending, this novel establishes Burton as a fresh and impressive voice; book groups in particular will relish it. Copyright Kirkus Reviews, used with permission.
Booklist-Rezension
It's a pleasure to discover an author who wields language in striking ways, and Burton's setting and story line are equally singular. In her enticing debut, set in 1680s Amsterdam, she counterbalances her mischievous premise with stark commentary on greed, hypocrisy, and prejudice. Already puzzled by the indifference of her new husband, merchant-trader Johannes Brandt, 18-year-old Nella feels insulted by his seemingly childish wedding gift: a pricey dollhouse whose tiny rooms replicate the decor and layout of their home. However, she grows intrigued when the furnishings she commissions from a miniaturist reveal uncannily prescient insight into their household. Full of surprises and layers of secrets, the plot gathers suspense as Nella seeks answers from the enigmatic miniaturist and tension heightens between Johannes and a business associate over unsold sugar. While Nella's determination and colorful observations are appealing, the inscrutability of her chilly sister-in-law, Marin, deepens the sense of mystery. The interactions between these strong characters and their spirited maid, Cornelia, make this refreshingly different historical novel a standout portrayal of the wide range of women's ingenuity.--Johnson, Sarah Copyright 2010 Booklist
New York Review of Books-Rezension
Burton's debut novel finds its inspiration in a 17th-century hobby for the rich: an ostentatious dollhouse owned by the wife of an Amsterdam merchant. In its day, Petronella's "cabinet house," a nine-room tortoiseshell cupboard replete with pewter inlays, gold-embossed wallpaper and tiny household items, cost 10 times as much as a common laborer's home. (The cabinet is now displayed in the Rijksmuseum.) This retelling depicts Nella as a country naïf who, after marrying Johannes Brandt, finds herself captive in a forbidding household ruled by an uncommunicative sister-in-law. While the dollhouse, a thoughtless gift from the withdrawn Johannes, silently mocks Nella - "a monument to her powerlessness" - the young wife strives to become a street-smart matron. The sole figure to aid her quest is an anonymous and uncanny "miniaturist" whose exquisitely crafted work not only arrives to fill Nella's cabinet unbidden but also hides enigmatic, prophetic messages. Burton's narration frequently says too much, and she isn't immune to cliché ("Nella thought her heart might burst") or sentimentality (Nella and the friends she eventually finds "make a hopeful tapestry"). But the novel is nonetheless a seductive meditation on greed, power and the tortuous journey even the well heeled must endure for self-possession. Burton adroitly depicts a culture of contradiction: a love of affluence and indulgence chafing against the impulse for Godfearing abstinence. The result is a population "living in the shadows between lies and truth."
Library Journal-Rezension
This debut novel from Oxford-educated -actress Burton transports the reader to Amsterdam in the winter of 1686, where the Dutch merchant class is obsessed with money and influenced by a repressive church. Eighteen-year-old Petronella arrives at her new home on the Herengracht canal to take on her role as wife to a wealthy merchant, Johannes Brandt. To help her adjust to an existence with a largely absent husband and an unfriendly household, -Johannes gives Nella a cabinet house, a small replica of her residence. Nella finds a miniaturist to produce pieces for this toy, but the cryptic notes that come with his deliveries cause her to feel increasingly uneasy. As the Brandts' place in the community is threatened, Nella tries to understand the societal nuances and help her family. VERDICT Barton's writing is expressive and descriptive. While her prose is rich, it does not overwhelm the story, which takes a number of sharp turns as the truths about the Brandt family are revealed. This historical novel with its strong female characters will appeal to those who enjoy the haunting undercurrents of Carlos Ruiz Zafon's The Shadow of the Wind.-Terry Lucas, Rogers Memorial Lib., Southampton, NY (c) Copyright 2014. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
