Zusammenfassung
Zusammenfassung
10th ANNIVERSARY EDITION * NATIONAL BESTSELLER * A modern classic about star-crossed lovers that explores questions of race and being Black in America--and the search for what it means to call a place home. * From the award-winning author of We Should All Be Feminists and Half of a Yellow Sun * WITH A NEW INTRODUCTION BY THE AUTHOR
"An expansive, epic love story."-- O, The Oprah Magazine
One of the New York Times 's 100 Best Books of the 21st Century * One of The Atlantic 's Great American Novels of the Past 100 Years
Ifemelu and Obinze are young and in love when they depart military-ruled Nigeria for the West. Beautiful, self-assured Ifemelu heads for America, where despite her academic success, she is forced to grapple with what it means to be Black for the first time. Quiet, thoughtful Obinze had hoped to join her, but with post-9/11 America closed to him, he instead plunges into a dangerous, undocumented life in London.
At once powerful and tender, Americanah is a remarkable novel that is "dazzling...funny and defiant, and simultaneously so wise." -- San Francisco Chronicle
Rezensionen (5)
Publisher's Weekly-Rezension
Adichie burst onto the literary scene in 2006 with Half of a Yellow Sun, her searing depiction of the civil war in Nigeria. Her equally compelling and important new novel follows the lives of that country's postwar generation as they suffer endemic corruption and poverty under a military dictatorship. An unflinching but compassionate observer, Adichie writes a vibrant tale about love, betrayal, and destiny; about racism; and about a society in which honesty is extinct and cynicism is the national philosophy. She broadens her canvas to include both America and England, where she illuminates the precarious tightrope existence of culturally and racially displaced immigrants. The friendship of Ifemelu and Obinze begins in secondary school in Lagos and blossoms into love. When Ifemelu earns a scholarship to an American college, Obinze intends to join her after his university graduation, but he's denied a U.S. visa. He manages to get to London where his plight is typical of illegal immigrants there: he uses another man's ID so he can find menial, off-the-grid work, with the attendant loss of dignity and self-respect. The final blow comes when he's arrested and deported home. Ifemelu, meanwhile, faces the same humiliations, indignities, and privations-first in New York, then in Philadelphia. There, attending college, she's unable to find a job and descends to a degrading sexual act in order to pay her rent. Later she becomes a babysitter for a wealthy white family and begins writing a provocative blog on being black in America that bristles with sharp, incisive observations about racism. Ifemelu writes that the painful, expensive process of "relaxing" kinky African hair to conform to cultural expectations brings black women dangerously close to self-hatred. In time the blog earns Ifemelu fame and a fellowship to Princeton, where she has love affairs with a wealthy white man and, later, an African-American Yale professor. Her decision to return home to Nigeria (where she risks being designated as an affected "Americanah") is the turning point of the novel's touching love story and an illuminating portrait of a country still in political turmoil. Announced first printing of 60,000. Agent: Sarah Chalfant, the Wylie Agency. (May 17) (c) Copyright PWxyz, LLC. All rights reserved.
Booklist-Rezension
*Starred Review* To the women in the hair-braiding salon, Ifemelu seems to have everything a Nigerian immigrant in America could desire, but the culture shock, hardships, and racism she's endured have left her feeling like she has cement in her soul. Smart, irreverent, and outspoken, she reluctantly left Nigeria on a college scholarship. Her aunty Uju, the pampered mistress of a general in Lagos, is now struggling on her own in the U.S., trying to secure her medical license. Ifemelu's discouraging job search brings on desperation and depression until a babysitting gig leads to a cashmere-and-champagne romance with a wealthy white man. Astonished at the labyrinthine racial strictures she's confronted with, Ifemelu, defining herself as a Non-American Black, launches an audacious, provocative, and instantly popular blog in which she explores what she calls Racial Disorder Syndrome. Meanwhile, her abandoned true love, Obinze, is suffering his own cold miseries as an unwanted African in London. MacArthur fellow Adichie (The Thing around Your Neck, 2009) is a word-by-word virtuoso with a sure grasp of social conundrums in Nigeria, East Coast America, and England; an omnivorous eye for resonant detail; a gift for authentic characters; pyrotechnic wit; and deep humanitarianism. Americanah is a courageous, world-class novel about independence, integrity, community, and love and what it takes to become a full human being. --Seaman, Donna Copyright 2010 Booklist
New York Review of Books-Rezension
WHAT'S the difference between an African-American and an American-African? From such a distinction springs a deep-seated discussion of race in Chimamanda Ngozi Adichie's third novel, "Americanah." Adichie, born in Nigeria but now living both in her homeland and in the United States, is an extraordinarily self-aware thinker and writer, possessing the ability to lambaste society without sneering or patronizing or polemicizing. For her, it seems no great feat to balance high-literary intentions with broad social critique. "Americanah" examines blackness in America, Nigeria and Britain, but it's also a steady-handed dissection of the universal human experience - a platitude made fresh by the accuracy of Adichie's observations. So an African-American is a black person with long generational lines in the United States, most likely with slave ancestors. She might write poetry about "Mother Africa," but she's pleased to be from a country that gives international aid rather than from one that receives it. An American-African is an African newly emigrated to the United States. In her native country, she didn't realize she was black - she fit that description only after she landed in America. In college, the African-American joins the Black Student Union, while the American-African signs up with the African Students Association. Adichie understands that such fine-grained differentiations don't penetrate the minds of many Americans. This is why a lot of people here, when thinking of race and class, instinctively speak of "blacks and poor whites," not "poor blacks and poor whites." Many of Adichie's best observations regard nuances of language. When people are reluctant to say "racist," they say "racially charged." The phrase "beautiful woman," when enunciated in certain tones by certain haughty white women, undoubtedly means "ordinary-looking black woman." Adichie's characters aren't, in fact, black. They're "sable" or "gingerbread" or "caramel." Sometimes their skin is so dark it has "an undertone of blueberries." "Americanah" tells the story of a smart, strong-willed Nigerian woman named Ifemelu who, after she leaves Africa for America, endures several harrowing years of near destitution before graduating from college, starting a blog entitled "Raceteenth or Various Observations About American Blacks (Those Formerly Known as Negroes) by a Non-American Black" and winning a fellowship at Princeton (as Adichie once did; she has acknowledged that many of Ifemelu's experiences are her own). Ever hovering in Ifemelu's thoughts is her high school boyfriend, Obinze, an equally intelligent if gentler; more self-effacing Nigerian, who outstays his visa and takes illegal jobs in London. (When Obinze trips and falls to the ground, a co-worker shouts, "His knee is bad because he's a knee-grow!") Ifemelu and Obinze represent a new kind of immigrant, "raised well fed and watered but mired in dissatisfaction." They aren't fleeing war or starvation but "the oppressive lethargy of choicelessness." Where Obinze fails - soon enough, he is deported - Ifemelu thrives, in part because she seeks authenticity. Never has Ifemelu felt as free as the day she stops hiding her Nigerian accent under an American one, the accent that convinces telemarketers she is white. She refuses to straighten her hair (a favorite Web site is HappilyKinkyNappy.com), even if she must endure muttered disparagements from African-Americans when out with a white man - "You ever wonder why he likes you looking all jungle like that?" Early on, a horrific event leaves Ifemelu reeling, and years later, when she returns to Nigeria, she's still haunted by it. Meantime, back in Lagos, Obinze has found wealth as a property developer. Though the book threatens to morph into a simple story of their reunion, it stretches into a scalding assessment of Nigeria, a country too proud to have patience for "Americanahs" - big shots who return from abroad to belittle their countrymen - and yet one that, sometimes unwittingly, endorses foreign values. (Of the winter scenery in a school's Christmas pageant, a parent asks, "Are they teaching children that a Christmas is not a real Christmas unless snow falls like it does abroad?") "Americanah" is witheringly trenchant and hugely empathetic, both worldly and geographically precise, a novel that holds the discomfiting realities of our times fearlessly before us. It never feels false. Mike Peed is on the editorial staff of the Sunday Review section of The Times.
Kirkus-Rezension
A sensitive portrayal of distant love, broken affinities and culture clash by Nigerian novelist Adichie (Purple Hibiscus, 2003, etc.). Absence makes the heart grow fonder, it's said--but as often it makes the heart grow forgetful. Ifemelu, beautiful and naturally aristocratic, has the good fortune to escape Nigeria during a time of military dictatorship. It is a place and a society where, as a vivacious "aunty" remarks, "[t]he problem is that there are many qualified people who are not where they are supposed to be because they won't lick anybody's ass, or they don't know which ass to lick or they don't even know how to lick an ass." Ifemelu's high school sweetheart, Obinze, is too proud for any of that; smart and scholarly, he has been denied a visa to enter post-9/11 America (says his mother, "[t]he Americans are now averse to foreign young men"), and now he is living illegally in London, delivering refrigerators and looking for a way to find his beloved. The years pass, and the world changes: In the America where Ifemelu is increasingly at home, "postracial" is a fond hope, but everyone seems just a little bewildered at how to get there, and meanwhile, Ifemelu has to leave the safe, sheltered confines of Princeton to go to Trenton if she's to get her hair done properly. The years pass, and Ifemelu is involved in the usual entanglements, making a reunion with Obinze all the more complicated. Will true love win out? Can things be fixed and contempt disarmed? All that remains to be seen, but for the moment, think of Adichie's elegantly written, emotionally believable novel as a kind of update of Terry McMillan's Waiting to Exhale. Soap-operatic in spots, but a fine adult love story with locations both exotic and familiar.]] Copyright Kirkus Reviews, used with permission.
Library Journal-Rezension
Ifemelu, the Nigerian expat and Princeton lecturer at the heart of this latest novel by Orange Prize winner Adichie (Half of a Yellow Sun), writes biting, dead-on blog posts taking aim at the cultural schism between non-African blacks, Africans, and everyone else. She also observes her Auntie Uju turning herself inside out to attract a man as Ifemelu's nephew silently accepts his mother's aspirations. Whether Ifemelu is writing a treatise on how to care for black hair or a scathing take on American students earning extra credit for bombast, her opinions bring her money and acknowledgment. But one day, as she is complimented on her nurtured American accent, Ifemelu senses that she has lost her way. A parallel plotline follows Obinze, the man Ifemelu left behind in Lagos, who emigrated to London and longs for a life in America with her. -VERDICT Witty, wry, and observant, Adichie is a marvelous storyteller who writes passionately about the difficulty of assimilation and the love that binds a man, a woman, and their homeland. Her work should be read by anyone clutching at the belief that we're living in a post-racial United States.-Sally Bissell, Lee Cty. Lib. Syst., Estero, FL (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.